Museum of the History of Barcelona

Plaça del Rei (meaning "King's Square" in Catalan, in Spanish: Plaza del Rey) is a 14th-century medieval public square in the Barri Gòtic of Barcelona, Catalonia, Spain.The square is surrounded by the Palau Reial Major including the Saló del Tinell, the Palau del Lloctinent ("Lieutenant's Palace"), the 15th-century tower Mirador del Rei Martí ("King Martin's Watchtower"), and the Capella Reial de Santa Àgata ("Royal Chapel of St Agatha"). On its southern side stands Casa Padellàs (Padellàs's House) a 15th–16th century palazzo moved here stone by stone from Mercaders Street in 1931 and since 1943, has housed the Barcelona City History Museum (MUHBA). Topos V, a work by Eduardo Chillida, underlines one of the corners of the square.

Topos V, or simply Topos, is a sculpture by the Basque artist Eduardo Chillida, standing at Plaça del Rei in the Gothic Quarter of Barcelona. Purchased by Barcelona municipality when it was exhibited at Joan Miró Foundation in 1986, the artist itself suggested that the best placement for this sculpture would be Plaça del Rei, where its geometrical shapes, scale, brown color and textures could dialogue with the sober mediaeval architecture surrounding the square, including historical buildings such as Palau Real Major, the Royal chapel of Saint Agatha and Padellàs's House. Topos V is cast in iron. Its geometrical shape reproduces a Dihedral angle, closed on two of its sides. The two open sides face the square. In addition, some round shaped forms that could evoke the B, for "Barcelona", and medieval arches or windows as well, complete the elements allowing a perfect complementarity between contemporary sculpture and medieval architecture. Its dimensions are 2.10 × 2.37 × 1.70 metres.

The Palau Reial Major (Catalan pronunciation: [pəˈlaw rəˈjal məˈʒo]; "Grand Royal Palace") is a complex of historic buildings located in Plaça del Rei, Barcelona, Catalonia, Spain. It was a residence of the counts of Barcelona and kings of Aragon. It is composed of three distinct edifices: the Saló del Tinell, built by King Peter IV in 1359–1362 the Palatine Chapel of St. Agatha (1302), built under King James II the Palau del Lloctinent (1549), built by Generalitat of Catalonia under Charles VThe Saló del Tinell was built in the 14th century under the direction of architect Guillem Carbonell. Its gothic round arches are founded over 11th-century vaults (built themselves over a pre-existing monumental structure dating to the Visigoth age). The Chapel of St. Agatha was designed by architect Bertran Riquer to act as the royal chapel, replacing a previous oratory. It has an octagonal tower from the early 14th century, and it consists of a single aisle with a roof ceiling and ends with a polygonal apse. The sacristy is built within the ancient Roman walls. By commission of Peter V of Aragon (1463–1466) painter Jaume Huguet made the chapel altarpiece dedicated to the Epiphany. Both Saló del Tinell and St. Agatha Chapel are valuated as Catalan Gothic architecture masterpieces. The Epiphany altarpiece is also an outstanding gothic painting. They can be visited as a part of the Barcelona City History Museum MUHBA. Temporary exhibitions are held in them. After the 16th century, the edifice was no longer used as a royal residence and was divided between the Inquisition and the royal administration. In this period, the door leading to the Royal Audience Hall was built, with a triangular tympanum (currently at the entrance of the Museu Frederic Marès). The Palau de Lloctinent was built in 1549–1557 by Antoni Carbonell, in late Gothic-Renaissance style as the residence of the Viceroy (Lloctinent) of Catalonia. Also from this period is the so-called Mirador of King Martin, a five-storey tower on a rectangular plan (1555).

The Chapel of Santa Àgata (Catalan: Capella de Santa Àgata, Spanish: Capilla de Santa Ágata) is a chapel located in Barcelona, Catalonia, Spain. It is also as the Royal Chapel. It was declared Bien de Interés Cultural in 1866.

The Casa Padellàs (English: Padellàs's House) is a Gothic palace, originally located at number 25, Carrer Mercaders, in Barcelona. Due to the construction of the Via Laietana in the early 20th century—which otherwise would have destroyed it—the building was disassembled in 1931 and relocated to the Plaça del Rei, in Barcelona's Gothic Quarter. Since 1943, it has been home to the Barcelona City History Museum, and it is catalogued since 1962 as a Bé Cultural d’Interès Nacional (Cultural Good of National Interest) with B grade, and its urban qualification is 7a(p).

The Museu Frederic Marès [muˈzɛw fɾəðəˈɾiɡ məˈɾɛs] is an art and sculpture museum in Barcelona, Spain.The Museu contains a collection of thousands of items from the sculptor Frederic Marès. Located near the Barcelona Cathedral, the Museu collection includes statuary from pre-Roman times through to almost the present day, with a particular emphasis on medieval Christian art, and a separate 'Collector's Cabinet' of artisan items such as fans and keys.

