Pero's Bridge

This is a list of public art in Bristol, England. This list applies only to works of public art on permanent display in an outdoor public space. For example, this does not include artworks in museums.

Za Za Bazaar World Banquet & Bar is a buffet restaurant in Bristol, England. The restaurant, in Bristol's Harbourside area, opened just before Christmas in 2011. Its construction lasted thirteen weeks, and cost £3 million. It was billed as the largest restaurant in the United Kingdom, and seats 1,000 people, eclipsing Croydon's Cosmo restaurant in size, which seats 800.It was established with the plan to open another seven "super restaurants" across the United Kingdom, in an investment of £10m, that was rumoured to create 1,000 jobs in eighteen months. However, the expansion did not materialise, and a planned restaurant in Norwich has yet to be built. The food is split into the main categories of Far East, Tex Mex, European and Indian.A second restaurant, situated in Newcastle City Centre, permanently closed in 2020 as a result of the COVID-19 pandemic.

The Shakespeare is an historic pub in Prince Street, Bristol, England. Built in 1725 by the Bristol builder John Strahan as a pair of attached Georgian-style houses, it was converted into a pub in 1777 at which time it supplied refreshment to dock workers at the adjoining port. It has been a grade II* listed building since 1959.

The Great Bristol Half Marathon is an annual road running event held on the streets of Bristol, UK. The route is at sea level and starts on Anchor Road outside We The Curious. Participants make their way toward Hotwells before heading under the Clifton Suspension Bridge and along the Portway toward Sea Mills before returning the same way then navigating around Cumberland Basin then along Spike Island before crossing Prince Street Bridge, circling Queen Square then heading to Castle Park via St Mary Redcliffe and Temple Circus. The final mile and a half take place in the Old City and Bristol city centre before crossing the finish line back at Anchor Road. The runner's village is located at Millennium Square.

We The Curious (previously At-Bristol or "@Bristol") is a science and arts centre and educational charity in Bristol, England. It features over 250 interactive exhibits over two floors, and members of the public and school groups can also engage with the Live Science Team over programming in the kitchen, studio and on live lab. We The Curious is also home of the United Kingdom's first 3D planetarium. The centre describes its aim as being "to create a culture of curiosity".As part of its charitable status, We The Curious has an extensive community engagement programme. In regular weekends throughout the year We The Curious hosts "Hello!" weekends for communities who are currently under-represented in their visitors while also providing a community membership for charities and groups working in and for the community. Alongside this, We The Curious is working with local schools and community groups to plan exhibits and programming for the future.

Arnolfini is an international arts centre and gallery in Bristol, England. It has a programme of contemporary art exhibitions, artist's performance, music and dance events, poetry and book readings, talks, lectures and cinema. There is also a specialist art bookshop and a café bar. Educational activities are undertaken and experimental digital media work supported by online resources. Festivals are hosted by the gallery. The gallery was founded in 1961 by Jeremy Rees, and was located in Clifton. In the 1970s it moved to Queen Square, before moving to its present location, Bush House on Bristol's waterfront, in 1975. The name of the gallery is taken from Jan van Eyck's 15th-century painting The Arnolfini Portrait. Arnolfini was refurbished and redeveloped in 1989 and 2005. Artists whose work has been exhibited include Bridget Riley, Rachel Whiteread, Richard Long and Jack Yeats. Performers have included Goat Island Performance Group, the Philip Glass Ensemble, and Shobana Jeyasingh Dance Company. The gallery reached a new audience in April 2010, when it was chosen to host one of the three 2010 general election debates.

The Frome , historically the Froom, is a river that rises in Dodington Park, South Gloucestershire, and flows southwesterly through Bristol to join the river Avon. It is approximately 20 miles (32 km) long, and the mean flow at Frenchay is 60 cubic feet per second (1.7 m3/s). The name Frome is shared with several other rivers in South West England and means 'fair, fine, brisk'. The river is known locally in east Bristol as the Danny. As with many urban rivers, the Frome has suffered from pollution, but several stretches run through parks and reserves that sustain a range of wildlife. The river's power was harnessed by many watermills, and the river mouth area was developed as shipyards by the eighteenth century. As the city of Bristol developed in the nineteenth and twentieth centuries, flooding became a major problem, remedied by the construction of storm drains and diversions.

