Suffolk University

Tremont House (1829– c.1895), sometimes called the Tremont Hotel, was a hotel designed in 1829 by Isaiah Rogers in Boston, Massachusetts. Notable guests included Davy Crockett and Charles Dickens.The Tremont House was a four-story, granite-faced, neoclassical building, located at the corner of Tremont and Beacon Streets, with its main entrance on Tremont. It incorporated many hotel "firsts": Indoor plumbing Indoor toilets and baths Reception area Locked rooms for the guest Free soap BellboysDespite this long list of innovations, it is probably best known as the first hotel with indoor plumbing and running water. The hotel's water was raised by steam-powered pump to a storage tank on its roof, where it fed by gravity to the taps. Eight water closets (toilets) were provided on the ground floor. Bathrooms for bathing were located in the basement, and served by cold running water. Bathtubs were copper or tin, with local gas heating for the tub's water. Running water was also provided to the kitchen and laundry. A simple system removed the waste water to the sewage system. During the 19th century it was socially unacceptable for women to dine alone in the public rooms of hotels. The hotel was among the first urban establishments to open a women-only dining room, referred to as a 'Ladies' ordinary'.The Tremont House set the standard for luxury accommodations and was the model for many hotels built in major cities at this time. One of the most notable, also designed by Isaiah Rogers, was the Astor House (1836) in New York City.

The Tremont Theatre (1827–1843) on 88 Tremont Street was a playhouse in Boston. A group of wealthy Boston residents financed the building's construction. Architect Isaiah Rogers designed the original Theatre structure in 1827 in the Greek Revival style. The playhouse opened on 24 September 1827.

The Tremont Temple on 88 Tremont Street is a Baptist church in Boston, affiliated with the American Baptist Churches, USA. The existing multi-storey, Renaissance Revival structure was designed by architect Clarence Blackall of Boston, and opened in May 1896. It replaced a much smaller, 1827 structure that had repeatedly suffered damage by fires. The new facility was designed with a large auditorium, ground-floor retail shops, and upper-story offices, all of which could be leased commercially so that the congregation could welcome all worshippers for free. The building is currently under study for landmark status by the Boston Landmarks Commission.

The Beacon Theatre was a cinema on Tremont Street in Boston, Massachusetts built in 1910 and closed in 1948. Jacob Lourie established it. Architect Clarence Blackall designed the building, with its 500-seat auditorium which a contemporary critic described as "showy." It had a staff of 26 in 1910. In 1948 the "refurbished" building became the Beacon Hill Theater. The building existed until 1970.

One Beacon Street is a modern skyscraper in the Government Center neighborhood of Boston, Massachusetts. Built in 1972 and refurbished in 1991, it is Boston's 16th-tallest building, standing 505 feet (154 m) tall, and housing 37 floors. Its position near the top of Beacon Hill gives the building a commanding presence, though it is located away from many other Boston skyscrapers. The tower houses a broadcast mast on the roof, painted red and white. With its broadcast mast included, One Beacon Street is the 4th-tallest building in Boston (when measuring to pinnacle height), rising 623 feet (190 m). Apart from the mast, the roof of the building is flat and has no crown.

The Studio Building (1861–1906) on Tremont Street (corner of Bromfield Street) in Boston, Massachusetts, housed artists' studios, theater companies and other businesses in the 19th century. It "held the true Bohemia of Boston, where artists and literati delighted to gather." Among the tenants were portraitist E.T. Billings, architect George Snell, sculptor Martin Milmore, artists William Morris Hunt, William Rimmer, Edward Mitchell Bannister, Phoebe Jenks; gallerist Seth Morton Vose, and many others.

