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Prešeren Monument (Ljubljana)

1905 sculpturesArt Nouveau architecture in LjubljanaArt Nouveau sculptures and memorialsCenter District, LjubljanaFrance Prešeren
Max Fabiani buildingsMonuments and memorials in LjubljanaSculptures of menStatues of writers

The Prešeren Monument in Ljubljana (Slovene: Prešernov spomenik), also Prešeren Statue in Ljubljana, is a late Historicist bronze statue of the Slovene national poet France Prešeren in Ljubljana, the capital of Slovenia. It stands in the eastern side of Prešeren Square, in front of the Central Pharmacy Building in Ljubljana, the capital of Slovenia. It is among the best-known Slovenian monuments.

Excerpt from the Wikipedia article Prešeren Monument (Ljubljana) (License: CC BY-SA 3.0, Authors).

Prešeren Monument (Ljubljana)
Prešernov trg, Ljubljana Trnovo

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Latitude Longitude
N 46.051408333333 ° E 14.506308333333 °
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Prešernov trg

Prešernov trg
1102 Ljubljana, Trnovo
Slovenia
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Franciscan Church of the Annunciation
Franciscan Church of the Annunciation

The Franciscan Church of the Annunciation (Slovene: Frančiškanska cerkev Marijinega oznanjenja or commonly Frančiškanska cerkev) is a Franciscan church located on Prešeren Square in Ljubljana, the capital of Slovenia. It is the parish church of Ljubljana - Annunciation Parish. Its red colour is symbolic of the Franciscan monastic order. Since 2008, the church has been protected as a cultural monument of national significance of Slovenia.Built between 1646 and 1660 (the bell towers following later), it replaced an older church on the same site. The early-Baroque layout takes the form of a basilica with one nave and two rows of side-chapels. The Baroque main altar was executed by the sculptor Francesco Robba. Many of the original frescoes were ruined by the cracks in the ceiling caused by the Ljubljana earthquake in 1895. The new frescoes were painted in 1936 by the Slovene impressionist painter Matej Sternen.The front facade of the church was built in the Baroque style in 1703–1706 and redesigned in the 19th century. It has two parts, featuring pilasters with the Ionic capitals in the lower part and pilasters with Corinthian capitals in the upper part. The sides of the upper part are decorated with volutes and at the top of the front facade stands the statue of Our Lady of Loretto, i.e. Madonna with Child. It has been made of beaten copper by Matej Schreiner upon a plan drawn by Franz Kurz zum Thurn und Goldenstein. The faces and the hands were modelled by Franc Ksaver Zajec. The statue replaced an older wooden statue of a Black Madonna in 1858. The facade also has three niches with sculptures of God the Father above the main stone portal, and an angel and the Virgin Mary in the side niches, work by the Baroque sculptor Paolo Callalo. There is a stone entrance staircase in front of the church. The wooden door with reliefs of women's heads dates to the 19th century. Next to the church, squeezed next to Prešeren Square between Čop Street, Nazor Street and Miklosich Street, there is a Franciscan Monastery dating from the 13th century. The monastery is notable for its library, containing more than 70,000 books, including many incunabulae and medieval manuscripts. Founded in 1233, the monastery was initially located at Vodnik Square, moving to the present location during the Josephine reforms of the late 18th century.

Academia Operosorum Labacensium

The Academia Operosorum Labacensium (Academy of the Industrious Residents of Ljubljana)—a forerunner of the modern Slovenian Academy of Sciences and Arts—was founded in Ljubljana in 1693 as an association of 23 scholars. Most of the members, which included 13 lawyers, six theologians, and four medical doctors, were ethnically Slovene. The newly founded library became an important centre of activity for its members. The Operosi were very influential in the development of the arts in Ljubljana and throughout the Slovene cultural area. The members of the academy adopted the Latin name apes (bees) and the academic tag Nobis atque aliis – operosi. Every year they held an annual meeting, as well as four other academic meetings, where they discussed their research. Its purpose from the beginning was to promote scholarship in law, medicine, philosophy, and theology. In 1701, the academy merged with the Academia incoltorum (Academy of Fine Arts) and Academia philharmonicorum (Academy of Music). At the time of its greatest activity, around 1714, it was an international association of 42 members from Carniola and the counties of central Austria assembled under the patronage of Bishop Franz Karl von Kaunitz. It fell into decline in the summer of 1725, but was revived in 1781, thanks to the efforts of Slovene Enlightenment figures. It was only active for another 20 years or so and thereafter declined again because the members' outlooks and expectations were too much at variance.