Victoria Works, Birmingham

The Argent Centre is a Grade II* listed building on the corner of Frederick Street and Legge Road in the Jewellery Quarter of Birmingham, England. Designed by J. G. Bland for W. E. Wiley, a manufacturer of gold pens; it was built in 1863, and acquired the name Albert Works, possibly because it was opposite the Victoria Works of Joseph Gillott. Despite the appearance of being a huge, solid building, it consists of long, narrow, multi-storey workshops only 16 feet (5 m) wide, surrounding an open courtyard. This was a common arrangement at the time allowing natural light to reach workbenches from two sides. With floors constructed of hollow bricks tied with wrought iron, it was fireproof, removing the need for insurance. The multicoloured brickwork decorates a design reminiscent of renaissance Florence. Recycled steam from the works engines went to a Turkish bath in the northern end of the building; visitors to the Turkish Baths, also indulged in other leisure activities there, such as chess, fencing and billiards. It originally had pyramids on each corner tower, however these had been removed by the middle of the C20th, as is visible in aerial photos from the era. In 2020 the pyramidal roofs were restored. A bomb dropped into the courtyard at some time during the Birmingham Blitz of World War II, and the bent window frames were visible at least till the mid-1980s. It was home to Griffin & George, scientific equipment supplier to schools and universities, as well as Gallenkamp, laboratory equipment suppliers, part of the Fisons Scientific Equipment Division until their move to London in 1983/4. The technical staff, sales and marketing personnel, draughtsmen and prototype engineers were housed there. It was converted to offices in 1993. The Argent Centre formerly Albert Works is owned by Midlands Industrial Association Ltd a Community Benefit Company whose aims and objectives are to encourage employment through the growth of the small firms sector by redeveloping redundant buildings in inner city brownfield sites. Midlands Industrial Associations Ltd is managed and run by Prince, Warnes Ltd. a specialist managed workspace consultancy. The Argent Centre provides workspace on a risk free monthly licence to give people the chance to develop their businesses without the risks normally associated with renting commercial property.[1] Among many other businesses, The Argent Centre is now home to the independent museum, The Pen Museum The only museum in the United Kingdom devoted to the history of the pen making industry - find out why Birmingham became the centre of the world pen trade. ' Midlands Industrial Association Ltd has 4 other properties developed and run by Prince, Warnes Ltd, The Telsen Centre. 55, Thomas Street, Aston, Birmingham. The Jubilee Centre, 130, Pershore Street, in Birmingham's China Town. FiFty Seven Frederick Street, in Birmingham's Jewellery Quarter and The Chubb Buildings, Fryer Street, Wolverhampton.

The Pen Museum is a museum in Birmingham, England, covering the history of Birmingham's steel pen trade. The only museum in the United Kingdom devoted to the history of the pen making industry, the Pen Museum explains how Birmingham became the centre of the world pen trade. The museum is run by the Birmingham Pen Trade Heritage Association, which was established in 1996 as a registered charity and became a charitable incorporated organisation in 2018. The museum is located in Birmingham's Jewellery Quarter, at the Argent Centre. The Argent Centre itself used to house a pen factory and is a Grade II* listed building. The museum was opened in April 2001, and in June 2002 the adjoining Philp Poole Room gallery opened. The new exhibition and shop area with new entrance to the museum opened in November 2016. In the 19th century, around 100 companies distributed steel pens in Birmingham. The pen nibs produced were distributed worldwide, until the trade was overtaken by fountain pens and the ballpoint pen. The museum looks into the lives of the employers and workers involved in the business, as well as providing information on the pen companies. It also has information on how steel pen nibs were made and has pen nibs on display. Beyond the steel pen, the museum also aims to educate on other forms of writing equipment and on writing in general. Information at the museum is given through displays and tours by volunteer guides, as well as through demonstrations and ‘hands on’ activities, such as writing with different kinds of pen, early typewriters and Braille machines, and making a pen nib using original factory presses. Entry to the museum is by admission.The museum hosts workshops for family and community groups on various themes, talks on pen trade history and provides for research into genealogy.

@ A. E. Harris was a theatre space located within the working metal fabricators' factory A E Harris, in the Jewellery Quarter of Birmingham, England. It was the home of the experimental Stan's Cafe theatre company.The venue was established in 2008 by Stan's Cafe for their work Of All The People In All The World. The collaboration won an Arts & Business award in 2009 and in 2010 the company secured funding from the National Lottery to extend their lease and improve the venue's facilities. Over the following year performances by Birmingham Rep, the Birmingham Opera Company and Kindle Theatre were held in the space, as well as further performances by Stan's Cafe.The venue originally hosted five performance spaces of varying sizes named after the five continents, but in 2013 economic expansion caused hosts A. E. Harris to take back the four largest to boost their manufacturing capacity, with the venue retaining Australia as a 50-seat performance space.The site has now been redeveloped and the venue no longer exists. The manufacturing firm AE Harris and Co have moved to a new site in West Bromwich.

The Church of the Saviour in Edward Street, Birmingham, was a liberal Unitarian church founded in 1845 for the liberal nonconformist preacher, George Dawson. It became the centre of the programme of social and municipal improvement known as the Civic Gospel, and was instrumental in launching Joseph Chamberlain's political career.

