Casa Manzoni

The Palazzo Belgioioso (also spelled Belgiojoso) is a palatial residence in the northern Italian city of Milan, completed in 1781 in a Neoclassical style by Giuseppe Piermarini. Considered to be one of Milan's architectural treasures, the mansion is modeled on Luigi Vanvitelli's Palace of Caserta. Built for Prince Alberico XII di Belgioioso d'Este, it is located on a side street off Via Manzoni on the site of the house where he was born. One of the finest examples of Neoclassical architecture in Lombardy, it stands out like a jewel in the centre of the city. It was designed in 1772 by Giuseppe Piermarini who in this instance abandoned the sober and austere style of early Neoclassicism, building an imposing and highly decorated mansion which dominates the street. The most lavishly decorated part of the facade is the slightly protruding central section with a series of four giant order columns, an entablature and a tympanum enclosed by pilasters. The ground floor is finished in rusticated bugnato ashlar, the first floor, separated from the second with bas-reliefs of heraldic symbols, has windows crowned with garlands and decorative mouldings. Some of the rooms still have period decorations, the most famous of which is the gallery decorated with frescoes by Martin Knoller and stuccos by Giocondo Albertolli. Rinaldo's room, also decorated by Knoller, was inspired by Torquato Tasso's epic poem Jerusalem Delivered.Under the ownership of Alberico XII di Belgioioso d'Este, a keen collector of books and works of art, the residence was frequented by illustrious intellectuals of the times, including the poet Giuseppe Parini and the writer Ugo Foscolo. Work carried out in 1991 restored the mansion to its former glory.

Casa degli Omenoni is a historic palace of Milan, northern Italy, located in the eponymous street of Via degli Omenoni (number 3). It was designed by sculptor Leone Leoni for himself; he both lived and worked there. It owes its name to the eight atlantes decorating its facade, termed "omenoni" ("big men" in Milanese), which were sculpted by Antonio Abondio, most probably on a design by Leoni. Lions (a reference to the "Leoni" family) are a recurring theme of its decorations; in particular, a large relief placed under the cornice depicts two lions tearing a satyr into pieces. The overall style of the palace and the decorations have been noted to include several references to the art of Michelangelo. The internal courtyard, modified in 1929 by Piero Portaluppi, has a colonnade with metopes and triglyphs. Artist and historian Giorgio Vasari expressed his admiration for the palace, stating that it was pieno [...] di capricciose invenzioni ("full of capricious inventions"). At the time, the palace also housed a notable collection of art works and antiquities, which has been dispersed over time. According to an inventory dating back to 1615, it had paintings by Titian, Parmigianino, and Michelangelo; the inventory also mentions a book of drawings by Leonardo da Vinci, which scholars identify with the Codex Atlanticus now preserved in the Biblioteca Ambrosiana.The palace has been largely restored and restructured in the 19th and 20th century; only the facade has remained almost unchanged, except for the addition of iron balconies and of the attic. After being owned by Leone Leoni and then by his son Pompeo Leoni, the house was sold by Pompeo's son-in-law Polidoro Calchi, and over time was owned by several notable Milanese families, including the Belgioioso, the Pozzi, and the Besana. It was also used as the seat of the music-publishing company Casa Ricordi, as a seat of the Fascist party, and as a theatre. The building is adjacent to the Palazzo Pozzi Besana.

Palazzo Gavazzi is a Neoclassical palace in Del Monte district, Milan, Italy. It is typical of the mansions built during the Restoration period, designed by Luigi Clerichetti in 1838 for the wealthy Gavazzi family. Each floor bears its own decorations; Doric columns on the ground floor and various pilasters on the first and second floors, rather than the huge decorative works which were popular at the time. The symmetrical facade, covering three levels, is centred on a portal with four Ionic half-columns supporting the first-floor balcony. The residence was the home of Carlo Cattaneo from 1840 to 1848.

The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12. The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) and his mother, Rosa Trivulzio, of the family of the condottiero Gian Giacomo Trivulzio. Many of the rooms in the palace were redecorated starting in 1846, a commissions entrusted to Luigi Scrosati and Giuseppe Bertini. Individual rooms were often decorated and furnished to match the paintings hung on the walls. The architect Simone Cantoni (1736–1818) rebuilt the palazzo in its present Neoclassical style with an English-style interior garden. In 1850–1853, Poldi Pezzoli commissioned the architect Giuseppe Balzaretto to refurbish his apartment.Pezzoli in his testament left the house and contents to the Brera Academy. Giuseppe Bertini, director of the Academy, opened the museum on 25 April 1881. During World War II, the palazzo suffered severe damage, but the artworks had been placed in safe storage. The museum was reopened in 1951 after reconstruction. The museum is notable for its broad collection of Northern Italian and Netherlandish/Flemish artists. The exhibition includes weaponry, glassworks, ceramics, jewelry, and furnishings.