Horticultural Hall (1865-1901) of Boston, Massachusetts, was the headquarters of the Massachusetts Horticultural Society in the later 19th century. It stood at no.100-102 Tremont Street, at the corner of Bromfield Street, opposite the Granary Burying Ground. Architects Gridley J.F. Bryant and Arthur Gilman designed the building. Sculptor Martin Milmore created horticulturally-themed statuary for the building's exterior: "three ancient Roman goddesses ... Ceres, goddess of agriculture; Flora, goddess of flowers; and Pomona, goddess of fruit trees." In the 1880s: "the ground floor [was] occupied by stores; the second story by the Library Room of the society and a hall for the weekly exhibitions; and the upper story by a large and elegant hall used ... at the annual and other important exhibitions. Both of these halls [were] often used for concerts and the better class of entertainments. The society's library, comprising over 4,000 volumes, [was] the most valuable collection of horticultural works in the United States. The halls [were] adorned with portraits and busts of the presidents, founders, and benefactors of the society."By 1899 the society's rooms in the building seemed old-fashioned, small, inconvenient, and expensive to maintain. After internal debate the society sold Horticultural Hall in 1900 and leased space there for some months thereafter. In 1901 the society transferred to its new building in the Back Bay, and the building on Tremont Street was demolished the same year. At the time, Milmore's architectural statues were removed to the home of society president Albert C. Burrage (later the Glen Urquhart School) in Beverly, Massachusetts. In the mid-1990s the society restored Milmore's statues (only torsos survived) and installed them in their new headquarters in Wellesley, Massachusetts.

Austin and Stone's Dime Museum (ca.1880s-1900s) of Boston, Massachusetts, was an entertainment emporium in Scollay Square (no.4 Tremont Row), established by William Austin and Frank Stone. It featured a freak show as well as dancing girls for entertainment. The freak show and other exhibits such as two-headed animals cost ten cents, while admission to the girlie show cost an additional dime. Performers included William S. Hutchings, the "lightning calculator." Comedian Fred Allen wrote about the Museum in his memoir, Much Ado About Me.

The Granary Burying Ground in Massachusetts is the city of Boston's third-oldest cemetery, founded in 1660 and located on Tremont Street. It is the final resting place for many notable Revolutionary War-era patriots, including Paul Revere, the five victims of the Boston Massacre, and three signers of the Declaration of Independence: Samuel Adams, John Hancock, and Robert Treat Paine. The cemetery has 2,345 grave-markers, but historians estimate that as many as 5,000 people are buried in it. The cemetery is adjacent to Park Street Church, behind the Boston Athenaeum and immediately across from Suffolk University Law School. It is a site on Boston's Freedom Trail. The cemetery's Egyptian revival gate and fence were designed by architect Isaiah Rogers (1800–1869), who designed an identical gate for Newport's Touro Cemetery.

Pemberton Square (est. 1835) in the Government Center area of Boston, Massachusetts, was developed by P.T. Jackson in the 1830s as an architecturally uniform mixed-use enclave surrounding a small park. In the mid-19th century both private residences and businesses dwelt there. The construction in 1885 of the massive John Adams Courthouse changed the scale and character of the square, as did the Center Plaza building in the 1960s.

King's Chapel is an American independent Christian unitarian congregation affiliated with the Unitarian Universalist Association that is "unitarian Christian in theology, Anglican in worship, and congregational in governance." It is housed in what was for a time after the Revolution called the "Stone Chapel", an 18th-century structure at the corner of Tremont Street and School Street in Boston, Massachusetts. The chapel building, completed in 1754, is one of the finest designs of the noted colonial architect Peter Harrison, and was designated a National Historic Landmark in 1960 for its architectural significance. Despite its name, the adjacent King's Chapel Burying Ground is not affiliated with the chapel or any other church; it pre-dates the present church by over a century.

Lieutenant Colonel James Abercrombie (1732 – 23 June 1775) was a British army officer who died during the American Revolutionary War. There is much uncertainty about Abercrombie's family. He may have been related to General James Abercrombie, as described in Appletons' Cyclopedia of American Biography, but the Dictionary of Canadian Biography states that the common identification of him as the general's son or nephew is probably erroneous. On 11 June 1744 Abercrombie was made Lieutenant of the 1st Foot. On 16 February 1756, he was promoted to the rank of Captain of the 42nd Foot. With this rank he served in the French and Indian War, notably as one of General Abercrombie's aides in the Battle of Fort Carillon at Ticonderoga in 1758 before being made aide-de-camp to General Amherst in 1759. He was promoted to the rank of lieutenant colonel in 1770. On 17 June 1775, Abercrombie led the grenadier battalion in their charge of the redoubt on the Americans' left wing at the Battle of Bunker Hill. During the assault on Breed's Hill, he sustained a large gunshot wound on his right thigh from an African soldier named Salem Poor, although there is probability that it was friendly fire. After removal from the Bunker Hill battleground, he was treated at a hospital facility in Boston. He succumbed to his wound a week later at the residence of British military engineer John Montresor.