St. Paul's Gallery

Lasan (Hindi: लसन, romanized: lasan, lit. 'garlic') is an Indian restaurant located in St Paul's Square, Jewellery Quarter, Birmingham, England, and was co-founded by Aktar Islam and Jabbar Khan in 2002. In 2009, it became the first Indian restaurant in the United Kingdom to be selected as the "Best Local Restaurant" by Gordon Ramsay on Channel 4's The F Word.

The Royal Birmingham Society of Artists or RBSA is an art society, based in the Jewellery Quarter in Birmingham, England, where it owns and operates an art gallery, the RBSA Gallery, on Brook Street, just off St Paul's Square. It is both a registered charity, and a registered company (no. 122616).

@ A. E. Harris was a theatre space located within the working metal fabricators' factory A E Harris, in the Jewellery Quarter of Birmingham, England. It was the home of the experimental Stan's Cafe theatre company.The venue was established in 2008 by Stan's Cafe for their work Of All The People In All The World. The collaboration won an Arts & Business award in 2009 and in 2010 the company secured funding from the National Lottery to extend their lease and improve the venue's facilities. Over the following year performances by Birmingham Rep, the Birmingham Opera Company and Kindle Theatre were held in the space, as well as further performances by Stan's Cafe.The venue originally hosted five performance spaces of varying sizes named after the five continents, but in 2013 economic expansion caused hosts A. E. Harris to take back the four largest to boost their manufacturing capacity, with the venue retaining Australia as a 50-seat performance space.The site has now been redeveloped and the venue no longer exists. The manufacturing firm AE Harris and Co have moved to a new site in West Bromwich.

St Paul's is a Church of England church in the Georgian St Paul's Square in the Jewellery Quarter, Birmingham, England.

St Paul's Square is a Georgian square in the Jewellery Quarter, Birmingham, England, named after the church in its centre. It is the last remaining Georgian Square in the city. Built 1777–1779 on the Newhall estate of the Colmore family, it was an elegant and desirable location in the mid-nineteenth century. At the end of the nineteenth century the square was swallowed by workshops and factories, with the fronts of some buildings being pulled down to make shop fronts or factory entrances. Much restoration was done in the 1970s and many of the buildings are Grade II listed. As well as bars, cafés and restaurants, which line the square's four sides, a number of apartment schemes have been built in the area, including a restoration of the façade of the Thomas Walker building, a former buckle maker, which fronts onto the square. St Paul's Club is situated in St Paul's Square. Formed in 1859, it is the Midlands' oldest private members club. The Royal Birmingham Society of Artists has its offices and gallery in premises just off the square. St Paul's Square is served by St Paul's tram stop.

The Queen's Arms (sometimes styled "The Queens Arms") is a Grade II listed public house in Birmingham, England, built c. 1870. It is noted for the tiled art nouveau signage on its exterior, which was remodelled in 1901 to the designs of the architect, Joseph D. Ward for its then owners, Mitchells & Butlers.The red brick building sits on the corner of Charlotte Street and Newhall Street, on the edge of the city's Jewellery Quarter. It was given Grade II listed status in April 2004.Scenes for the BBC serial television drama Line of Duty were filmed in the pub.

The Birmingham Assay Office, one of the four assay offices in the United Kingdom, is located in the Jewellery Quarter, Birmingham. The development of a silver industry in 18th century Birmingham was hampered by the legal requirement that items of solid silver be assayed, and the nearest Assay Offices were in Chester and London. Matthew Boulton and Birmingham's other great industrialists joined forces with silversmiths of Sheffield to petition Parliament for the establishment of Assay Offices in their respective cities. In spite of determined opposition by London silversmiths, an Act of Parliament was passed in March 1773, just one month after the original petition was presented to Parliament, to allow Birmingham and Sheffield the right to assay silver. The Birmingham Assay Office opened on 31 August 1773 and initially operated from three rooms in the King's Head Inn on New Street employing only four staff and was only operating on a Tuesday. The first customer on that day was Matthew Boulton.The assay office is managed by a board of 36 "Guardians of the Standard of Wrought Plate in Birmingham", between six and nine of whom must be connected with the trade. The hallmark of the Birmingham Assay Office is the Anchor, and that of the Sheffield Assay Office was the Crown. A story about the origins of this hallmark goes that meetings prior to the inauguration of both Birmingham and Sheffield Assay Offices in 1773 were held at a public house called the Crown and Anchor Tavern on the Strand, London. It is said that the choice of symbol was made on the toss of a coin which resulted in Birmingham adopting the Anchor and Sheffield the Crown (which was changed in 1977 to the White Rose of York).Services provided by the office include nickel testing, metal analysis, plating thickness determination, bullion certification, consultancy and gem certification. Platinum was brought within the Hallmarking Act 1973.

The Elkington Silver Electroplating Works was a building on Newhall Street in Birmingham, England. It later housed the Birmingham science museum Museum of Science and Industry until the creation of Thinktank. Standing opposite the Birmingham Assay Office, the original 19th century silver electroplating factory of George Elkington, built in 1838, once occupied a much longer, grandiose building on Newhall Street which was largely demolished in the mid-1960s. The works had many workshops and warehouses along and over the Birmingham and Fazeley Canal and the now filled-in Whitmore's Arm (or Miss Colmore's Arm) canal, which ran through the site. In the early 1850s there was a steam-powered electric generator with 64 permanent magnets arranged in a circle and a rotating wrought iron armature. The electroplating process involved solutions of cyanide of silver and potassium cyanide. The building carries two blue plaques on its wall, one to George Elkington, and another to his employee Alexander Parkes who is credited with inventing the first plastic.

