Conservatoire de Strasbourg

The Battle of Strasbourg, also known as the Battle of Argentoratum, was fought in 357 between the Western Roman army under the Caesar (deputy emperor) Julian and the Alamanni tribal confederation led by the joint paramount King Chnodomar. The battle took place near Strasbourg (Alsace, France), called Argentoratum in Ammianus Marcellinus' account, Argentorate in the Tabula Peutingeriana (Section 2). Although possibly outnumbered, the Roman army won a decisive victory after a hard-fought struggle with the Alamanni. With negligible casualties of their own, the Romans drove the Alamanni beyond the river, inflicting heavy losses. The Roman force, the imperial escort army of Julian, was small but of high quality. The battle was won by the skill of the Roman infantry, with the Roman cavalry initially performing poorly. The battle was the climax of Julian's campaigns in 355–57 to evict barbarian marauders from Gaul and to restore the Roman defensive line of fortifications along the Rhine, which had been largely destroyed during the Roman civil war of 350–53. In the years following his victory at Strasbourg, Julian was able to repair and garrison the Rhine forts and impose tributary status on the Germanic tribes beyond the border.

The Sainte-Madeleine Church (Église Sainte-Madeleine, German: Magdalenenkirche) is a Catholic church in Strasbourg, France, which was built in Gothic style in the late 15th century, but largely rebuilt in a style close to Jugendstil after a devastating fire in 1904. Destroyed again during World War II, the church was re-constructed in its modern form. This is the fourth building dedicated to Mary Magdalene built in the city since the 13th century. The church is classified as a historic monument by a decree of 6 December 1898.

The Mikvah (or Jewish ritual bath) of Strasbourg is a historic site in Strasbourg, in the French department of Bas-Rhin. The site is unique as it connects to the Jewish heritage of Strasbourg that dates back to the Middle Ages.

The Musée alsacien (Alsatian museum) is a museum in Strasbourg in the Bas-Rhin department of France. It opened on 11 May 1907 and is dedicated to all aspects of (mostly rural) daily life in pre-industrial and early industrial Alsace. It contains over 5000 exhibits and is notable for the reconstruction of the interiors of several traditional houses. It also features a rich collection of artifacts documenting the everyday life of Alsatian Jews. The museum is located in several Renaissance timber framed houses on the Quai Saint-Nicolas, on the banks of the Ill river. In 1917 it was bought by the city of Strasbourg. Another, smaller, Musée alsacien exists in the city of Haguenau, 30 kilometers north of Strasbourg.

The École nationale du génie de l'eau et de l'environnement de Strasbourg (ENGEES) is a French engineering college created in 1952. Its primary vocation is to train engineers and executives whose skills are exercised in the following fields: management of hydrosystems, development of aquatic ecosystems, protection of water resources, design and sizing of water and sanitation networks, design and sizing of treatment equipment, management and operation of services and equipment, coastal hydraulic engineering, management of waste collection and treatment services (domestic and industrial). Located in Strasbourg, the ENGEES is a public higher education institution part of the University of Strasbourg. The school is a member of the Conférence des Grandes Écoles (CGE).

The Palais Rohan (Rohan Palace) in Strasbourg is the former residence of the prince-bishops and cardinals of the House of Rohan, an ancient French noble family originally from Brittany. It is a major architectural, historical, and cultural landmark in the city. It was built next to Strasbourg Cathedral in the 1730s, from designs by Robert de Cotte, and is considered a masterpiece of French Baroque architecture. Since its completion in 1742, the palace has hosted a number of French monarchs such as Louis XV, Marie Antoinette, Napoleon and Joséphine, and Charles X. Reflecting the history of Strasbourg and of France, the palace has been owned successively by the nobility, the municipality, the monarchy, the state, the university, and the municipality again. Its architectural conception and its iconography were intended to indicate the return of Roman Catholicism to the city, which had been dominated by Protestantism for the previous two centuries. Thus the prelate's apartments face the cathedral, to the north, and many of the statues, reliefs and paintings reflect Catholic dogma.Since the end of the 19th century the palace has been home to three of Strasbourg's most important museums: the Archaeological Museum (Musée archéologique, basement), the Museum of Decorative Arts (Musée des arts décoratifs, ground floor) and the Museum of Fine Arts (Musée des beaux-arts, first and second floor). The municipal art gallery, Galerie Robert Heitz, in a lateral wing of the palace, is used for temporary exhibitions. The Palais Rohan has been listed since 1920 as a Monument historique by the French Ministry of Culture.

