place

Prom Ballroom

Buildings and structures demolished in 1987Demolished buildings and structures in MinnesotaFormer music venues in the United StatesMinnesota cultureMusic venue stubs
Music venues in Minnesota

The Prom Ballroom was a dance hall in Saint Paul, Minnesota, United States, which opened in 1941 with a performance by Glenn Miller. The club played a diverse array of acts, ranging from rock to polka and jazz, and included acts like Count Basie and Lawrence Welk. The house orchestra was called the Jules Herman Orchestra. The infamous and ill-fated "Winter Dance Party" was the attraction on January 28, 1959.The Prom Ballroom was located at 1190 University Avenue West. It was torn down in 1987.

Excerpt from the Wikipedia article Prom Ballroom (License: CC BY-SA 3.0, Authors).

Prom Ballroom
University Avenue, Saint Paul Union Park

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Prom BallroomContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 44.955277777778 ° E -93.150277777778 °
placeShow on map

Address

Abra Auto Body & Glass

University Avenue
55104 Saint Paul, Union Park
Minnesota, United States
mapOpen on Google Maps

Share experience

Nearby Places

Lexington Park

Lexington Park was the name of a former minor league baseball park in St. Paul, Minnesota. It was the home of the St. Paul Saints from 1897 through 1956, when it was replaced by the first version of Midway Stadium. Lexington Park was commissioned by baseball owner Charlie Comiskey to serve as home for his St. Paul Saints Western League baseball franchise. In late 1899 the league changed its name to the American League in an ultimately successful bid to gain major league status. While the Saints were initially a member of that league, Comiskey moved his team to Chicago prior to Opening Day 1900 (where they still exist today as the Chicago White Sox). As such, the ballpark holds at least the technical distinction of being the original home to a current American League franchise—even if, admittedly, the league wasn't major at the time, and not a single major league game was ever played there. Comiskey continued to own the ballpark for another decade or so (leasing it out to a replacement American Association club), until finally selling it to local interests in 1909. It was on the block bounded by Lexington Parkway, University Avenue, Fuller and Dunlap. Home plate was originally in the southwest corner of the block. Following a fire in November, 1915, a steel and concrete grandstand was built with the plate repositioned to the northwest corner. Lights were installed in 1937. The first night game was played on July 15, with the Saints hosting the arch-rival Minneapolis Millers. The teams played again the next night, at Nicollet Park's first night game. The 6-decades-old ballpark did not quite go out in a wave of euphoria the way its Twin Cities cousin Nicollet Park did, but the Saints did manage to defeat the Minneapolis Millers in the final game. Although demolished in the 1950s, elements of the park remain in existence to this day. A significant segment of the southwestern foundation can still be seen by the knowledgeable observer, and as late as the 1990s a grocery store on the site (since demolished) preserved the location of Lexington's home plate with a distinctively-shaped commemorative floor tile. The area is currently being redeveloped. An Aldi grocery store is one of the most recent additions to the site. According to Stew Thornley's 2006 book, a plaque that had once been affixed to the grocery store is now reinstated, at the TCF Bank branch building.

St. Columba Church (Saint Paul, Minnesota)
St. Columba Church (Saint Paul, Minnesota)

The Church of St. Columba is a Roman Catholic church in Saint Paul, Minnesota, United States. The parish was formed in the Hamline-Midway neighborhood in 1915. After the mid-twentieth century baby boom, the church was expanding and needed a new building. Then-pastor Michael Casey contracted with architect Barry Byrne to design and construct the building. Byrne was based in Chicago and his formal schooling ended in the Ninth Grade. Byrne worked under Frank Lloyd Wright and was involved with the Prairie School of architecture before later turned towards Expressionist architecture. Byrne designed the building later in his career. The 1949 church is very similar in design to St. Francis Xavier Church in Kansas City, Missouri, that was also designed by Byrne. The pastor Michael Casey had the bell tower built to look like an Irish round tower. The interior of the church is built from two overlapping circles. This creates an elliptical interior and an overhead profile that resembles a fish. The fish is one of the earliest symbols of Christianity and the construction of the shape of the church was undoubtedly intentional. The amount of light available on the inside of the building is worth mentioning. There are more than 24 slit like clerestory windows that let natural light in. The interior lightness contrasts with the heavy concrete exterior. The interior of the church features an under lit cove close to the ceiling. Twin Cities architecture critic Larry Millett views the altar as being small for the large interior of the building. Vincent Michael also believes that the altar is undersized compared to the size of the nave.Unlike St. Francis Xavier the entrance doors are made of metal instead of polished glass. Michael Vincent believes it still leaves the impression of emptiness underneath the bell tower. To create the internal shape the external walls are curved. They are constructed of limestone. There is a large amount of concrete and has been described as a "tour de force" of concrete. Several elements of the church are viewed as unique due to their combination. Millett sees the slots in the bell tower, the granite crosses embedded in the exterior walls and the metal on the entrance doors as a special grouping.Millett describes the building as a "high point in modern church architecture in the Twin Cities" and notes it as being removed from many religious and architectural norms. Other critiques note it as having shapes and orders that defy orthodox expectations.