The Punch Tavern

The Old Bell is a pub at 95 Fleet Street, London EC4. It is a Grade II listed building, dating back to the 17th century.It is claimed that it was built by Christopher Wren for the use of his masons.

Bridewell Theatre is a small theatre based in Blackfriars in London. It is operated as part of the St Bride Foundation Institute, named after nearby St Bride's Church on Fleet Street.It specialises in 'Lunchbox' theatre which last for 45 minutes. It also organises concerts.

Ludgate Circus was a planned London Underground station that would have formed part of "phase 2" of the Fleet line (now called the Jubilee line) had it been completed. Taking its name from the nearby Ludgate Circus in the City of London financial district, preliminary preparation work was begun in the 1970s, but the plan was later postponed due to lack of funds.When the Jubilee line was extended in the late 1990s, it took a different route south of the River Thames and the "phase 1" portion of the line from Green Park to Charing Cross was taken out of passenger use. A National Rail station was eventually constructed near the Ludgate Circus site, but to serve the north–south Thameslink route, using the Snow Hill tunnel, rather than the originally envisaged east–west line. It used the previously redundant line that used to form the National Rail line terminating at Holborn Viaduct station. This station was not named Ludgate Circus, but rather St. Paul's Thameslink, later changed to City Thameslink to avoid confusion with the nearby St Paul's tube station. It was, however, built in such a way as to allow for an underground east–west aligned station to be easily integrated; this can be seen in the wide spaces at the Holborn end of the station, where large doors open on to a corridor intended to lead to escalators to an underground concourse level. It is still known today as the "LUL corridor" by staff.

St Bride Library (formerly known as St Bride Printing Library and St Bride Typographical Library) is a library in London primarily devoted to printing, book arts, typography and graphic design. The library is housed in the St Bride Foundation Institute in Bride Lane, London EC4, a small street leading south of Fleet Street near its intersection with New Bridge Street, in the City of London. It is centrally located in the area traditionally synonymous with the British Press and once home to many of London's newspaper publishing houses. The Library is named after the nearby church, St Bride's Church, the so-called "Cathedral of Fleet Street". The Bridewell Theatre is the theatre attached to the Foundation. St Bride Library opened on 20 November 1895 as a technical library for the printing school and printing trades. The library remained, as the school relocated in 1922 to become what is now known as the London College of Communication. The library's collection has grown to incorporate a vast amount of printing-related material numbering about 60,000 books and pamphlets, in addition to back issues of some 3,600 serials and numerous artefacts. Among its extensive collection the library houses: an Eric Gill collection, a William Addison Dwiggins collection, a Beatrice Warde collection, types of the Oxford University Press, and punches of the Caslon and Figgins foundries.On the 30 July 2015 the long-term closure of the library was announced as a result of major funding issues. The library staff were made redundant and the future of the collections appeared in doubt. After a change of management in late 2015 the Trustees took the decision to allow limited access. No charge is made for access to the reading room but a fee of £1 per item is levied for titles retrieved from closed access storage. The limited Reading Room study space means that potential visitors must email the library in advance of their visit to ensure that they may be accommodated on open days. The library is currently open each Wednesday from noon. The current Covid pandemic has further reduced the seating available as an aid to social distancing. Two research sessions are bookable each Wednesday, either between noon and 3pm or between 3.30pm and 6.30pm. The library closes between 3pm and 3.30pm for cleaning between study sessions. Those wishing to reserve a space should email [email protected] for access.

Ludgate Circus is a road junction in the City of London where Farringdon Street/New Bridge Street (the A201) crosses Fleet Street/Ludgate Hill. (Ludgate Hill is a gentle rise to St Paul's Cathedral.) Fleet Street was the only direct road between the cities of London and Westminster till the Embankment was opened in 1870. The Circus crosses the River Fleet, London's largest subterranean river. The concave-arced façades of the buildings facing the Circus were constructed between 1864 and 1875 using Haytor granite from Dartmoor in Devon transported via the prototype Haytor Granite Tramway. In Charles Dickens' Dictionary of London (1879) the area was described as "Farringdon-circus".

Castle Baynard is one of the 25 wards of the City of London, the historic and financial centre of London.

The Daily Express Building (120 Fleet Street) is a Grade II* listed building located in Fleet Street in the City of London. It was designed in 1932 by Ellis and Clark to serve as the home of the Daily Express newspaper and is one of the most prominent examples of art-deco / Streamline Moderne architecture in London. The exterior features a black façade with rounded corners in vitrolite and clear glass, with chromium strips. The flamboyant lobby, designed by Robert Atkinson, includes plaster reliefs by Eric Aumonier, silver and gilt decorations, a magnificent silvered pendant lamp and an oval staircase. The furniture inside the building was, for the most part, designed by Betty Joel.The Grade II* listing relates not only to the architectural features but also to the massive reinforced concrete stacked portal frame structure designed by Sir Owen Williams. As part of a redevelopment of the surrounding site the building was entirely refurbished in 2000 by John Robertson Architects. The foyer was recreated largely from photographs and the façade completely upgraded. The concrete portal frame structure was preserved. The lobby of this building was open to the public on London Open House day, over the weekend of 19 and 20 September 2009. Members of the public were allowed to view the lobby, which is normally only accessible to employees of the building and invited guests. The building is currently occupied by Goldman Sachs.

