Hôtel de Chimay

The Musée des Monuments français was a French art museum, created in 1795 on the initiative of Alexandre Lenoir. It displayed sculptures and other objects, many salvaged on Lenoir's own initiative from the destructions of the French Revolution. It was established in the former convent of the Petits-Augustins on the left bank of the Seine in Paris, now part of the campus of the Beaux-Arts de Paris.

The Hôtel du Plessis-Guénégaud was a French aristocratic townhouse (hôtel particulier), built 1630–1632 for the financier Louis Le Barbier to the designs of architect Clément Métezeau. It was located at what is now 13 Quai Malaquais in the 6th arrondissement of Paris. The hôtel was demolished in 1843.

The Beaux-Arts de Paris is a French grande école whose primary mission is to provide high-level arts education and training. This is classical and historical School of Fine Arts in France. The art school, which is part of the Paris Sciences et Lettres University, is located on two sites: Saint-Germain-des-Prés in Paris, and Saint-Ouen. The Parisian institution is made up of a complex of buildings located at 14 rue Bonaparte, between the quai Malaquais and the rue Bonaparte. This is in the heart of Saint-Germain-des-Prés, just across the Seine from the Louvre museum. The school was founded in 1648 by Charles Le Brun as the famed French academy Académie de peinture et de sculpture. In 1793, at the height of the French Revolution, the institutes were suppressed. However, in 1817, following the Bourbon Restoration, it was revived under a changed name after merging with the Académie d'architecture. Held under the King's tutelage until 1863, an imperial decree on November 13, 1863 named the school's director, who serves for a five-year term. Long supervised by the Ministry of Public Instruction, the École des Beaux-Arts is now a public establishment under the Ministry of Culture.

École des Beaux-Arts (French pronunciation: ​[ekɔl de boz‿aʁ]; French for 'School of Fine Arts') refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century.The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations.

Situated at 16 rue Bonaparte in the 6th arrondissement of Paris, the Académie nationale de médecine (National Academy of Medicine) was created in 1820 by King Louis XVIII at the urging of baron Antoine Portal. At its inception, the institution was known as the Académie royale de médecine (or Royal Academy of Medicine). This academy was endowed with the legal status of two institutions which preceded it — the Académie royale de chirurgie (or Royal Academy of Surgery), which was created in 1731 and of the Société royale de médecine (or Royal Society of Medicine), which was created in 1776.

The Pont du Carrousel (French pronunciation: ​[pɔ̃ dy kaʁuzɛl]) is a bridge in Paris, which spans the River Seine between the Quai des Tuileries and the Quai Voltaire.

The Don Camilo is a Parisian cabaret established in 1954 by Jean Vergnes. It is located in the 7th arrondissement of Paris in the Saint-Germain-des-Prés quartier. Every evening of the week, a dîner-spectacle is organised. The entertainment is provided by many artists who very often came forward with this show place. These artists are generally singers, impersonators, comedians, chansonniers or ventriloquists. They follow each other on stage at a rapid pace (about every twenty minutes), except the star-artist who performs longer after the meal.

The Port du Louvre is a walkway running along the River Seine (on the "right bank") immediately to the south of the Louvre in Paris, France. It is parallel to and lower than the larger Voie Georges Pompidou road between it and the Louvre. The Port du Louvre is on the Arago route (the Paris Meridian) that runs north-south through Paris, named in honour of the French astronomer and politician François Arago. A bronze Arago plaque can be found embedded in the paving of the Port du Louvre. This is one of 135 bronze medallions installed in 1994 by the Dutch conceptual artist, Jan Dibbets. Boats for river trips stop at the Port du Louvre.

The Quai François Mitterrand is a quay by the River Seine in Paris, France, along the stretch where the Palais du Louvre is situated. Formerly Quai du Louvre, it was renamed Quai François Mitterrand after the former French president on October 26, 2003.

L'Hôtel is a 5-star luxury hotel in Saint-Germain-des-Prés, Paris. When previously known as the Hôtel d'Alsace, Oscar Wilde spent his last days there in room 16, famously remarking "I am dying beyond my means". Other former residents include Marlon Brando, actress and singer Mistinguett, and writer Jorge Luis Borges, who said it seemed to have been "sculpted by a cabinet maker". The hosting of Borges in this hotel was not by chance: when he was nine, he translated Wilde's "The Happy Prince" into Spanish and since then he had become a big fan of his work; Borges wanted to die where the writer of his childhood had also died.

Tunnel des Tuileries is at the Quai des Tuileries near the Seine. There is no longer tunnel to the West and the East. It was opened in 1967. It is an integrated part of Voie Georges-Pompidou.

Saint-Louis-du-Louvre, formerly Saint-Thomas-du-Louvre, was a medieval church in the 1st arrondissement of Paris located just west of the original Louvre Palace. It was founded as Saint-Thomas-du-Louvre in 1187 by Robert of Dreux as a Collegiate church. It had fallen into ruin by 1739 and was rebuilt as Saint-Louis-du-Louvre in 1744. The church was suppressed in 1790 during the French Revolution and turned over the next year for use as the first building dedicated to Protestant worship in the history of Paris, a role in which it continued until its demolition in 1811 to make way for Napoleon's expansion of the Louvre. The Reformed congregation was given l'Oratoire du Louvre as a replacement and saved the choir stalls from Saint-Louis-du-Louvre which are still in place at l'Oratoire.