Watershed opened in June 1982 as the United Kingdom's first dedicated media centre. Based in former warehouses on the harbourside at Bristol, it hosts three cinemas, a café/bar, events/conferencing spaces, the Pervasive Media Studio, and office spaces for administrative and creative staff. It occupies the former E and W sheds on Canon's Road at Saint Augustine's Reach, and underwent a major refurbishment in 2005. The building also hosts UWE eMedia Business Enterprises, Most of Watershed's facilities are situated on the second floor of two of the transit sheds. The conference spaces and cinemas are used by many public and private sector organisations and charities. Watershed employs the equivalent of over seventy full-time staff and has an annual turnover of approximately £3.8 million. As well as its own commercial income (through Watershed Trading), Watershed Arts Trust is funded by national and regional arts funders.A 2010 report for the International Futures Forum describes the Watershed as "a creative ecosystem, operating in many different and overlapping economies," which is "pushing the creative boundary" by fostering both the invention and consolidation of new work.

Prince Street Bridge is a swing bridge across Bristol Harbour. It is now Grade II listed. The bridge carries a road from Prince Street to Wapping Road and is located between the Arnolfini art centre and M Shed museum. The iron swing bridge was built in 1879 on the site of the ancient Gib ferry owned by the Dean and Chapter of Bristol Cathedral. It replaced a previous bridge built in 1809. In the 19th century tolls were charged for traffic over the bridge, with the toll house being burnt during the Bristol Riots of 1831.The swing bridge is operated by water hydraulic power provided by the adjacent engine house and accumulator tower.Repair work led to the closure of the bridge between 2015 and 2017. Fewer than 2,000 motor vehicle movements now cross the bridge per day using one side, whilst over 24,000 pedestrians and cyclists use the other. This has led pressure groups to call for the bridge to be closed to cars permanently.

Pyronaut (originally Bristol Phoenix II) is a specialised form of fireboat known as a fire-float. It was built in 1934 by Charles Hill & Sons Ltd., Albion Dock Bristol, Yard No. 208. Registered number 333833. She is owned by Bristol Museums and based at M Shed in Bristol's Floating Harbour. Originally powered by two Petter Atomic diesel engines rates at 55 bhp (41 kW) each. Two Merryweather & Sons three-cylinder reciprocating pumps capable of delivering 500 imperial gallons (2,300 L; 600 US gal) of water per minute. This equipment was replaced in 1968 by two Ruston & Hornsby 6YDM six-cylinder diesel engines rated at 90 bhp (67 kW) each, driving screw propellers from the front power-take-off, and Coventry Climax centrifugal pumps capable of delivering 1,000 imperial gallons (4,500 L; 1,200 US gal) of water per minute from the main drive.

Canon's Marsh (sometimes written Canons Marsh) is an inner city area of Bristol, England. Canon's Marsh occupies low-lying land on the north side of the Floating Harbour, immediately to the west of the River Frome spur (St Augustine's Reach) of the harbour. Canon's Marsh includes Bordeaux Quay, Canon's Wharf, Hannover Quay, and Millennium Square, and is part of the area that has been branded "Harbourside". Formerly an industrial area, with busy quaysides, warehouses, railway transit sheds and one of the city's main gas works, Canon's Marsh was subject to urban regeneration beginning in the 1980s and completing in the 2010s. It is now a mixed use neighbourhood with residential and office developments alongside major leisure attractions. Canons' Marsh borders Hotwells to the west, Clifton to the north, and the city centre to the north east. It is in the Hotwells and Harbourside electoral ward.

The International Festival of the Sea was a maritime festival, held in and around the Floating Harbour in the English port city of Bristol. Held from 24 to 27 May 1996, it was the first of a series of International Festivals of the Sea that have since been held in various United Kingdom ports. The key theme of the Bristol festival was John Cabot's pioneering voyage of discovery to the Americas. As part of the festival, a replica of Cabot's ship, the Matthew, was dedicated prior to its reenactment of Cabot's voyage the following year. Other vessels taking part included the tall ships Eye of the Wind, Pride of Baltimore, Rose, Kaskelot and Earl of Pembroke. The sail training ship Royalist made the news by going aground in the tricky passage of the Avon Gorge on the approaches to the Floating Harbour; no casualties or damage was sustained and the ship was subsequently refloated.Unlike the annual Bristol Harbour Festival, the International Festival of the Sea was a ticketed event. This necessitated cordoning off the, usually publicly accessible, harbourside areas, together with nearby parts of the city centre. Within this cordon visitors were able to view the visiting ships and boats, and watch live music, street performances and other entertainments. The festival was brought to a close by a firework display. The festival was extensively covered by BBC Television, with several live programs broadcast from the event. The coverage was presented by Peter Snow, Jill Dando and Sandi Toksvig, with additional material by Tony Robinson and Antony Worrall Thompson.The festival failed to acknowledge Bristol's involvement in the slave trading industry. Otele, O. (2012). Bristol, slavery and the politics of representation: the Slave Trade Gallery in the Bristol Museum. Social Semiotics, 22(2), pp.155–172. doi:10.1080/10350330.2012.665231.