Palazzo di Sangro di Casacalenda, Naples

The Veiled Christ (Italian: Cristo velato) is a 1753 marble sculpture by Giuseppe Sanmartino exhibited in the Cappella Sansevero, Naples, Italy. Veiled Christ is considered one of the world's most remarkable sculptures, and legendarily thought to have been created by alchemy. Sculptor Antonio Canova, who tried to acquire the work, declared that he would willingly give up ten years of his life to produce a similar masterpiece.

The Cappella Sansevero (also known as the Cappella Sansevero de' Sangri or Pietatella) is a chapel located on Via Francesco de Sanctis 19, just northwest of the church of San Domenico Maggiore, in the historic center of Naples, Italy. The chapel is more properly named the Chapel of Santa Maria della Pietà. It contains works of Rococo art by some of the leading Italian artists of the 18th century.

San Domenico Maggiore is a Gothic, Roman Catholic church and monastery, founded by the friars of the Dominican Order, and located in the square of the same name in the historic center of Naples.

Palazzo di Sangro, also known as either Palazzo de Sangro di Sansevero or Palazzo Sansevero, is a late-Renaissance-style aristocratic palace facing the church of San Domenico Maggiore, separated by the via named after the church, in the city center of Naples, Italy. Part of the palace facade faces the piazza in front of the church, which is also bordered to the south by the Palazzo di Sangro di Casacalenda.

The Tomb of Cardinal Rainaldo Brancacci (or Brancaccio) is a sculptural work in the church of Sant'Angelo a Nilo in Naples, southern Italy, executed by Donatello and Michelozzo around 1426-1428. Built in marble, partly gilt and polychrome, it has a height of 11.60 meters and a width of 4.60.

Sant'Angelo a Nilo is a Roman Catholic church located on the Decumano Inferiore (Spaccanapoli street) in Naples, Italy. It stands diagonally across from San Domenico Maggiore in Naples. It is known for containing the monumental Renaissance-style tomb of Cardinal Rainaldo Brancacci (Italian: Sepolcro del Cardinale Brancacci) by Donatello and Michelozzo, one of the major sculptural works in the city.

The Palazzo D'Afflitto is a palace located in the San Giuseppe neighbourhood of Naples, Italy, adjacent to the Palazzo Capomazza di Campolattaro. It used to belong to the princely family d'Afflitto. In the third floor is the recently restored Church of the Real Monte Manso di Scala, built atop the famed Cappella Sansevero. The palace was built in the 15th century but underwent numerous reconstructions.

The Pontano Chapel or Cappella dei Pontano is a Renaissance-style chapel in central Naples, Italy, on Via Tribunali, just in front of and obscuring the left lower façade of the church of Santa Maria Maggiore alla Pietrasanta. The chapel was built in 1492 by humanist Giovanni Pontano as funerary chapel for his beloved wife Adriana Sassone. The architects, the brothers Giocondo and Francesco di Giorgio, made the building have Vitruvian proportions for length and width. The serene façade, seemingly out of place with the bright dynamic façade of Santa Maria Maggiore, is constructed of grey piperno rock with pilasters. The interior has maiolica flooring. Behind the altar is a fresco of the Madonna with Saints John the Baptist and John the Evangelist (c. 1492) attributed to Francesco Cicino da Caiazzo.

Santa Maria Assunta dei Pignatelli is a deconsecrated Roman Catholic church located at the end of Via Nilo (where it intersects Piazzeta Nilo, and runs into via Giovanni Paladino) in Naples, region of Campania, Italy. In the small piazza in front of the church is an ancient Roman statue of the Nile God.

The Palazzo Carafa della Spina is a historic palace located on Via Benedetto Croce number 45, (part of Via Spaccanapoli) in the quartiere San Giuseppe of Naples, Italy. It is located between the Piazza of the Gesu Nuovo and the Piazza of San Domenico Maggiore. The Palace once belonged to a branch of the Carafa family. The building was also known as the Palace of Fabrizio Carafa, Prince of Butera and Roccella, which later was inherited by Carlo Maria Carafa, famous being part of the cavalcade that brought the Chinea or tribute of Naples to Pope Innocent XI, and patron of the Carafa Chapel in San Domenico Maggiore.In the 16th century, a member of the Carafa della Spina family acquired the palace at this site, and it was rebuilt in the first half of the 17th century, likely using the architect Domenico Fontana. The palace was reconstructed in the 18th century by the architect Martino Buonocore. The elaborate Baroque portal made of piperno rock, create a grand entrance to the courtyard. Atop the portal, two satyrs serve as telamons to support the balcony and hold the heraldic shield of the Carafa family. Further below are two flanking masks and pylons with lion heads. The portal and internal stairwell have been attributed to Ferdinando Sanfelice.

The Palazzo del Panormita is a Renaissance style palace in central Naples. It rises alongside the narrow via Nilo, near via Spaccanapoli, where it is called San Biagio dei Librai, diagonally from Santa Maria Assunta dei Pignatelli, adjacent to the Piazza del Nilo with the Nile God statue. It is south of Palazzo d’Afflitto and the Palazzo Spinelli di Laurino. The palace was initially commissioned prior to 1450 by Antonio Beccadelli, (1394–1471), called Il Panormita (poetic form meaning "The Palermitan"), who was a prominent Italian poet, canon lawyer, scholar, diplomat, and chronicler. It has since gone through many owners, including Giacomo Capece Galeota, a regent in the Tribunal of the Vicariate. The initial architect was Giovanni Fillippo De Adinolfo, followed by Giovanni Francesco Mormando and Giovanni Francesco Di Palma who completed the work in the 16th century. The base of the structure has rough piperno rock. The piano nobile has the largest windows, while the third floor has arched windows. In the 1700s, a fourth story was added.

The Statue of the Nile God (Italian: Statua del dio Nilo) is an Ancient Roman, likely Hellenistic, marble statue dating from the 2nd to 3rd century AD. It is located at Piazzetta Nilo, at the start of via Nilo, in the quarter of the same name, and it is this statue that gives all their name. The church of Santa Maria Assunta dei Pignatelli faces the statue, and the Palazzo Panormita is on the north flank. Two blocks east, along Via Benedetto Croce (part of the Decumano Inferiore commonly called Spaccanapoli) rises the church of San Domenico.