Santa Maria Maggiore della Pietrasanta

The Pontano Chapel or Cappella dei Pontano is a Renaissance-style chapel in central Naples, Italy, on Via Tribunali, just in front of and obscuring the left lower façade of the church of Santa Maria Maggiore alla Pietrasanta. The chapel was built in 1492 by humanist Giovanni Pontano as funerary chapel for his beloved wife Adriana Sassone. The architects, the brothers Giocondo and Francesco di Giorgio, made the building have Vitruvian proportions for length and width. The serene façade, seemingly out of place with the bright dynamic façade of Santa Maria Maggiore, is constructed of grey piperno rock with pilasters. The interior has maiolica flooring. Behind the altar is a fresco of the Madonna with Saints John the Baptist and John the Evangelist (c. 1492) attributed to Francesco Cicino da Caiazzo.

The church of the Croce di Lucca is a religious edifice in central Naples, Italy, on the Via dei Tribunali. In 1534, the husband and wife, Andrea Sbarra and Cremona Spinelli founded at this site a monastery of the Carmelites. It was devoted to the image of the crucifix, similar to one venerated in Lucca. Two years later, the widowed Spinelli became a nun. Later endowments came from the Prince of Altamura, who had five daughters join the order: Aurelia, Maria, Elena, Eleonora, and Elisabetta del Giudice. The church we see now was decorated in the 17th century, and remains despite the demolition of the once adjacent monastery.The monastery is now replaced with medical clinics of the University of Naples. The interior was decorated on designs by Francesco Antonio Picchiatti. The nave ceiling has 16th century paintings depicting the Madonna del Carmine and Saints attributed to Giovanni Battista Caracciolo. Other works made for the church include puttini a chiaroscuro over the arches of the chapels by Giovanni Battista Rossi, pupil of Solimena. The first chapel on the left, has an Annunciation attributed to either Francesco Curia or Manchelli, a pupil of Marco da Siena. The second chapel has paintings of Saints Domenico & Monica by Nicola Malinconico. The third chapel has a Santa Maria Maddalena de’ Pazzi by the studio of Vaccaro. The altar and tabernacle are attributed to a Sanfelice in 1684. It has paintings by Giovanni Battista Rossi. The first chapel on the left had a Virgin of the Rosary by Balducci. The second, a Santa Teresa by a follower of Vaccaro. The third chapel has paintings and frescoes by Nicola Malinconico. A wooden Virgin sculpture was attributed to Domenico di Nardo. The sacristy frescoes are attributed to Lionardo Olivieri, also a pupil of Solimena.

The Palazzo Spinelli di Laurino is a palace, located on the corner of Via Nilo and Via dei Tribunali in central Naples, Italy. A palace at the site was first built in the 15th century, but the present layout, with an elliptical interior courtyard was commissioned by Trojano Spinelli. The courtyard recalls the interior of Palazzo Farnese of Caprarola. The structure is much altered, but still contains in the interior courtyard, a hint of former grandeur with dual ramp staircases, and statuary depicting virtues along rooflines, and a maiolica clock face on a triangular pediment surmounted by a Virgin of the Immaculate Conception. The palace is just north of the Palazzo d’Afflitto, Palazzo del Panormita, and Palazzo di Ludovico di Bux (number 22) on the narrow alley that is Via Nilo.

The Veiled Christ (Italian: Cristo velato) is a 1753 marble sculpture by Giuseppe Sanmartino exhibited in the Cappella Sansevero, Naples, Italy. Veiled Christ is considered one of the world's most remarkable sculptures, and legendarily thought to have been created by alchemy. Sculptor Antonio Canova, who tried to acquire the work, declared that he would willingly give up ten years of his life to produce a similar masterpiece.

The Cappella Sansevero (also known as the Cappella Sansevero de' Sangri or Pietatella) is a chapel located on Via Francesco de Sanctis 19, just northwest of the church of San Domenico Maggiore, in the historic center of Naples, Italy. The chapel is more properly named the Chapel of Santa Maria della Pietà. It contains works of Rococo art by some of the leading Italian artists of the 18th century.

The church of the Purgatorio ad Arco, or Santa Maria delle Anime del Purgatorio ad Arco is a religious edifice in central Naples, Italy, located on Via dei Tribunali. The church is two blocks west of the church of Santa Maria Maggiore della Pietrasanta on Via dei Tribunali.

The Palazzo di Sangro di Casacalenda is an 18th-century aristocratic palace located across a pizza from the church of San Domenico Maggiore in central Naples, region of Campania, Italy. The East flank of the facade faces the facade of the church of Sant'Angelo a Nilo.

The Palazzo D'Afflitto is a palace located in the San Giuseppe neighbourhood of Naples, Italy, adjacent to the Palazzo Capomazza di Campolattaro. It used to belong to the princely family d'Afflitto. In the third floor is the recently restored Church of the Real Monte Manso di Scala, built atop the famed Cappella Sansevero. The palace was built in the 15th century but underwent numerous reconstructions.

San Domenico Maggiore is a Gothic, Roman Catholic church and monastery, founded by the friars of the Dominican Order, and located in the square of the same name in the historic center of Naples.

San Pietro a Majella is a church in Naples, Italy. The term may also refer to the adjacent Naples music conservatory, which occupies the premises of the monastery that used to form a single complex with the church. The church stands at the western end of Via dei Tribunali, one of the three parallel streets that define the grid of the historic center of Naples; the church is considered one of the most significant examples of Angevin architecture in Naples and was built at the wishes of Giovanni Pipino da Barletta, one of the knights of Charles II of Anjou and the one responsible for destroying the last Saracen colony on the southern peninsula, in Lucera. San Pietro a Majella was built in the early 14th century in Gotico Angioiano style and was named for and dedicated to Pietro Angeleri da Morone, a hermit monk from Maiella (near Sulmona) who became Pope Celestine V in 1294. He was the founder of the Celestine monastic order, which occupied the church until 1799, when monasteries were suppressed by the Neapolitan Republic. After the restoration of the monarchy, the monastery was reopened, but in 1826 was converted to house the San Pietro a Maiella Conservatory, a function it preserves. The church underwent restoration in the 1930s and remains an open and active house of worship. As was the case with much Angevin architecture in Naples, San Pietro a Majella underwent a Baroque make-over by the Spanish in the 17th century, but 20th-century restoration attempted to "undo" that and to restore the building to its original Gothic appearance.

Santa Maria Regina Coeli is a Roman Catholic church in central Naples, Italy.

Sant'Angelo a Segno, Naples Sant’Angelo a Segno or Sant’Archangelo a Segno is a Roman Catholic church in Naples, Italy, located on Via dei Tribunali number 45.