Gardens of Sallust

Boncompagni Ludovisi Decorative Arts Museum (Museo Boncompagni Ludovisi per le arti decorative, often abbreviated as the Museo Boncompagni), Rome, is the Decorative Arts Museum of the National Gallery of Modern Art of Rome. The Museum is located at Via Boncompagni, 18, near the elegant and historical Via Veneto.

The Colline Gate (Latin Porta Collina) was a landmark in ancient Rome, supposed to have been built by Servius Tullius, semi-legendary king of Rome 578–535 BC. The gate stood at the north end of the Servian Wall, and past it were two important streets, the Via Salaria and Via Nomentana. Within this area the Alta Semita linked the Quirinal with the Porta Carmentalis. Several temples were located near the gate, including temples of Venus Erycina and Fortuna. To a person facing the gate in the 3rd century AD, the Gardens of Sallust would have been on the left, with the Baths of Diocletian on the right.Plutarch says that, when a Vestal was punished for violating her vow of chastity, the subterranean chamber for her live burial was near the Colline Gate. The gate was the site of a decisive battle during the Roman civil wars of the 80s BC between the forces of Cinna and Sulla.

The Liceo Torquato Tasso, better known as Liceo Tasso, is one of the oldest secondary schools in Rome, Italy.

San Camillo de Lellis is a church on Via Sallustiana, Rome, Italy. It is dedicated to Saint Camillus de Lellis (1550–1614). It was built under Pope Pius X, with construction (under the architect Tullio Passarelli) commencing in 1906 and the first stone being laid by Cardinal Antonio Agliardi. It was consecrated and made a parochial church in 1910, granted to the Chierici Regolari Ministri degli Infermi, the Priest Ministers of the Sick, the order founded by Camillus. In 1965, Pope Paul VI elevated the church to the status of minor basilica and become the seat of cardinal's title of S. Camilli de Lellis ad Hortus Sallustianos. Juan Luis Cipriani Thorne has been the cardinal protector since 2001.

Porta Salaria was a gate in the Aurelian Walls of Rome, Italy. Constructed between 271 AD and 275 AD, it was finally demolished in 1921.

The Monument to the Porta Pia Breach of Breach of Porta Pia (in Italian, Monumento a la Breccia di Porta Pia) is a memorial located on 101 Corso d'Italia, just Southwest of Porta Pia, in Rome, Italy. It commemorates the breach of the Aurelian Walls by Italian army on September 20, 1870. The Italian army quickly subdued the papal forces; the Capture of Rome leading to the annexation of nearly all of Rome and the Papal States into the Kingdom of Italy. After the breach, a wall was rebuilt with brick and a plaque recalling the event was placed facing outward. Further plaques were added in 1900. On the 25th anniversary of the breach, the City Council of Rome, commissioned from the sculptor Ettore Ferrari, another plaque, recalling the Italian soldiers who had died during the brief attack on the city, and planned for the erection of a tall corinthian memorial column with a bronze winged victory holding a palm leaf atop. The monument was not inaugurated until 20 September 1920, fifty years after the event. Giovanni Battista Giovenale , Giuseppe Guastalla and Adolfo Apolloni completed some of the sculptures. The wall has now four doric pilasters flanking the plaques, with a lower bronze frieze depicting eagle-shields and swords. The marble frieze above shows palm leaves, helmets, and above at the roofline, four antefixes flanked below by lion heads.At the site of Porta Pia itself, is a museum (since 1921) and a monument (Since 1932) dedicated to the Bersaglieri.

San Patrizio a Villa Ludovisi is a Roman Catholic parish, titular church, and national church of the United States in Rome.

Santa Teresa d'Avila is a church on the Corso d'Italia in Rome, Italy. It is dedicated to Teresa of Avila.

Porta Pia was one of the northern gates in the Aurelian Walls of Rome, Italy. One of Pope Pius IV's civic improvements to the city, it is named after him. Situated at the end of a new street, the Via Pia, it was designed by Michelangelo to replace the Porta Nomentana situated several hundred meters southwards, which was closed up at the same time. Construction began in 1561 and ended in 1565, after the artist's death. A 1561 bronze commemorative medal by Gian Federico Bonzagna shows an early plan by Michelangelo, very different from his final design. The façade on the outside of the city was completed in 1869 under the Neo-Classicist design by Virginio Vespignani.

The Ecstasy of Saint Teresa (also known as Saint Teresa in Ecstasy or the Transverberation of Saint Teresa; Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is a sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture depicts Teresa of Ávila, a Spanish Carmelite nun and saint, swooning in a state of religious ecstasy, while an angel holding a spear stands over her.

Santa Maria della Vittoria (English: Saint Mary of Victory, Latin: S. Mariae de Victoria) is a Catholic titular church and basilica dedicated to the Virgin Mary in Rome, Italy. The church is known for the masterpiece of Gian Lorenzo Bernini in the Cornaro Chapel, the Ecstasy of Saint Teresa. The church is in the Rione Sallustiano, on number 98 via XX Settembre, where this street intersects with Largo Santa Susanna. It stands to the side of the Fontana dell'Acqua Felice. The church mirrors the Church of Santa Susanna across the Largo. It is about two blocks northwest of the Piazza della Repubblica and Teatro dell'Opera metro stop.

The bombing of the British Embassy at Porta Pia in Rome was a terrorist action perpetrated by the Irgun that occurred on 31 October 1946. Two timed explosives encased in suitcases were planted by the Embassy's front entrance; the resulting blast injured two people and damaged the building's residential section beyond repair. The Irgun targeted the Embassy because they considered it an obstacle to illegal Jewish immigration into Mandatory Palestine. One of the Irgun's intended targets, ambassador Noel Charles, was away on leave during the attack. It was quickly determined that foreign militants from Mandatory Palestine were behind the attack and under pressure from Great Britain, the Italian police, Carabinieri and the Allied Police Force rounded up numerous members of the Betar organization, which had recruited militants from among the displaced refugees. Confirming fears of the expansion of Jewish terrorism beyond Mandatory Palestine, the bombing of the Embassy was the first attack against British personnel by the Irgun on European soil. The British and Italian governments commenced an extensive investigation and concluded that Irgun operatives from Mandatory Palestine organized the attack. The attack was condemned by the leaders of Jewish agencies superintending their refugees. Italy subsequently enacted strict immigration reform and antisemitic sentiment heightened in the United Kingdom. During the early 1950s, Israel lobbied the British to pressure the Italian government not to pursue the militants. In 1952, eight suspects–including ringleader Moishe Deitel–were tried in absentia and received light sentences ranging from 8 to 16 months.