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Accademia Nazionale di Santa Cecilia Musical Instruments Museum

2008 establishments in ItalyArchitecture stubsCommons link is the pagenameMuseums established in 2008Museums in Rome
Music museums in ItalyMusical instrument museums in ItalyRenzo Piano buildingsRome Q. II Parioli
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The Accademia Nazionale di Santa Cecilia Musical Instruments Museum (MUSA) is the museum holding the instruments collection of musical instruments of the Accademia Nazionale di Santa Cecilia.

Excerpt from the Wikipedia article Accademia Nazionale di Santa Cecilia Musical Instruments Museum (License: CC BY-SA 3.0, Authors, Images).

Accademia Nazionale di Santa Cecilia Musical Instruments Museum
Viale Pietro de Coubertin, Rome Parioli

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N 41.928931 ° E 12.474794 °
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Auditorium Parco della Musica (Parco della Musica)

Viale Pietro de Coubertin 30
00196 Rome, Parioli
Lazio, Italy
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auditorium.com

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Nearby Places

Parco della Musica
Parco della Musica

Parco della Musica is a public music complex in Rome, Italy, with three concert halls and an outdoor theater in a park setting. It was designed by Italian architect Renzo Piano. Jürgen Reinhold of Müller-BBM was in charge of acoustics for the halls; Franco Zagari was landscape architect for the outdoor spaces. Parco della Musica lies where the 1960 Summer Olympic Games were held, somewhat north of Rome's ancient center, and is home to most of the facilities of the Accademia Nazionale di Santa Cecilia. The halls are: Sala Santa Cecilia, with about 2800 seats; Sala Sinopoli, in memory of conductor Giuseppe Sinopoli, seating about 1200 people; and Sala Petrassi, in memory of Goffredo Petrassi, with 700 seats. Structurally separated for sound-proofing, they are nonetheless joined at the base by a continuous lobby. Their outer architectural form has led to nicknames such as “the blobs,” “the beetles,” “the turtles” and “the computer mouses”.) The outdoor theater, called the Cavea, recalls ancient Greek or Roman performance spaces and is fan-shaped around a central piazza. During construction, excavations uncovered the foundations of a villa and an oil-press dating from the sixth century BC. Renzo Piano then adjusted his design scheme to accommodate the archaeological remains and included a small museum to house artifacts discovered, delaying the project's completion by a year. Parco della Musica was inaugurated on 21 December 2002. Within a few years it became Europe's most-visited music facility. In 2014, it had over two million visitors, making it the second-most-visited cultural music venue in the world, after Lincoln Center in New York.

Ad Clivum Cucumeris Catacomb

The ad Clivum Cucumeris Catacomb (Italian: catacomba ad clivum Cucumeris) was one of the catacombs of Rome, sited on the ancient via Salaria (today's via Paisiello, via Bertoloni and via Oriani) according to ancient sources but not yet conclusively identified with any surviving ancient remains. These sources place it last on the topographical list of Rome, after those of San Panfilo and Sant'Ermete. The Notitia ecclesiarum urbis Romae, a 7th-century pilgrims' guide, invites the faithful to visit the catacombs of San Valentino then to go along the via Salaria and—before going to Sant'Ermete—to visit the cemetery of Saint John "ad clivum cucumeris" (literally "on the watermelon hill" or "on the cucumber hill"). Other sources refer to it as sancti Ioannes ad clivum cucumeris, septem palumbae (seven pigeons), coemeterium ad caput sancti Iohannis (cemetery of St John's head). The saint John in question is a priest called John, beheaded under Julian - the head was buried in an underground basilica, whilst the rest of his body was placed in the catacomb. The ancient sources state that the same catacomb also contained the remains of Liberatus, Longinus, Diogenes and Bonifacius, and Festus and Bastus. Pasquale Testini theorises that it was near the Acqua Acetosa, whilst others have identified the clivum cucumeris as the steeply-sloped present-day via Francesco Denza, which branches off what was the via Salaria and turns towards the ancient via Flaminia. Investigations between via Denza, via Bertolini and via Mercalli by Father Umberto Maria Fasola between 1954 and 1955 led him to announce that he had discovered the catacomb. New studies place it on a diversion off the ancient via Salaria at the top of via Denza and via Oriani.