The Cathedral of the Holy Cross and Saint Eulalia (Catalan: Catedral de la Santa Creu i Santa Eulàlia), also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Catalonia, Spain. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese (Font de les Oques), was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catalan churches. The roof is notable for its gargoyles, featuring a wide range of animals, both domestic and mythical. Its form is pseudo-basilica, vaulted over five aisles, the outer two divided into chapels. The transept is truncated. The east end is a chevet of nine radiating chapels connected by an ambulatory. The high altar is raised, allowing a clear view into the crypt. The cathedral is dedicated to Eulalia of Barcelona, co-patron saint of Barcelona, a young virgin who, according to Catholic tradition, suffered martyrdom during Roman times in the city. One story says that she was exposed naked in the public square and a miraculous snowfall in mid-spring covered her nudity. The enraged Romans put her into a barrel with knives stuck into it and rolled it down a street (according to tradition, the one now called Baixada de Santa Eulàlia). The body of Saint Eulalia is entombed in the cathedral's crypt. The choir stalls retain the coats-of-arms of the knights of the Order of the Golden Fleece. In his first trip into Spain, Charles, the future Holy Roman Emperor, selected Barcelona as the site of a chapter of his Order. The king had arrived for his investiture as Count of Barcelona, and the city, as a Mediterranean port, offered the closest communication with other far-flung Habsburg dominions, while the large proportions of the cathedral would accommodate required grand ceremonies. In 1518 the Order's herald, Thomas Isaac, and its treasurer, Jean Micault, were commissioned to prepare the sanctuary for the first sitting of the chapter in 1519. Juan de Borgonya executed the painted decoration of the sanctuary. "The church was named after Barcelona's patron saint Eulalia; its official name - Catedral de la Santa Creu i Santa Eulalia - is Catalan for "Cathedral of the Holy Cross and Saint Eulalia". The commonly used name La Seu refers to the status of the church as the seat of the diocese." The side Chapel of the Holy Sacrament and of the Holy Christ of Lepanto contains a cross said to date from the time of the Battle of Lepanto (1571).In addition to Saints Eulàlia and Olegarius, the cathedral contains the tombs of Saint Raymond of Penyafort, Count Ramon Berenguer I and his third wife Almodis de la Marche, and bishops Berenguer de Palou II, Salvador Casañas y Pagés, and Arnau de Gurb, who is buried in the Chapel of Santa Llúcia, which he had constructed. The cathedral has a secluded Gothic cloister where 13 white geese are kept, the number explained by the assertion that Eulalia was 13 when she was martyred.A program of cleaning and restoration of the cathedral was carried out from 1968–72.

The Roman Catholic Archdiocese of Barcelona is a Latin rite Catholic metropolitan archbishopric in northeastern Spain's Catalonia region. The cathedral archiepiscopal see is a Minor basilica: Catedral Basílica Metropolitana de la Santa Creu i Santa Eulàlia, Barcelona. The archbishopric has nine more Minor basilicas : ... The current Archbishop of Barcelona is Juan José Omella Omella, appointed by Pope Francis on 6 November 2015.

The Basilica of Saints Justus and Pastor (Catalan: Església dels Sants Just i Pastor) is a basilica in Barcelona, Catalonia. In 1948 this church became the sixth in Barcelona to receive the rank of minor basilica, a title that was granted by Pope Pius XII.

The Gothic Quarter (Catalan: Barri Gòtic IPA: [ˈbari ˈɣɔtik] or El Gòtic, Spanish: Barrio Gótico) is the historic centre of the old city of Barcelona. It stretches from La Rambla to Via Laietana, and from the Mediterranean seafront to the Ronda de Sant Pere. It is a part of Ciutat Vella district. The quarter encompasses the oldest parts of the city of Barcelona, and includes the remains of the city's Roman wall and several notable medieval landmarks. Much of the present-day fabric of the quarter, however, dates to the 19th and early 20th centuries. El Call, the medieval Jewish quarter, is located within this area, along with the former Sinagoga Major.The Barri Gòtic retains a labyrinthine street plan, with many small streets opening out into squares. Most of the quarter is closed to regular traffic although open to service vehicles and taxis.

The 1855 Catalan general strike was a general strike that took place in 1855 after the execution of Josep Barceló Cassadó. It was the first general strike in Spanish history, resulting in mass demonstrations and the death of a factory manager in Sants, Barcelona.

Jaume I is a station in the Barcelona Metro network, located under Via Laietana, an important avenue in Ciutat Vella, right between Plaça de Ramon Berenguer el Gran and Plaça d'Emili Vilanova. It can be accessed from Plaça de l'Àngel and Carrer d'Argenteria, on the other side of Via Laietana. It currently serves Transports Metropolitans de Barcelona-operated L4, but was originally designed in 1926 as one of the stations of the first L3 service, a section of which became L4. The other L3 stations (Correos and Banco) located in Via Laietana are all closed nowadays. Its two platforms, unusually for a downtown Barcelona metro station, are both located on the same level, with a wall between them dividing the station in two parts. They are each 94 m (308 ft) long. On December 28, 2018, the station became accessible for wheelchair users.