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Fountain of the Spinacorona

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Fontana della Spinacorona
Fontana della Spinacorona

The Fountain of the Spinacorona, (Italian: Fontana della Spinacorona), vulgarly known as the Fontana delle Zizze (Fountain of the Breasts), is an ancient fountain in central Naples, located against a wall of the church of Santa Caterina della Spina Corona.

Excerpt from the Wikipedia article Fountain of the Spinacorona (License: CC BY-SA 3.0, Authors, Images).

Fountain of the Spinacorona
Corso Umberto I, Naples Pendino

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N 40.846151 ° E 14.258564 °
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Corso Umberto I 96
80138 Naples, Pendino
Campania, Italy
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Fontana della Spinacorona
Fontana della Spinacorona
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Naples
Naples

Naples (; Italian: Napoli [ˈnaːpoli] (listen); Neapolitan: Napule [ˈnɑːpələ, ˈnɑːpulə]) is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 967,069 within the city's administrative limits as of 2017. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the ninth century BC, a colony known as Parthenope (Ancient Greek: Παρθενόπη) was established on the Island of Megaride. In the 6th century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans.It served as the capital of the Duchy of Naples (661–1139), then of the Kingdom of Naples (1282–1816), and finally of the Two Sicilies until the unification of Italy in 1861. Naples is also considered a capital of the Baroque, beginning with the artist Caravaggio's career in the 17th century, and the artistic revolution he inspired. It was also an important centre of humanism and Enlightenment. The city has long been a global point of reference for classical music and opera through the Neapolitan School. Between 1925 and 1936, Naples was expanded and upgraded by Benito Mussolini's government. During the later years of World War II, it sustained severe damage from Allied bombing as they invaded the peninsula. The city received extensive post-1945 reconstruction work.Since the late 20th century, Naples has had significant economic growth, helped by the construction of the Centro Direzionale business district and an advanced transportation network, which includes the Alta Velocità high-speed rail link to Rome and Salerno and an expanded subway network. Naples is the third-largest urban economy in Italy, after Milan and Rome. The Port of Naples is one of the most important in Europe. In addition to commercial activities, it is home to the Allied Joint Force Command Naples, the NATO body that oversees North Africa, the Sahel and Middle East.Naples' historic city centre is the largest of its kind in Europe and has been designated as a UNESCO World Heritage Site. A wide range of culturally and historically significant sites are nearby, including the Palace of Caserta and the Roman ruins of Pompeii and Herculaneum. Naples is also known for its natural beauties, such as Posillipo, Phlegraean Fields, Nisida, and Vesuvius. Neapolitan cuisine is noted for its association with pizza, which originated in the city, as well as numerous other local dishes. Restaurants in the Naples' area have earned the most stars from the Michelin Guide of any Italian province. Naples' skyline in Centro Direzionale was the first skyline of Italy, built in 1994, and for 15 years it was the only one until 2009. The best-known sports team in Naples is the Serie A football club S.S.C. Napoli, two-time Italian champions who play at the Stadio Diego Armando Maradona in the southwest of the city, in the Fuorigrotta quarter.

Santi Severino e Sossio
Santi Severino e Sossio

The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy. The church is attached to one of the oldest monasteries in the city, and from 1835 it has housed the State Archives of Naples. It was founded in the tenth century by the Benedictine Order, but the Saracen raids of the time forced them to abandon the old monastery, located on the hill of Pizzofalcone, taking the relics of San Severino with them. In 904 they added to these the relics of San Sossio, martyred companion of San Gennaro. They remained here till 1808, when they were taken to Frattamaggiore. During the Angevin reign a number of important events occurred in this monastery, such as the convening of parliament in 1394 by the Sanseverino family, who were supporters of Louis II of Anjou. In 1490, the architect Giovanni Francesco Mormando from Calabria laid the foundations of the present church, which was completed by the 16th century by Giovanni Francesco di Palma. The cupola built in 1561 was one of the first in Naples, designed by the Florentine architect Sigismondo di Giovanni. The frescoes of the cupola (1566), now lost, were originally painted by a Flemish painter by the name of Pablo or Paolo Schepers. Other painters active in the church comprised a polyglot series of artists, including Marco Pino of Siena, Benvenuto Tortelli of Brescia, Bartolomeo Chiarini of Rome, Cosimo Fanzago of Bergamo, and lastly Fabrizio di Guido from Carrara. The last painter was active in the Medici chapel. . There is a long tradition of Tuscan artists residing in Naples, and was stimulated by the arrival of a group of master artisans from Carrara in the late 1500s, after the marriage of Alberico Cybo Malaspina and the Neapolitan Isabella of Capua, from the Duchy of Termoli. But there had already been a large contingent of Tuscan traders and financiers in Naples. For example, Antonio Piccolomini used the Strozzi family to negotiate having Antonio Rossellino and Benedetto da Maiano participate in the decoration of the Piccolomini Chapel in the church of Sant'Anna dei Lombardi. In addition, Tino di Camaino and Giotto apparently visited Naples under Angevin patronage.The decor of the chapels of Santi Severino e Sossio follows a pattern common to late Renaissance Neapolitan chapels: a reclining figure embedded within an architectural arched entablature, and the large altarpiece framed like a tabernacle, with lateral walls also holding paintings, and the lunettes painted in fresco.The wooden choir (1573) was designed by Benvenuto Tortelli da Brescia, and became a model for others in Southern Italy. In fact, monks from the Benedictine convent of San Martino delle Scale in Palermo requested a choir that "conformed" to that of San Severino. It also influenced other choir stalls and woodwork, including San Paolo Maggiore completed in 1583 by Giovan Lorenzo d'Albano (destroyed in last war), work in the sacristy of Santa Caterina a Formiello and S. Maria delle Grazie a Caponapoli (works by Martino Migliore), and finally the choirs in the church of Santi Apostoli, Santa Maria la Nova, and the Cathedral (1616) by Marcantonio Ferraro. Construction continued in the 18th century by Giovanni del Gaizo, who finished the facade using a design by Giovan Battista Nauclerio. When the Benedictines were expelled in 1799, the convent was occupied by the order of Sanfedisti and in 1813, became the collegio di Marina. In 1835 it became the archive of the state, which is still its present function. In the apse of the church main altar and the balustrade of presbytery (1640) were made and designed by Cosimo Fanzago. In 1783 the main altar was remodeled by Giacomo Mazzotti, the floor dates to 1697. The church has a Latin cross plan with seven chapels on each side and a deep rectangular apse. The nave frescoes and canvases were painted by Francesco de Mura, while the lateral chapels include works of the painter Marco Pino and the neapolitan sculptor Giovanni da Nola. Of note, is the funerary monument of Camillo de' Medici, completed by Girolamo D'Auria at the end of the 16th century. Through the sacristy one can access the lower church, built and decorated in Renaissance style, completed by Mormando.