Jubilee Line Extension

The Stafford Gallery was an early 20th-century art gallery in London. Artists whose works were exhibited there include both internationally known painters such as Pablo Picasso, Paul Gauguin, Paul Cézanne and Gustave Courbet and significant English figures such as Walter Sickert and Sir William Nicholson. The gallery opened in the early years of the century at 34 Old Bond Street, London W., on the corner with Stafford Street; but by 1910 had moved to 1 Duke Street, St. James's.

The Royal Arcade, in the upscale shopping district of Mayfair, London is an historic Victorian era shopping arcade that runs from 12 Albemarle Street to 28 Old Bond Street. Completed in 1880, it was designed by architects Archer & Green and is Grade II listed.

Atkinsons Building, which includes 2 and 4 Burlington Gardens, is a Grade II listed building on the corner of Old Bond Street and Burlington Gardens. It was built in 1926 in the Gothic Revival style and includes Arts and Crafts detailing. The architect was Vincent Harris (1876–1971). The building was designed for the perfume company Atkinsons of London. It is currently occupied by a women's fashion store. The building contains a carillon musical instrument.

Atkinsons of London is a British perfume house founded in London in 1799. The brand was relaunched in September 2013 after a long dormant period off the market.

Marlborough Fine Art was founded in London in 1946 by Frank Lloyd and Harry Fischer. In 1963, a gallery was opened as Marlborough-Gerson in Manhattan, New York, at the Fuller Building on Madison Avenue and 57th Street, which later relocated in 1971 to its present location, 40 West 57th Street. The gallery operates another New York space on West 25th Street, which opened in 2007. It briefly opened a Lower East Side space on Broome Street.

Burlington Arcade is a covered shopping arcade in London, England, United Kingdom. It is 196 yards (179 m) long, parallel to and east of Bond Street from Piccadilly through to Burlington Gardens. It is one of the precursors of the mid-19th-century European shopping gallery and the modern shopping mall. It is near the similar Piccadilly Arcade. The arcade was built in 1818 to the order of George Cavendish, 1st Earl of Burlington, younger brother of William Cavendish, 5th Duke of Devonshire, who had inherited the adjacent Burlington House, on what had been the side garden of the house and was reputedly to prevent passers-by throwing oyster shells and other rubbish over the wall of his home. It was designed by architect Samuel Ware. Burlington Arcade was built "for the sale of jewellery and fancy articles of fashionable demand, for the gratification of the public". However, it was also said to have been built so that the Lord's wife could shop safely amongst other genteel ladies and gentleman away from the busy, dirty, and crime-ridden open streets of London.Burlington Arcade opened on 20 March 1819. From the outset, it positioned itself as an elegant and exclusive upmarket shopping venue, with shops offering luxury goods. It was one of London's earliest covered shopping arcades and one of several such arcades constructed in Western Europe in the early 19th century. (Other examples of grand shopping arcades include: Covered passages of Paris, Palais Royal in Paris (opened in 1784); Passage de Feydeau in Paris (opened in 1791), Galeries Royales Saint-Hubert in Brussels and The Passage in St. Petersburg, the Galleria Umberto I in Naples, and the Galleria Vittorio Emanuele II in Milan (1878).) The original arcade consisted of a single straight top-lit walkway lined with 72 small two-storey units. Some of the units have been combined, reducing the number of shops to around 40. The Piccadilly façade, with sculptures carved by Benjamin Clemens, a professor of sculpture at the Royal College of Art, was added in 1911. The arcade is patrolled by beadles in traditional uniforms that include top hats and frock coats. The original beadles were all former members of Lord George Cavendish's regiment, the 10th Royal Hussars. The arcade maintains Regency decorum by banning singing, humming, hurrying, and "behaving boisterously".The present tenants include a range of clothing, footwear and accessory shops, art and antique dealers, and the jewellers and dealers in antique silver for which the Arcade is best known.

Horse and Rider (FCR 242) is a 1974 bronze equestrian sculpture by Elisabeth Frink. The work was commissioned for a site in Mayfair; another cast is in Winchester. It was described by Frink as "an ageless symbol of man and horse". One of Frink's earliest sculptures from 1950 was also titled Horse and Rider, and she returned to this subject over decades. A series of Frink prints from the early 1970s held by the Tate Gallery depict a horse and rider. Frink lived in southern France in 1967 to 1970, near the Camargue. She was inspired to create more works portraying horses; an example of a similar horse sculpture from the early 1970s is at the Cass Sculpture Foundation. The work was commissioned in 1974 by Trafalgar House for its development at the southern end of Dover Street, London, near the junction with Piccadilly, opposite The Ritz. It was modelled in plaster at Frink's studio in Southwark then cast in bronze in 1975 at Meridian Bronze Foundry in Peckham. It measures 244 centimetres (96 in) high. Frink also cast a small version 34.3 centimetres (13.5 in), in an edition of nine in 1974. The sculpture depicts a man riding on a horse, naked and barefoot, without tack – no saddle, bridle, or other riding equipment. The man's right hand rests on the horse's stylised mane, with his left hand resting on the horse's left flank. The horse is standing still on four legs, ready to walk, on a rough bronze base. The figures of man and horse are slightly stylised, with lightly defined musculature; the horse has a short mane and tail. Both have their heads turned to their left, as if looking at something. The work was installed in Mayfair in 1975, mounted on a granite plinth. It is part of an edition of three; another cast is in Winchester. The example in London became a Grade II listed building in September 2015. In June 2018 the sculpture was moved to the Town Square on Bond Street to mark the new entrance to the Royal Academy of Arts.

The International Surrealist Exhibition was held from 11 June to 4 July 1936 at the New Burlington Galleries, near Savile Row in London's Mayfair, England.

Thomas Agnew & Sons is a fine arts dealer in London that began life as part of in a print and publishing partnership with Vittore Zanetti in Manchester in 1817 which ended in 1835, when Agnew took full control of the company. The firm opened its London gallery in 1860, where it soon established itself as one of Mayfair's leading dealerships. Since then Agnew's has held a pre-eminent position in the world of Old Master paintings. It also had a major role in the massive growth of a market for contemporary British art in the late 19th century. In 2013, after nearly two centuries of family ownership, Agnew's closed. The name was subsequently purchased privately and the gallery is now run by Lord Anthony Crichton-Stuart, a former head of Christie's Old Master paintings department, New York.

Clarendon House was a town mansion which stood on Piccadilly in London, England, from the 1660s to the 1680s. It was built for the powerful politician Edward Hyde, 1st Earl of Clarendon, and was the grandest private London residence of its era.

Burlington Gardens is a street in central London, on land that was once part of the Burlington Estate.

The Summer Exhibition is an open art exhibition held annually by the Royal Academy in Burlington House, Piccadilly in central London, England, during the months of June, July, and August. The exhibition includes paintings, prints, drawings, sculpture, architectural designs and models, and is the largest and most popular open exhibition in the United Kingdom. It is also "the longest continuously staged exhibition of contemporary art in the world".When the Royal Academy was founded in 1768 one of its key objectives was to establish an annual exhibition, open to all artists of merit, which could be visited by the public. The first Summer Exhibition took place in 1769; it has been held every year since without exception.