Sainte-Madeleine, Strasbourg

The Mikvah (or Jewish ritual bath) of Strasbourg is a historic site in Strasbourg, in the French department of Bas-Rhin. The site is unique as it connects to the Jewish heritage of Strasbourg that dates back to the Middle Ages.

The Palais Rohan (Rohan Palace) in Strasbourg is the former residence of the prince-bishops and cardinals of the House of Rohan, an ancient French noble family originally from Brittany. It is a major architectural, historical, and cultural landmark in the city. It was built next to Strasbourg Cathedral in the 1730s, from designs by Robert de Cotte, and is considered a masterpiece of French Baroque architecture. Since its completion in 1742, the palace has hosted a number of French monarchs such as Louis XV, Marie Antoinette, Napoleon and Joséphine, and Charles X. Reflecting the history of Strasbourg and of France, the palace has been owned successively by the nobility, the municipality, the monarchy, the state, the university, and the municipality again. Its architectural conception and its iconography were intended to indicate the return of Roman Catholicism to the city, which had been dominated by Protestantism for the previous two centuries. Thus the prelate's apartments face the cathedral, to the north, and many of the statues, reliefs and paintings reflect Catholic dogma.Since the end of the 19th century the palace has been home to three of Strasbourg's most important museums: the Archaeological Museum (Musée archéologique, basement), the Museum of Decorative Arts (Musée des arts décoratifs, ground floor) and the Museum of Fine Arts (Musée des beaux-arts, first and second floor). The municipal art gallery, Galerie Robert Heitz, in a lateral wing of the palace, is used for temporary exhibitions. The Palais Rohan has been listed since 1920 as a Monument historique by the French Ministry of Culture.

The Musée des Arts décoratifs (Museum of Decorative Art) of the city of Strasbourg, France, is found on the ground floor of the Palais Rohan, the former city palace of the Prince-Bishops from the Rohan family. One half of the museum is made up of the magnificent chambers in the late baroque, Rococo and Empire styles. The other half offers a broad overview of the art of Alsatian porcelain, gold- and silversmith masters between 1681 and 1870 (decorative arts from the region prior to the French conquest are displayed in the nearby Musée de l’Œuvre Notre-Dame.)

The Musée archéologique of Strasbourg, France is the largest of the numerous Alsacian museums displaying regional archeological findings from Prehistory to the Merovingian dynasty. It is located in the basement of the Palais Rohan. The museum goes back to the legacy of the historian Johann Daniel Schöpflin (1694–1771), who bequeathed his collection to the city of Strasbourg. The Société pour la conservation des monuments historiques d’Alsace (Society for the Conservation of the Historical Monuments of Alsace), founded in 1855, expanded and publicly displayed the municipal collections, of which a large number was however destroyed in 1870, during the Franco-Prussian War. During the reconstruction of the city and its museums, the musée archéologique moved to the premises that are still currently its own. In the 20th century, longtime directors Robert Forrer and Jean-Jacques Hatt worked on the systematic study of the Alsatian ground and the substantial enlargement of the collection. Between 1988 and 1992, the musée was thoroughly renovated. Its collections continue to grow steadily due to the numerous excavations made in and around Strasbourg since the beginning of the construction of the new Tramway network. The museum presents an overview of the human habitat in the region beginning with the earliest traces of Human dwelling and settling. A special focus is put on Argentoratum and its outposts along the Rhine like Seltz (Saliso). One of the museums most famous objects is the much studied stele of the legionary Caius Largennius. The museum also displays findings from the Gallo-Roman sanctuaries on the Mont Donon and in Mackwiller, as well as Merovingian findings made around Erstein.

The Archdiocese of Strasbourg (Latin: Archidioecesis Argentoratensis o Argentinensis; French: Archidiocèse de Strasbourg; German: Erzbistum Straßburg; Alsatian: Ärzbischofsìtz Strossburi(g)) is a Latin Church ecclesiastical territory or archdiocese of the Catholic Church in France, first mentioned in 343 AD. It is one of nine archbishoprics in France that have no suffragan dioceses, and it is the only one of those to be exempt to the Holy See in Rome and not within a metropolitan's ecclesiastical province. It has been headed by Archbishop Luc Ravel since February 2017.

The Musée de l'Œuvre Notre-Dame (or Frauenhausmuseum in German) is the city of Strasbourg's museum for Upper Rhenish fine arts and decorative arts, dating from the early Middle Ages until 1681. The museum is famous for its collection of original sculptures, glass windows, architectural fragments, as well as the building plans of Strasbourg Cathedral. It has a considerable collection of works by Peter Hemmel von Andlau, Niclas Gerhaert van Leyden, Nikolaus Hagenauer, Ivo Strigel, Konrad Witz, Hans Baldung and Sebastian Stoskopff.

