Arles station

The canton of Arles is an administrative division of the Bouches-du-Rhône department, in southeastern France. It was created at the French canton reorganisation which came into effect in March 2015. Its seat is in Arles.

Musée Réattu (Reattu Museum) is an art museum in Arles, housing paintings, including works by Arles-born painter Jacques Réattu, drawings by Picasso, as well as sculptures and a large collection of photographs. It regularly holds exhibitions of contemporary art.

The Arles Amphitheatre (French: Arènes d'Arles) is a Roman amphitheatre in Arles, southern France. Two-tiered, it is probably the most prominent tourist attraction in the city which thrived in Ancient Rome. The towers jutting out from the top are medieval add-ons. Built in 90 AD, the amphitheatre held over 20,000 spectators of chariot races and bloody hand-to-hand battles. Nowadays, it draws smaller crowds for bullfighting during the Feria d'Arles, as well as plays and concerts in summer. In 1981, Arles Amphitheatre was listed as a UNESCO World Heritage Site, together with other Roman and medieval buildings of the city, as part of the Arles, Roman and Romanesque Monuments group.

Arles, Roman and Romanesque Monuments (French: Arles, monuments romains et romans) is an area containing a collection of monuments in the city centre of Arles, France, that has been listed as a UNESCO World Heritage Site since 1981. The official brief description for this as a World Heritage Site is: Arles is a good example of the adaptation of an ancient city to medieval European civilization. It has some impressive Roman monuments, of which the earliest—the arena, the Roman theatre and the cryptoporticus (subterranean galleries)—date back to the 1st century B.C. During the 4th century Arles experienced a second golden age, as attested by the baths of Constantine and the necropolis of Alyscamps. In the 11th and 12th centuries, Arles once again became one of the most attractive cities in the Mediterranean. Within the city walls, Saint-Trophime, with its cloister, is one of Provence's major Romanesque monuments. The protected area covers 65 hectares (160 acres). The following buildings are located within this area: Arles Amphitheatre The Roman theater Cryptoporticus and Roman forum: Located underneath the Chapel of the Jesuit College and the City Hall, this cryptoporticus was likely built by the Greeks in the 1st century BCE. It may have been used as a slave barracks. The Thermes of Constantine: A public bath, which was built during the 4th century CE. Ramparts of the Roman castrum The Alyscamps The Church of St. Trophime and its cloister Roman exedra (courtyard of Museon Arlaten)

L'église Saint-Pierre-de-Gallègue was an old church which has since disappeared. It was situated in Trinquetaille on the right bank of the River Rhône across from Arles. The second church was built in the eleventh or twelfth century, near the remains of an older Roman church, and was destroyed at the end of the eighteenth century.

Saint-Césaire Convent, at first called Saint-Jean monastery, was a nunnery in the city of Arles in the south-eastern corner of the rampart. It was founded in 512 AD. Its name was later changed to Abbaye Saint-Césaire in honor of its first abbess, Caesaria of Arles, and it remained until the French Revolution. Later what remained of the buildings were used as a hospice.

The Roman Theatre of Arles is a 1st-century Roman theatre, built during the reign of Caesar Augustus. It is located next to the Arles Amphitheatre in the city of Arles, Provence, France. Along with the other Roman and medieval buildings in Arles, the theatre was listed on the UNESCO World Heritage List as part of the Arles, Roman and Romanesque Monuments site for their testimony to the ancient history of the city.In Roman times, the theatre had 33 rows of steps and could seat 8000 people. It is as large as the Roman Theatre of Orange, although much less well-preserved.During the Middle Ages, the theatre was used as a quarry, with the stone pillaged to build the city wall and other buildings. Today, only the stage area, orchestra section, seating rows, and two columns survive.The Venus of Arles, a famous Roman statue made of marble, was found in pieces at the Roman theatre in 1651.

Café Terrace at Night is an 1888 oil painting by the Dutch artist Vincent van Gogh. It is also known as The Cafe Terrace on the Place du Forum, and, when first exhibited in 1891, was entitled Coffeehouse, in the evening (Café, le soir). Van Gogh painted Café Terrace at Night in Arles, France, in mid-September 1888. The painting is not signed, but described and mentioned by the artist in three letters.Visitors to the site can stand at the north eastern corner of the Place du Forum, where the artist set up his easel. The site was refurbished in 1990 and 1991 to replicate van Gogh's painting. He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the rue du Palais which led up to a building structure (to the left, not pictured) and, beyond this structure, the tower of a former church which is now Musée Lapidaire. Towards the right, Van Gogh indicated a lighted shop and some branches of the trees surrounding the place, but he omitted the remainders of the Roman monuments just beside this little shop. The painting is currently at the Kröller-Müller Museum in Otterlo, Netherlands.

The Battle of Arles was fought between the Visigoths and a Roman-Hunnic alliance in 425. The Visigoths and the Romans had previously been in peace, but in 425 the Visigothic king Theodoric I broke the peace treaty and invaded Gaul, laying siege to Arles. He was defeated and driven away by the Romans, under the leadership of Flavius Aetius, and their Hunnic allies. Theodoric thereafter made peace again, instead turning his sights on the Vandals in Hispania.

The Battle of Arles was fought between the Visigoths and the Western Roman Empire in 435. The Visigoths and the Romans had previously been in peace after having fought each other at Arles in 425, but in 435 the Visigothic king Theodoric I again broke the peace treaty and invaded Gaul, laying siege to Arles once more. He was however defeated and driven away by the Romans under the leadership of Flavius Aetius and his largely Hunnic army. Two years later, Theodoric was defeated at a decisive battle at Narbonne.

The Battle of Arelate was fought in 458 near Arelate (Arles) between Western Roman Emperor Majorian and Visigothic king Theodoric II. After the assassination of Flavius Aetius in 454, the Visigoths began to expand their kingdom at the expense of the crumbling Roman administration in Gaul and Hispania. When Majorian became emperor in 457, the Visigoths under king Theodoric II had just recently defeated the Suebic Kingdom in north-west Hispania and were consolidating their hold on the rest of the peninsula.Majorian, a young, capable general in his late thirties, inherited a collapsing empire consisting of only Italy, Dalmatia, and some fractured territories in northern Gaul. He decided the first step towards consolidating the empire would be to confront the Visigoths in Septimania. Traveling with his generals Aegidius and Nepotianus, Majorian encountered the Visigothic king and his army at Arelate, at the mouth of the Rhodanus River (Rhone). The ensuing battle was an overwhelming Gothic defeat. Theodoric II was forced to flee Arelate, abandon Septimania, and conclude a hasty peace treaty. The treaty returned all Visigothic territory in Hispania to the Romans, and the Visigoths were reduced to federate status.The battle allowed Majorian to campaign deeper in Gaul against the Burgundian Kingdom, and later in Hispania against the Suebic Kingdom.

The Battle of Arles was fought between the Visigoths and the Western Roman Empire in 471. Prior to the battle, the Visigoths had advanced past the Bretons at the Battle of Déols in 469, and were expanding into Aquitaine. Alarmed with this development, Emperor Anthemius sent an expedition under Anthemiolus across the Alps against the Visigothic king Euric, who was besieging Arles. Euric crushed the Roman army and killed Anthemiolus and three Roman counts. Euric subsequently captured Arles and much of southern Gaul. The defeat in Gaul was a direct cause of the subsequent overthrow of Anthemius as emperor by Ricimer.