Theatre of María Guerrero

Café Gijón (Also known as Gran Café de Gijón) is a culturally significant coffeehouse situated at No. 21, in the principal boulevard of central Madrid, Spain, which is known as Paseo de Recoletos. The café is opposite both a railway station of the same name and the National Library of Spain (BNE). The terrace in front is on the central walkway of the Paseo.

The Café de las Salesas (1878–1945) was an establishment in Madrid located on Calle de las Salesas street, and later at number 17 of Calle del Conde de Xiquena street and the corner of Plaza de las Salesas square. It was a classic 19th-century café with large mirrors on the walls that made it seem more spacious, marble tables and wooden chairs, large maroon booths, metal columns under crystal chandeliers, and a ringer telephone. For a while, it was also a café-chantant venue and had a billiard room as well.

Recoletos is a Cercanías station in Madrid city center. It was opened in 1967 as part of the Túnel de la risa project and it is located between Atocha and Nuevos Ministerios stations.

Paseo de Recoletos is a wide boulevard in central Madrid leading from Plaza de Cibeles to Plaza de Colón. From West to East it consists of: Two southward lanes The pedestrian walk A southward Bus lane Three southward lanes Three northward lanes A median strip lined with trees, flowerbeds, etc. Two northward lanes A northward Bus lane.

The Court of Public Order (Spanish: Tribunal de Orden Público) was a court created in Francoist Spain to deal with most political crimes. It was instated as the supreme body in the newly created Public Order Jurisdiction, which also comprised an additional court, the Public Order Examination Court. This jurisdiction was considered an additional branch of the ordinary judiciary (thereby it was not considered to be special or exceptional by legal standards), together with the criminal, civil, administrative and social jurisdictions. It was not part of the military courts system. Nonetheless, the Court and its jurisdiction were always considered to be a special court. Similar to the German People's Court in its goals, the court allowed for a rather fair process, leading on many occasions to the acquittal of the convict. Despite being considered a politically-oriented, biased court, the members of the court were all senior judges, many of them not members of the official party, and their decisions were made according to the then existing Laws. There were instances, however, where many arbitrary decisions were taken.It was established in December 1963, following Julián Grimau's execution by firing squad, replacing the Tribunal Especial para la Represión de la Masonería y el Comunismo. It was based in the Convent of the Salesas Reales in Madrid. Though its main goal was to repress political crimes in Spain, the Court could not issue death penalties, as these could only be issued by military courts. Therefore, the most serious political and terrorist crimes were dealt with by the military courts, whose death sentences had to be signed by Franco personally.

The Santa Barbara, also known as Church of the Monastery of the Salesas Reales is a Catholic church, built in Neoclassic style, in central Madrid, Spain. It is one of a number of Spanish churches dedicated to St Barbara.

The Convent of the Salesas Reales is an 18th-century architectural complex in central Madrid, Spain. Formerly a convent, specifically the convent of the Visitación de Nuestra Señora (Visitation of Our Lady), it was constructed and occupied by the Order of the Visitation of Holy Mary, which had been founded by St. Francis de Sales and St Jeanne de Chantal. The convent's church (dedicated to St Barbara) is now a parish church, and the remainder of the complex houses the Supreme Court of Spain.

The Madrid Wax Museum (Spanish: Museo de cera de Madrid) is a wax museum located in Plaza de Colón in Madrid, Spain.

The Palacio del Duque de Uceda also known as Palacio de los Duques de Medinaceli was a palace located in Plaza de Colón in Madrid. This palace had two floors and superior body with slate roofing with elegant mansards, was built in 1864 by the Puerto Rican architect Mariano Andrés Avenoza, in a large site along the Plaza de Colón, between the Paseo de Recoletos and Calle de Génova. It was the palace first property of the Duke of Uceda, to be acquired in 1876 by the Marquis of Salamanca, without ever living in it, and later, around 1890 it was purchased by Doña Ángela Pérez de Barradas y Bernuy, widow Duchess of Medinaceli, plus Duchess of Denia y Tarifa. For this reason, the palace has been known throughout its history by the names of Úceda, of Denia, of Medinaceli, and of Marqués de Salamanca, the latter through which was known the building. The palace suffered a fire on November 25, 1917, unleashed at dawn and mainly affected the façade overlooking the Plaza de Colón. Countless works of art were lost that decorated its interior. It was rebuilt and remained in place until 1964, when its demolition was decided to work for speculative criteria in a plan to modernize the plaza. Currently in its place is an office, hotel and entertainment complex called Centro Colón.

Refugiados ("Refugees") is a monument and instance of public art in Madrid, Spain. Located at a water pond of the Paseo de Recoletos, it is dedicated to migrants and refugees.

Lucky Frog (Spanish: Rana de la fortuna) is a bronze sculpture by the Spanish artist dEmo, installed in Madrid, Spain, in 2014, outside the Casino Gran Madrid on the Paseo de Recoletos. The sculpture is 5 metres (16 ft) tall and weighs 2,000 kilograms (4,400 lb).The work was commissioned for the opening of the casino, and was a gesture of thanks to the city for restoring legal gambling after 90 years. It was unveiled on 3 April 2014 by journalist Carme Chaparro and actor Paco León.The frog is a sign of good fortune in Feng shui and its underbelly is engraved with symbols of good luck from world cultures. The 34 symbols include several numbers as well as pictures including a scarab artifact, a four-leaf clover, the peace sign and various currency symbols and religious signs. The patina, the protective coating on the metal, was applied by specialist Juan Manuel González. Its turquoise green is also considered lucky.The sculpture is located near to Fernando Botero's Woman with Mirror, another bronze sculpture gifted to the city, and faces the Monument to Columbus.

Woman with Mirror (Spanish: Mujer con espejo) is a 1987 bronze sculpture in Madrid, Spain, by the Colombian sculptor Fernando Botero. The 1,000-kilogram (2,200 lb) sculpture is of a nude woman with a large figure lying on her front; this body shape is a trademark of the sculptor.In May 1994, an exhibition of Botero's works began in Madrid; by September, it had attracted two million visitors. A survey was taken by the sponsor, Caja Madrid, in which the most voted sculpture would be gifted for public exhibition in the city. Woman with Mirror was the most voted sculpture.After being gifted to the city, the sculpture was installed on the Calle de Génova, near the entrance to the Plaza de Colón. By April 1995, two more of Botero's Madrid exhibits were on public display: The Hand (bought by Telefónica), and Raptio of Europa at Madrid–Barajas Airport.