Palazzo Zabarella

The Ponte San Lorenzo is a Roman bridge over the river Bacchiglione in Padua, Italy. Constructed between 47 and 30 BC, it is one of the very earliest segmental arched bridges in the world. It is also notable for the slenderness of its piers, unsurpassed in antiquity.

The province of Padua (Italian: provincia di Padova) is a province in the Veneto region of Italy. Its capital is the city of Padua.

The church dedicated to saint Francis of Assisi, known for centuries as San Francesco Grande (to avoid confusion with the church of San Francesco Piccolo which was gone by the sixteenth century) is a religious building on the Via San Francesco, previously overlooks the Contra porteghi high in Padua, Italy. Through the efforts of Baldo de Bonafarii and Sibilla de Cetto, the convent of the Friars Minor and the Hospital of Saint Francis, Major (or Greater), operated until 1798.

The Anatomical Theatre of Padua, Northern Italy, is the first permanent anatomical theatre in the world. Still preserved in the Palazzo del Bo, it was inaugurated in 1595 by Girolamo Fabrici of Acquapendente, according to the project of Paolo Sarpi and Dario Varotari. This theatre constituted the model for the anatomical theatres built during the seventeenth century in the main universities of Europe: all would have been based on the Paduan archetype. It is the symbol of a successful period in the University of Padua's history, and it is considered one of the most important achievements for the study of anatomy during the sixteenth century.

The Pedrocchi Café (Caffè Pedrocchi in Italian) is a café founded in the 18th century in central Padua, Italy. It has architectural prominence because its rooms were decorated in diverse styles, arranged in an eclectic ensemble by the architect Giuseppe Jappelli. The café has historical prominence because of its role in the 1848 riots against the Habsburg monarchy, as well as for being an attraction for artists over the last century from the French novelist Stendhal to Lord Byron to the Italian writer Dario Fo.

The Ponte Altinate is a Roman bridge in Padua, Italy. The late Republican bridge once spanned a branch of the Brenta river whose course is today followed by the street Riviera del Ponti Romani. The structure is located at the crossing with Via Altinate and, lying underground, completely obstructed from view by the modern pavement. The rise-to-span ratio is 1:4 for the main arch and 1:3.7 for the two lateral ones, while the ratio of pier thickness to clear span is c. 1:5.Close by is the similarly inaccessible Roman bridge Ponte San Lorenzo which is open to visitors at fixed hours though.

Sant'Andrea is a Roman Catholic church located on Via Sant'Andrea in Padua, region of Veneto, Italy. Founded by the 12th-century as a parish church, the present church was completed in the late 19th century.

The Church of San Gaetano is found in the central district of Padua, and its facade was designed by the late Renaissance architect Vincenzo Scamozzi. The church was constructed from 1574 to 1586 on an octagonal layout, based on a prior chapel at the site, under the direction of the Theatines, an order founded by St Cajetan of Thiene and favored by cardinal Pietro Carafa, who became Pope Paul IV. It was built on the site of an old church dedicated to San Francesco Piccolo.

The Italian Synagogue of Padua is the only synagogue still in use of the several that flourished in the university town of Padua from the Renaissance through World War II. The Italian Synagogue was built in 1584.The synagogue underwent renovation and/or restoration in 1581, 1631, 1830, and 1865. It was closed in 1892 when the community built a modern synagogue, but reopened after the war because in 1943 fascists burned the modern synagogue.The synagogue is located at 9 Via San Martino and Solferino in the historic ghetto. It is in the same building as the offices of the Jewish community of Padua. Students visiting the university are welcome to pray with the congregation. Visitors can see the synagogue by contacting the Jewish community.The baroque synagogue measures 18 by 7 meters. As is usual in Italian synagogues, the Bimah and Torah Ark are located at opposite sides of the room, with the space in between left vacant to accommodate the processional. What is unusual about the synagogue at Padua is that the Ark and Bimah are placed on the synagogues's long walls.The baroque, sixteenth century Torah Ark is made from the wood of a plane tree that was struck down by lightning in the University's famous botanical garden. It features gilded doors, four Corinthian columns made of black marble with white veining, and carved foliage. The balduchin is in the form of a broken pediment.The "majestic" Bimah is reached by a curved flight of eight steps on each side. It features an octagonal balduchin supported by four columns and four pilasters (two projecting form the wall.) The Corinthian capitals of the pillars and pilasters are gilded. Elaborate baroque carvings surmount the balduchin.The ceiling is coffered and painted. The area between the Torah Ark and Bimah is a coffered barrel vault, with large, heavily-carved baroque rosettes in each recess.The historic women's gallery is upstairs. Today, the synagogue has a women's section on the main floor.

The Palazzo della Ragione is a medieval market hall, town hall and palace of justice building in Padua, in the Veneto region of Italy. The upper floor was dedicated to the town and justice administration; while the ground floor still hosts the historical covered market of the city. The palace separates the two market squares of Piazza delle Erbe from Piazza dei Frutti. It is popularly called "il Salone" (the big Hall). It is part of the UNESCO World Heritage Site of Padua's 14th-century fresco cycles (since 2021).

The Palazzo Vigodarzere, once known as Palazzo Zigno is a Neoclassical palace located on Via Rudana #35 in central Padua, region of Veneto, Italy.

Piazza delle Erbe is one of the many squares in the historic center of Padua. For centuries, with Piazza della Frutta, it was the commercial center of the city. In the two squares is one of the largest markets in Italy. Unlike Piazza dei Signori, the civic theater of celebrations, Piazza delle Erbe was the site of the folk festivities. The square is dominated by the imposing Palazzo della Ragione.