The Congregational Memorial Hall in Farringdon Street, London was built to commemorate the 200th anniversary of Great Ejection of Black Bartholomew's Day, resulting from the 1662 Act of Uniformity which restored the Anglican church. The two thousand puritan ministers who refused to take the oath of conformity thereby established non-conformism. The architect of the hall was John Tarring. The hall was built upon the site of the Fleet Prison in Farringdon Street. It opened in 1875 and served as a meeting place and home for the Congregational Library. Other progressive organisations met there including the Labour Party which was founded at a meeting there on 27 February 1900 initially under the name of the Labour Representation Committee. The hall was demolished in 1968 and Caroone House was built on the site — an office which was used by British Telecom for its international business and telephone tapping.In 1978 the Congregational Memorial Hall Trust was established to handle income from Caroone House and then from the capital raised from its sale. The income is used to maintain the Congregational Library (housed at Dr Williams's Library since 1982) and give grants to the three bodies represented on the trust, the United Reformed Church, the Congregational Federation and the Evangelical Fellowship of Congregational Churches.

The Bell Savage Inn was a former public house in London, England, from the 15th century to 1873, originally located on the north side of what is now Ludgate Hill, in the City of London. It was a playhouse during the Elizabethan Era, as well as a venue for various other entertainments. It was also an important coaching inn. Other names by which it has been known throughout history include: Savage's Inn, The Bel Savage, Belle Savage, Belle Sauvage, Bell on the Hoop, Old Bell Savage, Belly Savage and others.

The Hoop and Grapes is a grade II listed pub at 80 Farringdon Street in the City of London.Historic England notes that it was originally a terraced house, built in about 1720 for a vintner, and was converted to a pub in about 1832.

Salisbury Square is a square in London EC4.

The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue like the Blackfriars Theatre, it was a successor to the earlier Whitefriars Theatre (which had been just on the other side of Water Lane) and the short-lived Porter's Hall Theatre, and catered to an upscale and elite audience—in contrast to the open-air theatres like the Globe, Fortune, and Red Bull theatres that served a mass audience (especially in the latter two cases). Little is known about the actual form and shape of the Salisbury Court Theatre. Yet since it was on a plot of land 42 feet (13 meters) wide, it may have resembled, to some greater or lesser degree, the plan for a small theatre drawn by Inigo Jones in the later Jacobean or Caroline era, which adheres to a very similar scale.The Salisbury Court was built at a cost of £1,000 by Richard Gunnell, a veteran actor and the manager of the Fortune, and William Blagrave, deputy to Sir Henry Herbert, Master of the Revels. At some point in the middle of the 1630s, control of the theatre passed to the "dictatorial management" of Richard Heton, who was in charge by October 1635. (Gunnell died in late 1634 or early 1635, while Blagrave would die in 1636.) During the 1630s, the theatre was occupied at various times by the King's Revels Men (1630–31 and 1633–36), by Prince Charles's Men (1631–33), and by Queen Henrietta's Men (1637–42); for a time it was a major locus of dramatic activity, a main rival to the theatrical establishment run by Christopher Beeston at the Cockpit and Red Bull theatres. [See: Richard Brome.] Salisbury Court was the last theatre to be built before the closing of the theatres in 1642, during the Puritan era. After the theatres were closed, Salisbury Court was sometimes used for other purposes — and sometimes, as through much of 1647, it was used for theatrical performances in contravention of the local authorities. (The players played when they could get away with doing so—which was not always: the London authorities raided the Salisbury Court on 6 October 1647, breaking up a performance of A King and No King by Beaumont and Fletcher.) On 1 January 1649, the London authorities raided all four of the London theatres simultaneously; the actors at the Salisbury Court Theatre and the Cockpit Theatre were arrested, as was a "rope-dancer" or trapeze artist performing at the Fortune Theatre—but the actors at the Red Bull Theatre managed to escape. In March 1649, the authorities destroyed the interior of the Salisbury Court theatre, and the Fortune and the Cockpit too, making them useless for public performances. After years of being banned in the Interregnum, theatre was again permitted on the Restoration of Charles II in 1660, with the grant of two Letters patent to two companies to perform "legitimate drama" in London. The Salisbury Court Theatre was refurbished by William Beeston and used for a time by the Duke's Company, patronised by the Duke of York (later James II), from November 1660 to June 1661, when they moved to the nearby Lisle's Tennis Court next to Lincoln's Inn Fields, which they found a better venue. George Jolly's troupe also played there for a time. Samuel Pepys records visiting it several times in his diary for early 1661 (often calling it the Whitefriars Theatre). Pepys' famous Diary provides information on the plays acted at the Salisbury Court Theatre immediately after the theatres re-opened. He saw Fletcher's The Mad Lover on 9 February 1661; Middleton and Rowley's The Changeling on 23 February (Thomas Betterton played De Flores); Massinger's The Bondman on 1 March (Betterton again); Fletcher and Massinger's The Spanish Curate on 16 March; Heywood's Love's Mistress on 2 March; and Fletcher's Rule a Wife and Have a Wife on 1 April. (All dates new style.) The building burned down in the Great Fire of London in 1666. It was replaced in 1671 by the Dorset Garden Theatre, which was built slightly further south to a design by Christopher Wren. The theatre is commemorated by a plaque on the Dorset Rise (east) side of the corporate building on the south side of Salisbury Square.