Sarzano/Sant'Agostino (Genoa Metro)

Sant'Agostino is a church in the historical center of Genoa, northern Italy. It is today deconsecrated, sometimes used for representations of the nearby Teatro della Tosse.

San Donato is a church in Genoa, Northern Italy. The interior contains a Madonna by the 14th-century painter Nicolò da Voltri; a St Joseph It dates from the 12th century and is in Romanesque style. It became a parish under archbishop Siro il Porcello, and was consecrated on May 1, 1189. After the bombardment of 1684 it was restored several times, being again consecrated on December 4, 1892. Other restorations in 1946-1951 have kept its Romanesque appearance. , by Domenico Piola; and a marble relief of the Baptism of Christ, started by Ignazio Peschiera and completed by his pupil Carlo Rubatto. There is also a triptych (1515) by Joos van Cleve representing The Adoration of the Magi; the person who commissioned the work Stefano Raggi with Guardian Saint ; and a Mary Magdalen. This is topped by a Crucifixion scene with Mary and St John the Evangelist.

The historic center of Genoa is the core of the old town organized in the maze of alleys (caruggi) of medieval origin that runs - from east to west - from the hill of Carignano (Genoa) to the Genova Piazza Principe railway station, close to what was once the Palazzo del Principe, residence of Admiral Andrea Doria. Urbanistically, the area is part of Municipio I Centro-Est. However, the current municipal area was created by the merger, which took place on several occasions starting in the second half of the 19th century, of historic Genoa with adjacent municipalities and towns (now neighborhoods), some of which have more or less ancient historic centers of their own and have been urbanistically revolutionized over the years. The major urban planning operations carried out from the first half of the 19th century to beyond the middle of the 20th (which are difficult to replicate today, given the increased interest in the protection of historic neighborhoods by the public administration), combined with the damage that occurred during World War II (many of the old buildings were destroyed during the Allied bombing raids), partly disrupted the original fabric of the historic center. Slightly less than a quarter of the buildings (23.5 percent) date from the postwar period or later.

The Torre Embriaci, also called Torre degli Embriaci, located in the oldest area of Genoa, where the Castello o Castrum stood. It is the only one of the numerous towers that were located in the current historic center of Genoa to have been spared by the edict of 1196 which wanted to cut all the city towers to 80 palms.

Santa Maria di Castello is a church and religious complex in Genoa, Italy. Administrated for a long time by the Dominicans, it is located in the Castello hill of the city, where in the Middle Ages a bishop's fortified castle existed. The church is flanked by the large Tower of the Embriaci. The church, in Romanesque style, was erected before 900 AD. It houses many artworks commissioned by the main noble families of Genoa, by artists such as Francesco Maria Schiaffino, Lorenzo Fasolo, Alessandro Gherardini, Giuseppe Palmieri, Francesco Boccaccino, Pier Francesco Sacchi, Bernardo Castello, Aurelio Lomi and Tommaso Orsolino. Notable are the frescoes with Stories of David and the painted majolicas from the 16th century Genoese school. The high altar is decorated by a marble group of the "Assumption" by Domenico Parodi (late 17th century), while the chapel to the left of the presbytery has a Santa Rosa da Lima by Domenico Piola and a marble cover by Taddeo Carlone. The fourth chapel in the left aisle has a Madonna del Rosario by the workshop of Anton Maria Maragliano, while the first chapel has a painting attributed to Giovanni Battista Paggi (early 17th century). The baptistery has a polyptych from Lombard masters of the 15th century. The main portal is in Tuscan style (mid-15th century), and is surmounted by a Gothic lunette of the 14th century with a "Crucifixion". The loggia facing the second cloister has frescoes of Saints, a Madonna and, on the first floor, an Annunciation by Giusto d'Alemagna (1451). In the upper floor has a statue of "St. Catherina of Alexandria" and a marble tabernacle attributed to Domenico Gagini (15th century).

The Oratorio di San Giacomo della Marina (translated as Oratory of St. James of the Marina) is a small chapel or prayer-house at the dockside in Genoa, northern Italy. Erected in 1453, the oratory was rebuilt and decorated in the 17th century. Twelve large canvasses illustrating the saint and patron of the battle against the Moors, Saint James, were completed by major Genoese Baroque artists including: Giovanni Benedetto Castiglione (il Grechetto) - St. James defeats the Moors Giovanni Battista Carlone - St. James Opens the Gates of Coimbra to King Ferdinand and Martyrdom of St. James Valerio Castello - Saint Peter Baptizes St. James Giovanni Domenico Cappellino - St. James Preaching Domenico Piola Martyrdom of the Saint Giovanni Lorenzo Bertolotto - The Invention of the Spoglia Aurelio Lomi - Sons of Zebedee with JesusThe exterior of the oratory is unadorned. The confraternity was active in religious processions during past centuries.

