place

Wellington Road (Perry Barr)

1876 establishments in EnglandAston Villa F.C.Defunct football venues in EnglandDefunct sports venues in the West Midlands (county)English Football League venues
Sports venues completed in 1876Use British English from February 2023

Wellington Road was a football ground in the Perry Barr area of Birmingham, England. It was the home ground of Aston Villa from 1876 until 1897.

Excerpt from the Wikipedia article Wellington Road (Perry Barr) (License: CC BY-SA 3.0, Authors).

Wellington Road (Perry Barr)
Leslie Road, Birmingham

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Wellington Road (Perry Barr)Continue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 52.5149 ° E -1.9039 °
placeShow on map

Address

Leslie Road

Leslie Road
B20 3NU Birmingham
England, United Kingdom
mapOpen on Google Maps

Share experience

Nearby Places

Murder of Charlene Ellis and Letisha Shakespeare

Two teenage girls, Charlene Ellis, 18, and Letisha Shakespeare, 17, were shot with a MAC-10 machine pistol, outside a hair salon in Birchfield Road, Aston, Birmingham, England, as they were leaving a party in the early hours of 2 January 2003, in a gang-related drive-by shooting. Shakespeare and Ellis were described as "best friends" and "innocent victims".Charlene's twin sister Sophie, cousin Cheryl Shaw and a friend, Leon Harris, were also injured. Shaw was shot in the hand.The shooting, investigated by the West Midlands Police under its new Chief Constable, Paul Scott-Lee, was part of a feud between two Birmingham gangs, the "Johnson Crew" and the "Burger Bar Boys", and was in response to the murder of Yohanne Martin, a Burger Bar Boys associate.Four men were each convicted of murder and attempted murder at Leicester Crown Court in March 2005. Marcus Ellis, 24 (Charlene's half-brother), Michael Gregory, 22, and Nathan Martin, 26 (brother of Yohanne), were jailed for a minimum of 35 years. Rodrigo Simms, 20, was sentenced to 27 years – the lesser figure being due to his age at the time of the shooting. The trial was the first in England at which secret witnesses were allowed to be used. In 2005, the convicted men appealed at Woolwich Crown Court but the appeal was turned down. They were also refused leave to appeal to the House of Lords. In 2012, Ellis, Martin and Simms appealed to the European Court of Human Rights that they had not received a fair trial. This appeal was also dismissed.The mothers of the two dead women, Marcia Shakespeare and Beverley Thomas, have since actively campaigned against gun crime and gangs. They set up the 'Letisha and Charlene Education Awards', administered by the Birmingham & Black Country Community Foundation, a registered charity, in 2006. In December 2016 it was announced that Marcia Shakespeare had been appointed a Member of the Order of the British Empire (MBE) in the 2017 New Year Honours.In 2018, Libera, an Italian association that promotes outreach activities and various types of protest action against organised crime, remembered Letisha and Charlene among other nearly 900 names of innocent victims of organised crime during the 23rd Day of Remembrance and Commitment.

Grosvenor Road Studios
Grosvenor Road Studios

Grosvenor Road Studios (GRS), formerly known as Hollick and Taylor Studios, is a suite of recording studios in Handsworth, Birmingham, England. It is the oldest extant recording studio in the city.The studios are in a former five-bedroomed house, 16 Grosvenor Road, which was built in 1872. From 1945 the house was occupied by a married couple, John R. and Joan Taylor, who developed a recording studio there shortly after arriving. The studios became known as Hollick & Taylor when John set up a partnership with Charles Hollick, an engineer.Both Noddy Holder (with Steve Brett & the Mavericks) and John Bonham (with The Senators) made their first recordings at Grosvenor Road. It was also used by Spencer Davis. Other bands to record there include The Applejacks, The Fortunes, The Moody Blues, The Move, The Rockin' Berries, Steel Pulse, Carl Wayne and the Vikings, and Pat Wayne & The Beachcombers, and others that were part of the city's Brum Beat movement. Jeff Wayne used the studios in 1971 or 1972 to record music for an Ansells beer television commercial, with Chris Spedding on guitar. The Brighouse and Rastrick Brass Band recorded their UK No. 2 hit "The Floral Dance" there, and Jasper Carrott's double A-side comedy single "Funky Moped"/"Magic Roundabout", a UK Top 5 chart hit, was produced by Jeff Lynne, with Bev Bevan on drums and backing vocals on the former track. Comedian Ken Dodd recorded his radio shows at GRS, and the actors Gordon Jackson, John le Mesurier and John Nettles all made recordings there. Cliff Richard used the studio to launch his 1976 I'm Nearly Famous album.Studio clients also included school orchestras, brass bands, military bands, and cathedral choirs. Test pressings and performers' self-funded records were released on the Hollick & Taylor label, with some commercial releases - including a 1972 release by the Bert Weedon Quartet - on the Grosvenor label. Working together in the studio, John and Joan Taylor also made foley recordings for film and television, including the Gerry Anderson series Thunderbirds and Stingray. Dubbing was also done there including for the 1961 film The Guns of Navarone.The name Grosvenor Recording Studio Complex was adopted after Hollick's death. Eventually, the Taylor's sons, Christopher and Richard, were brought into the business. In 2003 John and Joan Taylor retired to Peterborough and the studios were acquired by Black Voices as a social enterprise, managed by a voluntary board. In 2008, £1.5 million in grant funding enabled a major refurbishment. The same year the gardens were redeveloped as a community facility, and in November a sculpture of a peony seed pod, by Juginder Lamba in Shropshire oak, was unveiled by Prince Edward, Duke of Kent. For a period from its refurbishment the studio operated under the name Centre for Music & Arts Technology.As of 2015, the complex had three studios - the largest accommodating up to 50 performers - and was still using its 1950s microphones.