Schloss Charlottenburg

The equestrian statue of Frederick William, Elector of Brandenburg is a bronze equestrian statue installed outside Charlottenburg Palace in Berlin, Germany.

The Berggruen Museum (also known as the Berggruen Collection) is a collection of modern art classics in Berlin, which the collector and dealer Heinz Berggruen, in a "gesture of reconciliation", gave to his native city. The most notable artists on display include Pablo Picasso, Alberto Giacometti, Georges Braque, Paul Klee and Henri Matisse. The Berggruen Collection is part of the National Gallery of Berlin.

The Scharf-Gerstenberg Collection (German: Sammlung Scharf-Gerstenberg) is an art museum in Berlin. Its collection of paintings, graphics and sculptures, spanning the period from French Romanticism to Surrealism, is currently housed in former rooms of the Egyptian Museum in Charlottenburg on a ten-year loan. It was founded in 2008, and is part of the National Gallery of Berlin.

The Rathgen Research Laboratory (German: Rathgen-Forschungslabor) is a Research Institute of the Berlin State Museums under the auspices of the Prussian Cultural Heritage Foundation. It carries out cross-material conservation science, art technology and archaeometry studies of fine arts and cultural artifacts to determine composition, age and authenticity and provide advice on their restoration. It further conducts academic research on scientific issues concerning the care and preservation of monuments and archaeological sites. Founded in 1888 as the Chemical Laboratory of the Royal Museums in Berlin, it is the oldest museum laboratory in world and bears the name of its first Director, Dr. Friedrich Rathgen.The Laboratory also provides services to a number of international bodies, such as the International Council on Monuments and Sites (ICOMOS), the International Council of Museums (ICOM) and the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM).

The statue of Frederick the Great is installed outside Charlottenburg Palace in Berlin, Germany.

Zwei Friedenssäulen (English: Two Peace Columns) is a pair of outdoor columns surmounted by bronze statues of Victoria, the goddess of victory. They were made in 1840 by the German sculptor Christian Daniel Rauch and installed outside the Charlottenburg Palace in Berlin, Germany.

The Bröhan Museum is a Berlin state museum for Art Nouveau, Art Deco, and Functionalism, located in Berlin's Charlottenburg district. The Museum is named after its founder, entrepreneur and art collector Karl. H. Bröhan (1921–2000), who donated his collection to the state of Berlin on the occasion of his 60th birthday. In 1983, the Bröhan Museum opened in its current space, which belongs to the Charlottenburg Palace ensemble and was originally built for the guard regiment. Since 1994, it has been a state museum. The Museum houses a unique collection of Art Nouveau, Art Deco, and Functionalism as well as works from the Berlin Secession. These areas of focus are complemented by temporary exhibitions of fine art, applied art, and design from 1950 to the present day.

The Museum für Vor- und Frühgeschichte ("Museum for prehistory and early history"), part of the Berlin State Museums, is one of major archaeological museums of Germany, and among the largest supra-regional collections of prehistoric finds in Europe. It was previously located in the former theatre building by Carl Ferdinand Langhans, next to Schloss Charlottenburg, and encompasses six exhibition halls on three floors. Since October 2009, the museum's exhibitions are now displayed in the Neues Museum on Museum Island.Apart from a permanent exhibition, it regularly houses temporary exhibits. Attached to the museum is a specialised library on prehistoric archaeology with over 50,000 volumes. Furthermore, the museum houses the Commission for the exploration of archaeological collections and documents from northeast Central Europe, a project for the study of ancient Egyptian calendars, and a number of other bodies.

Charlottenburg (German: [ʃaʁˈlɔtn̩bʊʁk] (listen)) is a locality of Berlin within the borough of Charlottenburg-Wilmersdorf. Established as a town in 1705 and named after Sophia Charlotte of Hanover, Queen consort of Prussia, it is best known for Charlottenburg Palace, the largest surviving royal palace in Berlin, and the adjacent museums. Charlottenburg was an independent city to the west of Berlin until 1920 when it was incorporated into "Groß-Berlin" (Greater Berlin) and transformed into a borough. In the course of Berlin's 2001 administrative reform it was merged with the former borough of Wilmersdorf becoming a part of a new borough called Charlottenburg-Wilmersdorf. Later, in 2004, the new borough's districts were rearranged, dividing the former borough of Charlottenburg into the localities of Charlottenburg proper, Westend and Charlottenburg-Nord.

The Landgericht Berlin is a regional court in Berlin, divided into two divisions for civil and criminal cases. In the German court hierarchy, it is above the eleven local courts (Amtsgerichte) of the city and below the Kammergericht, which is the highest regional court of Berlin. The Landgericht Berlin is the largest Landgericht in Germany, with about 900 employees.

The Luisenkirche is a Protestant municipal and parish church in Charlottenburg, now part of Berlin, Germany. The building in Baroque style was begun in 1710, and around 100 years later named after Queen Luise of Prussia. Karl Friedrich Schinkel made suggestions for the addition of a steeple and interior changes in 1821, which were partly carried out from 1823. The Luisenkirche burnt in World War II and was rebuilt in the 1950s. A restoration in 1987/88 revived some of Schinkel's design.

Obelisk 11 March (full title: 11 March, This could be a Day of Historical Importance) is a 1979 outdoor obelisk memorial by the Yugoslav conceptual artist Braco Dimitrijević. It is located in the north-eastern end of the Schloss Charlottenburg park in Berlin, where it can be viewed during daylight hours, year-round. No admission fee required. The obelisk is a commemoration of an arbitrary date, in fact the result of a chance meeting on a street in West Berlin, 1976. This "obelisk beyond history," as Dimitrijević has labeled it, is an early example of both a large-scale conceptual art work and an anti-monument. The project, initiated by the artist during a residency in Berlin in 1976, was completed in 1979 with the financial assistance of the Senate of Berlin, the Berlin Lottery Foundation, DAAD and the former Verwaltung der Staatlichen Schlösser und Gärten in West Berlin.