The Chamberlain Clock is an Edwardian, cast-iron, clock tower in the Jewellery Quarter of Birmingham, England. It was erected in 1903 to mark Joseph Chamberlain's tour of South Africa between 26 December 1902 and 25 February 1903, after the end of the Second Boer War. The clock was unveiled during Chamberlain's lifetime, in January 1904 by Mary Crowninshield Endicott, Joseph Chamberlain's third wife.Standing at the junction of Vyse and Frederick Streets with Warstone Lane, it is now a local landmark and symbol of the Quarter. Chamberlain had been a resident on Frederick Street and had also helped jewellers through his campaign work to abolish Plate Duties – a tax affecting jewellery tradesmen of the time. The timepiece was originally powered by a clockwork winding handle. It was later adapted to electricity but fell into disrepair and lost its chime. It was fully restored in 1989.On the 22 August 2020, the Chamberlain Clock was being removed for restoration work by Smith of Derby. It was restored to its site on 20 March 2021.

St. Paul's Gallery is a commercial art gallery, the largest in the United Kingdom outside London. It is in the Jewellery Quarter in Birmingham, England. The gallery deals in two main fields: original album art the world's largest collection of signed album cover fine art, including signed cover images from The Beatles, Led Zeppelin, Pink Floyd, David Bowie, Queen and fine art (where its holdings include works from Picasso and Dalí to Henry Moore Bridget Riley). St Paul's Gallery also hosts a programme of visiting exhibitions. It was conceived by Symon Bland and opened in February 2003 in former industrial premises near St Paul's Square.

Lasan (Hindi: लसन, romanized: lasan, lit. 'garlic') is an Indian restaurant located in St Paul's Square, Jewellery Quarter, Birmingham, England, and was co-founded by Aktar Islam and Jabbar Khan in 2002. In 2009, it became the first Indian restaurant in the United Kingdom to be selected as the "Best Local Restaurant" by Gordon Ramsay on Channel 4's The F Word.

The Royal Birmingham Society of Artists or RBSA is an art society, based in the Jewellery Quarter in Birmingham, England, where it owns and operates an art gallery, the RBSA Gallery, on Brook Street, just off St Paul's Square. It is both a registered charity, and a registered company (no. 122616).

The Cathedral Church of the Dormition of the Mother of God and St. Andrew (Greek: Καθεδρικός Ναός της Κοιμήσεως της Θεοτόκου και Αποστόλου Ανδρέα) is a Greek Orthodox cathedral on Summer Hill Terrace in Birmingham, England, dedicated to the Dormition of the Theotokos and St Andreas. In 1958 the first Greek Orthodox Church in Birmingham was inaugurated. Regular liturgies began in Birmingham conducted by the first permanent priest, Father Nicodemos Anagnostou. The building was formerly a Catholic Apostolic church. It was designed in 1873 by J.A. Chatwin, who worked on many of Birmingham's churches, including St Philip's Cathedral, Birmingham. It is a brick Gothic revival church in the Early English style. It has a wide rectangular nave, an apse at each end and passage aisles through the buttresses. The interior consists of heavy brick arches on stout columns and clerestory windows between clustered wall shafts supporting a high arched roof. The west end has a tall archway set in a diapered brick wall leading into a baptistery. Some of the decoration was by Gibbs and Canning of Tamworth. Renovations have taken place since circa 2000. The priest is Protopresbyter Kosmas Pavlidis.The cathedral also has a Greek school for children and adults who wish to learn the Greek language and culture. There is more information below in the section Apostolos Andreas Greek School.

The Crescent was a part-completed Regency-style terrace in central Birmingham, England. The scheme was first proposed in 1788, construction started in 1795 and was discontinued the same year. The partially-completed terrace was finally demolished in the mid- to late 1960s. Like other late 18th and early 19th century crescent terraces in Britain and Ireland, it took its inspiration from The Crescent (later Royal Crescent), Bath, designed by John Wood the Younger and built 1767 to 1774. The developer in Birmingham was Charles Norton and the architect was John Rawsthorne. The land was leased from the Foundation of the Schools of King Edward VI on a 120-year term. The 1,182-foot-long (360 m) long residential scheme was to have 34 stone-built townhouses; 23 in a central block of 622 feet (190 m), plus more in two wings (each 140 feet (43 m)), and a return to Cambridge Street (141 feet (43 m)). Only twelve of the houses, mostly in the two wings, were built by 1795, when a building depression resulting from the war with France brought construction to a stop. Work never resumed and eventually other buildings (including a factory known as "Crescent Works") were erected on the site, in a street called "The Crescent", following the original curved layout. The Crescent ran north of, and roughly parallel to, the present Cambridge Street, the concave side facing northwards from a hilltop, overlooking the Birmingham and Fazeley Canal (completed in August 1789), and the area now known as Ladywood, which was then countryside. A later canal wharf between The Crescent and the canal was named "Crescent Wharf", and the vista became filled with factories, workshops and warehouses. The Crescent Theatre was based in one of the buildings in the east wing of The Crescent from its first production in 1932 until 1964, and takes its name from there.Another proposed development on the same site, the civic centre, started in the 1930s, was also abandoned due to war, when World War II broke out, with only one wing completed. Neither the street nor any of its buildings remain. The site of The Crescent was redeveloped and is now occupied by the four tower blocks of the Civic Centre Estate, one of which is called "Crescent Tower".

Newman Brothers at The Coffin Works is a museum in the Newman Brothers Coffin Furniture Factory building in the Jewellery Quarter conservation area in Birmingham, England. The museum educates visitors about the social and industrial history of the site, which operated from 1894–1998 as a coffin furniture factory. The museum opened in October 2014 after a fifteen-year campaign by the Birmingham Conservation Trust to save the factory building, which ceased trading in 1998, and raise the funds to transform it into a heritage attraction. Located at 13–15 Fleet Street, the building is Grade II* listed.

Library tram stop is a tram stop on Line 1 of the West Midlands Metro located in Birmingham outside the Library of Birmingham. It opened on 11 December 2019 as the line's terminus when it was extended from Grand Central. In July 2022 the line was extended to Edgbaston.