The Musée historique (Historical museum) de la ville de Strasbourg is a museum in Strasbourg in the Bas-Rhin department of France. It is located in the Renaissance building of the former slaughterhouse (Grande boucherie) and is dedicated to the tumultuous history of the city from the early Middle Ages until the contemporary period.

The Musée des Arts décoratifs (Museum of Decorative Art) of the city of Strasbourg, France, is found on the ground floor of the Palais Rohan, the former city palace of the Prince-Bishops from the Rohan family. One half of the museum is made up of the magnificent chambers in the late baroque, Rococo and Empire styles. The other half offers a broad overview of the art of Alsatian porcelain, gold- and silversmith masters between 1681 and 1870 (decorative arts from the region prior to the French conquest are displayed in the nearby Musée de l’Œuvre Notre-Dame.)

The Musée archéologique of Strasbourg, France is the largest of the numerous Alsacian museums displaying regional archeological findings from Prehistory to the Merovingian dynasty. It is located in the basement of the Palais Rohan. The museum goes back to the legacy of the historian Johann Daniel Schöpflin (1694–1771), who bequeathed his collection to the city of Strasbourg. The Société pour la conservation des monuments historiques d’Alsace (Society for the Conservation of the Historical Monuments of Alsace), founded in 1855, expanded and publicly displayed the municipal collections, of which a large number was however destroyed in 1870, during the Franco-Prussian War. During the reconstruction of the city and its museums, the musée archéologique moved to the premises that are still currently its own. In the 20th century, longtime directors Robert Forrer and Jean-Jacques Hatt worked on the systematic study of the Alsatian ground and the substantial enlargement of the collection. Between 1988 and 1992, the musée was thoroughly renovated. Its collections continue to grow steadily due to the numerous excavations made in and around Strasbourg since the beginning of the construction of the new Tramway network. The museum presents an overview of the human habitat in the region beginning with the earliest traces of Human dwelling and settling. A special focus is put on Argentoratum and its outposts along the Rhine like Seltz (Saliso). One of the museums most famous objects is the much studied stele of the legionary Caius Largennius. The museum also displays findings from the Gallo-Roman sanctuaries on the Mont Donon and in Mackwiller, as well as Merovingian findings made around Erstein.

Ancienne Douane (French pronunciation: ​[ɑ̃sjɛn dwan], "Old Custom house") is a 14th-century building on the Grande Île, the historic city centre of Strasbourg, France. The structure is classified as a Monument historique by the French Ministry of Culture since 1948.The custom house was built in 1358 and enlarged in 1389. It was heavily damaged by British and American bombing raids on 11 August 1944 and left as a ruin for almost two decades before being rebuilt according to the medieval plans by architect Robert Will (1910–1998).The Ancienne Douane currently houses a restaurant and a covered market.

The Musée de l'Œuvre Notre-Dame (or Frauenhausmuseum in German) is the city of Strasbourg's museum for Upper Rhenish fine arts and decorative arts, dating from the early Middle Ages until 1681. The museum is famous for its collection of original sculptures, glass windows, architectural fragments, as well as the building plans of Strasbourg Cathedral. It has a considerable collection of works by Peter Hemmel von Andlau, Niclas Gerhaert van Leyden, Nikolaus Hagenauer, Ivo Strigel, Konrad Witz, Hans Baldung and Sebastian Stoskopff.

Saint William's Church (also called Wilhelmskirche in German and église Saint-Guillaume in French) is a Gothic church presently of the Lutheran Protestant Church of Augsburg Confession of Alsace and Lorraine located in Strasbourg, France. Slightly set back from the intersection of the wharfs of the shipbuilders and the fishermen, the church is striking for its picturesque location on the bank of the Ill river, the lopsided character of its exterior, and its sumptuous interior combining the Gothic and Baroque styles. Since the end of the 19th century, the excellent acoustics of the church has allowed it to serve as a venue for concerts of classical music, in particular for the Passions of Johann Sebastian Bach.