Genoa Cathedral or Metropolitan Cathedral of Saint Lawrence (Italian: Duomo di Genova, Cattedrale di San Lorenzo) is a Roman Catholic cathedral in the Italian city of Genoa. It is dedicated to Saint Lawrence (San Lorenzo), and is the seat of the Archbishop of Genoa. The cathedral was consecrated by Pope Gelasius II in 1118 and was built between the twelfth century and the fourteenth century as fundamentally a medieval building, with some later additions. Secondary naves and side covers are of Romanesque style and the main facade is Gothic from the early thirteenth century, while capitals and columns with interior corridors date from the early fourteenth century. The bell tower and dome were built in the sixteenth century.

The Archdiocese of Genoa (Latin: Archidioecesis Ianuensis) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Italy. Erected in the 3rd century, it was elevated to an archdiocese on 20 March 1133. The archdiocese of Genoa was, in 1986, united with the Diocese of Bobbio-San Colombano, forming the Archdiocese of Genoa-Bobbio; however a split in 1989 renamed it the "Archdiocese of Genoa." The Archdiocese of Genoa is a metropolitan archdiocese, the suffragan dioceses in its ecclesiastical province are the Diocese of Albenga-Imperia, Diocese of Chiavari, Diocese of La Spezia-Sarzana-Brugnato, Diocese of Savona-Noli, Diocese of Tortona, and Diocese of Ventimiglia-San Remo.

The Republic of Genoa was a medieval and early modern maritime republic from the 11th century to 1797 in Liguria on the northwestern Italian coast. During the Late Middle Ages, it was a major commercial power in both the Mediterranean Sea and the Black Sea. Between the 16th and 17th centuries it was one of the major financial centers in Europe. Throughout its history, the Genoese Republic established numerous colonies throughout the Mediterranean and the Black Sea, including Corsica from 1347 to 1768, Monaco, Southern Crimea from 1266 to 1475 and the islands of Lesbos and Chios from the 14th century to 1462 and 1566 respectively. With the arrival of the early modern period, the Republic had lost many of its colonies, and had to shift its interests and focus on banking. This decision would prove successful for Genoa, which remained as one of the hubs of capitalism, with highly developed banks and trading companies. Genoa was known as "la Superba" ("the Superb one"), "la Dominante" ("The Dominant one"), "la Dominante dei mari" ("the Dominant of the Seas"), and "la Repubblica dei magnifici" ("the Republic of the Magnificents"). From the 11th century to 1528 it was officially known as the "Compagna Communis Ianuensis" and from 1580 as the "Serenìscima Repùbrica de Zêna" (Most Serene Republic of Genoa). From 1339 until the state's extinction in 1797 the ruler of the republic was the Doge, originally elected for life, after 1528 was elected for terms of two years. However, in actuality, the Republic was an oligarchy ruled by a small group of merchant families, from whom the doges were selected. The Genoese navy played a fundamental role in the wealth and power of the Republic over the centuries and its importance was recognized throughout Europe. To this day, its legacy, as a key factor in the triumph of the Genoese Republic, is still recognized and its coat of arms is depicted in the flag of the Italian Navy. In 1284, Genoa fought victoriously against the Republic of Pisa in the battle of Meloria for the dominance over the Tyrrhenian Sea, and it was an eternal rival of Venice for dominance in the Mediterranean Sea. The republic began when Genoa became a self-governing commune in the 11th century and ended when it was conquered by the French First Republic under Napoleon and replaced with the Ligurian Republic. The Ligurian Republic was annexed by the First French Empire in 1805; its restoration was briefly proclaimed in 1814 following the defeat of Napoleon, but it was ultimately annexed by the Kingdom of Sardinia in 1815.

The Doge's Palace (Italian: Palazzo Ducale) is a historical building in Genoa, northern Italy. Once the home of the Doges of Genoa, it is now a museum and a centre for cultural events and arts exhibitions. It is situated in the heart of the city, with two different entrances and façades, the main one on Piazza Giacomo Matteotti, and the second one on Piazza De Ferrari.

San Torpete is a church in central Genoa, northern Italy, dedicated to Saint Torpes. It was founded in the 11th century by local merchants. It was rebuilt in 1730 under designs conceived by Giovanni Antonio Ricca. The interior ceiling is decorated with paintings and stucco by Giovanni Bernardo Carlone depicting scenes of the Life of San Torpete. An altarpiece of Madonna with St Thomas Becket of Canterbury, St Lucia and John the Baptist is attributed to the studio of Luca Cambiaso or Andrea Semini. The small statue of the Virgin of Providence at the main altar was completed by Giovanni Battista Drago. The altar of San Filippo Neri has a painting depicting The Saint in ecstasy attributed to the studio of Giovanni Battista Paggi.

Basilica of Our Lady of the Assumption (Italian: Basilica di Nostra Signora Assunta is a Roman Catholic church in the town of Genoa, in the Province of Genoa and the region of Liguria, Italy. This church was constructed during 1610–1624. The Baroque-style facade was added in 1932, design of the architect Piero de Barbieri; the sculptor Luigi Venzano contributed the facade statues of St. John the Baptist and St. Joseph, while the central relief depicts the Madonna. The interior was decorated across the centuries and includes works by Giulio Benso, Domenico Piola, Nicolò Barabino, and Gian Stefano Rossi. It should not be confused with the distinct Santa Maria Assunta also called Santa Maria di Carignano.