The Gallerie di Piazza Scala (or Gallerie d'Italia - Piazza Scala) is a modern and contemporary museum in Milan, Italy. Located in Piazza della Scala in the Palazzo Brentani and the Palazzo Anguissola, it hosts 195 artworks from the collections of Fondazione Cariplo with a strong representation of nineteenth century Lombard painters and sculptors, including Antonio Canova and Umberto Boccioni. A new section was opened in the Palazzo della Banca Commerciale Italiana on October 25, 2012 with 189 art works from the twentieth century. During the 2017 Corporate Art Awards Ceremony hosted by the President of the Italian Republic Sergio Mattarella at the Quirinal Palace, Gallerie di Piazza Scala received a special award as “Patron of the XXI century”.

San Fedele is a Jesuit church in Milan, northern Italy. It is dedicated to St. Fidelis of Como, patron of the Catholic diocese of Como. Presently it remains a parish church, owned by the Jesuit order, though focusing on religious works.

The Palazzo Anguissola or Anguissola Traversi is a palace located at Via Manzoni number 10, in central Milan, a city in the northern Italy. Construction began in 1778, and its Neoclassical facade, designed by Luigi Canonica, was added in 1829.The inner core of the building was constructed between 1775 and 1778 under the supervision of Carlo Felice Soave from Lugano with particular attention to the interior garden. The building soon changed hands and in 1829 the exterior was reworked by Luigi Canonica who gave it the finish it maintains today. More ornate than most Milanese Neoclassical buildings, the facade consists of Corinthian pilasters terminating in a frieze with a musical relief clearly inspired by the nearby Scala. The ground floor is however faced with smooth blocks of granite rather than with the more common bugnato finish.Today, together with adjoining Palazzo Brentani the building houses the Gallerie di Piazza Scala.

The Palazzo Brentani is a historic mansion located in the centre of Milan, Italy, at Via Manzoni number 6. Both this palace and the adjacent Palazzo Anguissola sport Neoclassical facades, designed by Luigi Canonica in 1829.

The Palace of the Banca Commerciale Italiana (in Italian, Palazzo della Banca Commerciale Italiana) is a historic building of Milan, Italy, located in Piazza della Scala, in the city centre. It was designed by architect Luca Beltrami in the early 20th century for Banca Commerciale Italiana (BCI, an Italian bank), and it is still in use as a seat of the company (now merged into Banca Intesa). Since 2011 it hosts the Gallerie di Piazza Scala where are exposed many artworks from the collections of Fondazione Cariplo.

MAGIS Italian Jesuit Missions Network (Movimento e Azione dei Gesuiti Italiani per lo Sviluppo) was founded in 1988 by the Italian Province of the Society of Jesus to coordinate the province’s international activities in solidarity with the most disadvantaged peoples, promoting intercultural and interreligious dialogue and integral development.

Piazza San Fedele (Saint Fedele Square in English) is sited in Milan near Palazzo Marino (Milan's Municipal office), the Vittorio Emanuele II Gallery and Piazza della Scala in a pedestrian area in the centre of the city. The square is sited in front of at the homonymous San Fedele Church built based on an old project by Pellegrino Tibaldi in the 16th century and finally consecrated in the 18th century. In the centre of square there is a bronze statue honoring the writer Alessandro Manzoni. The writer was born in the nearby Casa Manzoni in Belgiojoso square on 7 March 1785. On 6 January 1873, while exiting mass at the church of San Fedele, he fell on the steps. The head wound led to his demise on 22 May 1873. The statue was sculpted by Francesco Barzaghi and erected in 1883.

Palazzo Marino is a 16th-century palace located in Piazza della Scala, in the centre of Milan, Italy. It has been Milan's city hall since 9 September 1861. It borders on Piazza San Fedele, Piazza della Scala, Via Case Rotte and Via Tommaso Marino. The palace was built for, and is named after, the Genoan trader and banker Tommaso Marino. It became a property of the State in 1781.