The Victoria Works is a Grade II listed building in the Jewellery Quarter of Birmingham, England. It was built in 1839–40 for Joseph Gillott, who manufactured pen nibs, and was one of the first purpose-built factories in the Jewellery Quarter. It is situated opposite the Argent Centre, another building constructed for industrial use around the same period. The factory was one of the largest of its kind, with nearly 600 workers. Steam engines of 60 horsepower powered the mass production of the nibs.

The Pen Museum is a museum in Birmingham, England, covering the history of Birmingham's steel pen trade. The only museum in the United Kingdom devoted to the history of the pen making industry, the Pen Museum explains how Birmingham became the centre of the world pen trade. The museum is run by the Birmingham Pen Trade Heritage Association, which was established in 1996 as a registered charity and became a charitable incorporated organisation in 2018. The museum is located in Birmingham's Jewellery Quarter, at the Argent Centre. The Argent Centre itself used to house a pen factory and is a Grade II* listed building. The museum was opened in April 2001, and in June 2002 the adjoining Philp Poole Room gallery opened. The new exhibition and shop area with new entrance to the museum opened in November 2016. In the 19th century, around 100 companies distributed steel pens in Birmingham. The pen nibs produced were distributed worldwide, until the trade was overtaken by fountain pens and the ballpoint pen. The museum looks into the lives of the employers and workers involved in the business, as well as providing information on the pen companies. It also has information on how steel pen nibs were made and has pen nibs on display. Beyond the steel pen, the museum also aims to educate on other forms of writing equipment and on writing in general. Information at the museum is given through displays and tours by volunteer guides, as well as through demonstrations and ‘hands on’ activities, such as writing with different kinds of pen, early typewriters and Braille machines, and making a pen nib using original factory presses. Entry to the museum is by admission.The museum hosts workshops for family and community groups on various themes, talks on pen trade history and provides for research into genealogy.

The Argent Centre is a Grade II* listed building on the corner of Frederick Street and Legge Road in the Jewellery Quarter of Birmingham, England. Designed by J. G. Bland for W. E. Wiley, a manufacturer of gold pens; it was built in 1863, and acquired the name Albert Works, possibly because it was opposite the Victoria Works of Joseph Gillott. Despite the appearance of being a huge, solid building, it consists of long, narrow, multi-storey workshops only 16 feet (5 m) wide, surrounding an open courtyard. This was a common arrangement at the time allowing natural light to reach workbenches from two sides. With floors constructed of hollow bricks tied with wrought iron, it was fireproof, removing the need for insurance. The multicoloured brickwork decorates a design reminiscent of renaissance Florence. Recycled steam from the works engines went to a Turkish bath in the northern end of the building; visitors to the Turkish Baths, also indulged in other leisure activities there, such as chess, fencing and billiards. It originally had pyramids on each corner tower, however these had been removed by the middle of the C20th, as is visible in aerial photos from the era. In 2020 the pyramidal roofs were restored. A bomb dropped into the courtyard at some time during the Birmingham Blitz of World War II, and the bent window frames were visible at least till the mid-1980s. It was home to Griffin & George, scientific equipment supplier to schools and universities, as well as Gallenkamp, laboratory equipment suppliers, part of the Fisons Scientific Equipment Division until their move to London in 1983/4. The technical staff, sales and marketing personnel, draughtsmen and prototype engineers were housed there. It was converted to offices in 1993. The Argent Centre formerly Albert Works is owned by Midlands Industrial Association Ltd a Community Benefit Company whose aims and objectives are to encourage employment through the growth of the small firms sector by redeveloping redundant buildings in inner city brownfield sites. Midlands Industrial Associations Ltd is managed and run by Prince, Warnes Ltd. a specialist managed workspace consultancy. The Argent Centre provides workspace on a risk free monthly licence to give people the chance to develop their businesses without the risks normally associated with renting commercial property.[1] Among many other businesses, The Argent Centre is now home to the independent museum, The Pen Museum The only museum in the United Kingdom devoted to the history of the pen making industry - find out why Birmingham became the centre of the world pen trade. ' Midlands Industrial Association Ltd has 4 other properties developed and run by Prince, Warnes Ltd, The Telsen Centre. 55, Thomas Street, Aston, Birmingham. The Jubilee Centre, 130, Pershore Street, in Birmingham's China Town. FiFty Seven Frederick Street, in Birmingham's Jewellery Quarter and The Chubb Buildings, Fryer Street, Wolverhampton.

Newman Brothers at The Coffin Works is a museum in the Newman Brothers Coffin Furniture Factory building in the Jewellery Quarter conservation area in Birmingham, England. The museum educates visitors about the social and industrial history of the site, which operated from 1894–1998 as a coffin furniture factory. The museum opened in October 2014 after a fifteen-year campaign by the Birmingham Conservation Trust to save the factory building, which ceased trading in 1998, and raise the funds to transform it into a heritage attraction. Located at 13–15 Fleet Street, the building is Grade II* listed.