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Manouba

Communes of TunisiaPopulated places in TunisiaTunisia geography stubs
Manouba Palais la rose 6
Manouba Palais la rose 6

Manouba (Arabic: منوبة manūbā) is a city in north-eastern Tunisia, and is part the metropolitan area of Tunis, also called "Grand Tunis". It is located at the west of Tunis city center at around 36°48′28″N 10°6′4″E. It is the capital city of Manouba Governorate. Manouba is well known for its university. It is also often viewed as a desirable place for family life because of its security, availability of various services and its high level of education. Historically, Manouba is noted as the birthplace of the sufi saint Sayyida ʿĀʾisha al-Mannūbiyya (1199–1267 CE), and until 2012 the city contained a shrine to her, supposedly her father's house. It was customary in the nineteenth and early twentieth centuries, for the Beys of Tunis to make a ritual circuit of city's the great shrines on the 27th day of Ramaḍān (laylat al-Qadr) and visit this shrine. More recently, 'up until the Tunisian revolution of January 2011, once a week, on Sundays or Mondays, rituals were held ... During the day, the shrines were women's space, devoted to music and trance rituals. At night, they became men's space, dedicated to Ṣūfī ceremonies (dhikr ...)'. However, on 6 October 2012, the shrine was burned down by religious extremists, thought to be young Salafis; ʿĀʾisha's catafalque was entirely destroyed.

Excerpt from the Wikipedia article Manouba (License: CC BY-SA 3.0, Authors, Images).

Manouba
نهج المغرب العربي,

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N 36.807777777778 ° E 10.101111111111 °
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نهج المغرب العربي

نهج المغرب العربي
2087
Manouba, Tunisia
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Manouba Palais la rose 6
Manouba Palais la rose 6
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Bardo National Museum (Tunis)
Bardo National Museum (Tunis)

The Bardo National Museum (Arabic: المتحف الوطني بباردو, romanized: al-Matḥaf al-Waṭanī bi-Bārdū; French: Musée national du Bardo) is a museum of Tunis, Tunisia, located in the suburbs of Le Bardo. It is one of the most important museums in the Mediterranean region and the second museum of the African continent after the Egyptian Museum of Cairo by richness of its collections. It traces the history of Tunisia over several millennia and across several civilizations through a wide variety of archaeological pieces. Housed in an old beylical palace since 1888, it has been the setting for the exhibition of many major works discovered since the beginning of archaeological research in the country. Originally called Alaoui Museum (Arabic: المتحف العلوي, romanized: al-Matḥaf al-ʿAlawī), named after the reigning bey at the time, it takes its current name of Bardo Museum after the independence of the country even if the denomination is attested before that date. The museum houses one of the largest collections of Roman mosaics in the world, thanks to excavations at the beginning of 20th century in various archaeological sites in the country including Carthage, Hadrumetum, Dougga and Utica. Generally, the mosaics of Bardo, such as the Virgil Mosaic, represent a unique source for research on everyday life in Roman Africa. From the Roman era, the museum also contains a rich collection of marble statues representing the deities and the Roman emperors found on different sites including those of Carthage and Thuburbo Majus. The museum also houses pieces discovered during the excavations of Libyco-Punic sites including Carthage, although the National Museum of Carthage is the primary museum of the Carthage archaeological site. The essential pieces of this department are grimacing masks, terracotta statues and stelae of major interest for Semitic epigraphy, and the stele of the priest and the child. The museum also houses Greek works discovered especially in the excavations of the shipwreck of Mahdia, whose emblematic piece remains the bust of Aphrodite in marble, gnawed by the sea. The Islamic Department contains, in addition to famous works such as the Blue Qur'an of Kairouan, a collection of ceramics from the Maghreb and Anatolia. In order to increase the reception capacity and optimize the presentation of the collections, the museum is the subject of a vast operation which was to be completed initially in 2011 but was not finished until 2012 due to the Tunisian Revolution. The work concerns the increase of the exhibition surfaces by adding new buildings and redeploying the collections. The project aims to make the museum a major pole for a quality cultural development, so that the visitor can appreciate the artistic pieces deposited. On March 18, 2015, an Islamist terrorist group attacked the museum and took tourists hostage in the building. The attack, which killed 22 people including 21 foreign tourists, was claimed by ISIS.