Saint Stephen’s Church (French: Église Saint-Étienne) in Strasbourg is located inside the catholic ‘Saint-Étienne’ college in Strasbourg, for which it serves as a chapel. Saint Stephen's is one of the oldest churches in Strasbourg. The crypt contains the remains of a fifth-century Roman basilica. The site was originally occupied by a Roman fort. A new church was built on the site in early in 717 by Duke Adalbert of Alsace, brother of Saint Odile, as part of a new convent, in which he installed his daughter Attala as the first abbess. The Church also served for many years as the episcopal seat for the north of Alsace. The church was rebuilt in 1220 in Romanesque-Gothic style. At the beginning of the 16th century, St Stephen's was a parish church, the parish of Stephen's being one of the nine parishes of Strasbourg. In 1534, as the reform was being introduced in Strasbourg, the parish of St Stephen's was transferred to St William's, on account of the opposition of the cannonesses of St Stephen's to the new teaching. In the seventeenth century Louis XIV closed the abbey and transferred it to the Visitandines to serve as a boarding school for young women, a function which continued up until the French Revolution. In 1714 the church was equipped with an organ by Andreas Silbermann, which is now in Bischheim. After the French Revolution, the building was used as a warehouse, then as a theatre. In 1802, the church was deprived of its tower and in 1805 this was transformed into a theatre. The college, of which the church now forms part, began life in 1861 as a 'Petit seminaire' (literally 'little seminary'), educating future priests as well as lay students. Allied bombing destroyed much of the building in 1944. Only the wide transept with its triple apse survived. In 1956, the ancient site was excavated and a Merovingian apse was discovered beneath the foundations of the old tower. In 1961, the nave was renovated, exposing the timber structures. The church was classified as a historical monument in 1962. In 2016, the monumental concert organ from the former conservatory located in the National Theatre of Strasbourg was moved into the nave in order to be used as a church organ. The instrument, a 1963 work by organ builder Curt Schwenkedel, had been out of use since 1995. It was entirely restored by Quentin Blumenroeder from Haguenau.As the Church is now part of a school, public access is only possible on special occasions, such as European Heritage Days. The school owns some valuable historical tapestries from the abbey church, some of which can be seen in the nearby Notre Dame museum.

Saint William's Church (also called Wilhelmskirche in German and église Saint-Guillaume in French) is a Gothic church presently of the Lutheran Protestant Church of Augsburg Confession of Alsace and Lorraine located in Strasbourg, France. Slightly set back from the intersection of the wharfs of the shipbuilders and the fishermen, the church is striking for its picturesque location on the bank of the Ill river, the lopsided character of its exterior, and its sumptuous interior combining the Gothic and Baroque styles. Since the end of the 19th century, the excellent acoustics of the church has allowed it to serve as a venue for concerts of classical music, in particular for the Passions of Johann Sebastian Bach.

The Strasbourg astronomical clock is located in the Cathédrale Notre-Dame of Strasbourg, Alsace, France. It is the third clock on that spot and dates from the time of the first French possession of the city (1681–1870). The first clock had been built in the 14th century, the second in the 16th century, when Strasbourg was a Free imperial city of the Holy Roman Empire. The current, third clock dates from 1843. Its main features, besides the automata, are a perpetual calendar (including a computus), an orrery (planetary dial), a display of the real position of the Sun and the Moon, and solar and lunar eclipses. The main attraction is the procession of the 18 inch high figures of Christ and the Apostles, which occurs every day at solar noon, while the life-size cock crows thrice.

The Musée historique (Historical museum) de la ville de Strasbourg is a museum in Strasbourg in the Bas-Rhin department of France. It is located in the Renaissance building of the former slaughterhouse (Grande boucherie) and is dedicated to the tumultuous history of the city from the early Middle Ages until the contemporary period.

The École nationale du génie de l'eau et de l'environnement de Strasbourg (ENGEES) is a French engineering college created in 1952. Its primary vocation is to train engineers and executives whose skills are exercised in the following fields: management of hydrosystems, development of aquatic ecosystems, protection of water resources, design and sizing of water and sanitation networks, design and sizing of treatment equipment, management and operation of services and equipment, coastal hydraulic engineering, management of waste collection and treatment services (domestic and industrial). Located in Strasbourg, the ENGEES is a public higher education institution part of the University of Strasbourg. The school is a member of the Conférence des Grandes Écoles (CGE).

The Cabinet des estampes et des dessins (Print room) is a museum in Strasbourg in the Bas-Rhin department of France. It is dedicated to the municipal collection of prints (estampes) and drawings (dessins), but also woodcuts and lithographs, covering a period of five centuries from the 14th to the 19th. The municipal collections of graphic art since 1870 are displayed in the Musée d'art moderne et contemporain and in the Tomi Ungerer Museum. The collection was founded in 1890 by Wilhelm von Bode during his rebuilding and reorganisation of the city's art collections. It includes works by Albrecht Dürer, Albrecht Altdorfer, Hans Baldung, Hendrik Goltzius, Antonio del Pollaiuolo, Honoré Daumier, Philip James de Loutherbourg and the Master of the Drapery Studies. The Cabinet des estampes et des dessins was estimated to house 200,291 pieces as of 31 December 2015, and was notably enriched in 2019 by a major donation of 33 drawings and 5 engravings by artists such as Giovanni Domenico Tiepolo, Jean-Honoré Fragonard, Jacques Callot, and Rembrandt.