Canal d'Arles à Fos

The arrondissement of Arles is an arrondissement of France in the Bouches-du-Rhône department in the Provence-Alpes-Côte d'Azur region. It has 29 communes. Its population is 171,684 (2016), and its area is 2,031.5 km2 (784.4 sq mi).

The archaeological site of the Trinquetaille glassware in Trinquetaille has been acquired by the town council of Arles in 1978. It has been subject to archaeological excavations in the 1980s, and later since 2013, led by the Archaeology services of the Musée Départemental Arles Antique and the Inrap (National Preventive Archaeological Researches Institute), along with the contribution of the Ministère de la Culture et de la Communication, the CNRS (National Centre of Scientific Researches), the university and independent researchers.

Trinquetaille is an area in the town of Arles, in southern France. It is located in the canton of Arles on the right bank of the "Grand Rhône". This position at the top of the Rhône delta makes it part of the Camargue. In the Middle Ages it was the site of an important fortification, the base of the House of Baux. Trinquetaille Castle was razed in 1161 during the Baussenque Wars, but later rebuilt.

The Verrerie de Trinquetaille (Trinquetaille glassware) is a former factory of glass products, especially bottles, located in the district of Trinquetaille, in Arles, in the Bouches-du-Rhone. It is one of the few pre-industrial sites still visible in the region. The factory has produced glass jugs, such as Dame jeanne. The Verrerie was only in operation for about twenty years as the Revolution and then the continental blockade made the cost of producing the glass prohibitive.

Museon Arlaten ("Arles Museum" in Provençal dialect of Occitan) is a museum dedicated to the ethnography of Provence. It is located in Arles, at 29, rue de la République, and it is housed in the 15th century hôtel particulier Laval-Castellane, now a monument historique.

The Rencontres d'Arles (formerly called Rencontres internationales de la photographie d'Arles) is an annual summer photography festival founded in 1970 by the Arles photographer Lucien Clergue, the writer Michel Tournier and the historian Jean-Maurice Rouquette.The Rencontres d'Arles has an international reputation for showing material that has never been seen by the public before. In 2015, the festival welcomed 93,000 visitors; in 2016, the 100,000 visitor mark was reached.Specially designed exhibitions, often organised in collaboration with French and foreign museums and institutions, take place in various historic sites. Some venues, such as 12th-century chapels or 19th-century industrial buildings, are open to the public throughout the festival.The Rencontres d'Arles has launched the careers of numerous photographers, confirming its significance as a springboard for photography and contemporary creativity. In recent years the Rencontres d'Arles has invited many guest curators and entrusted some of its programming to prominent figures in the world of art and photography, such as Martin Parr in 2004, Raymond Depardon in 2006, the Arles-born fashion designer Christian Lacroix in 2008 and Nan Goldin in 2009.The 51st edition of the festival was cancelled due to the COVID-19 pandemic, but the winners of the 2020 awards were nevertheless announced.

The Obélisque d'Arles ("Arles Obelisk") is a 4th-century Roman obelisk, erected in the center of the Place de la République, in front of the town hall of Arles, France.

The Musée de l'Arles antique or Musée départemental Arles antique or Musée de l'Arles et de la Provence antiques is an archeological museum housed in a modern building designed and built in 1995 by the architect Henri Ciriani, at Arles in the Bouches-du-Rhône département of France.

Café Terrace at Night is an 1888 oil painting by the Dutch artist Vincent van Gogh. It is also known as The Cafe Terrace on the Place du Forum, and, when first exhibited in 1891, was entitled Coffeehouse, in the evening (Café, le soir). Van Gogh painted Café Terrace at Night in Arles, France, in mid-September 1888. The painting is not signed, but described and mentioned by the artist in three letters.Visitors to the site can stand at the north eastern corner of the Place du Forum, where the artist set up his easel. The site was refurbished in 1990 and 1991 to replicate van Gogh's painting. He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the rue du Palais which led up to a building structure (to the left, not pictured) and, beyond this structure, the tower of a former church which is now Musée Lapidaire. Towards the right, Van Gogh indicated a lighted shop and some branches of the trees surrounding the place, but he omitted the remainders of the Roman monuments just beside this little shop. The painting is currently at the Kröller-Müller Museum in Otterlo, Netherlands.

The Langlois Bridge at Arles is the subject of four oil paintings, one watercolor and four drawings by Vincent van Gogh. The works, made in 1888 when van Gogh lived in Arles, in southern France, represent a melding of formal and creative aspects. Van Gogh used a perspective frame that he built and used in The Hague to create precise lines and angles when portraying perspective. Van Gogh was influenced by Japanese woodcut prints, as evidenced by his simplified use of color to create a harmonious and unified image. Contrasting colors, such as blue and yellow, were used to bring a vibrancy to the works. He painted with an impasto, or thickly applied paint, using color to depict the reflection of light. The subject matter, a drawbridge on a canal, reminded him of his homeland in the Netherlands. He asked his brother Theo to frame and send one of the paintings to an art dealer in the Netherlands. The reconstructed Langlois Bridge is now named Pont Van-Gogh.

Langlois Bridge (French: Pont de Langlois) was a double-beam drawbridge in Arles, France, which was the subject of several paintings by Vincent van Gogh in 1888. Being one of eleven drawbridges built by a Dutch engineer along the channel from Arles to Port-de-Bouc, this bridge might have reminded the artist of his homeland.

The former French Catholic Archbishopric of Arles had its episcopal see in the city of Arles, in southern France.