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Cabaret Red Light

Culture of PhiladelphiaTheatres in Pennsylvania
Cabaretredlight2009
Cabaretredlight2009

Cabaret Red Light was a theater group based in Philadelphia that performed vaudeville, burlesque, spoken word and puppet theater, set to original music by The Blazing Cherries. In their first season, between November 2008 and July 2009, Cabaret Red Light staged the series "The Seven Deadly Sins". Their second and third series ("The Experiment", about a cabaret that builds a time machine, and "The Seven Deadly Seas", a pirate and gypsy-jazz show aboard the barquentine Gazela) began in 2010, and they recently performed the premiere of their ballet-and-burlesque version of The Nutcracker based on E. T. A. Hoffmann's original Gothic short story The Nutcracker and the Mouse King. Cabaret Red Light’s shows have been described as a blend of Agitprop and burlesque, an unlikely combination that earned them the title “The Best Marxist Girlie Show in Hell.” In their third show in the Seven Sins series, WRATH!, the group handed out pamphlets announcing the emergence worldwide of “pornographic socialism.” In the finale of their fifth show, GLUTTONY!, they immersed a showgirl (Annie A-Bomb) in liquid chocolate and invited members of the audience to lick it off. When Holly Otterbein of Philadelphia City Paper asked co-director Peter Gaffney about the politics of the show, he responded, "The common ways in which we entertain ourselves — TV, movies, the Internet — involve sitting in a room by yourself. Compare that to the licking scene. It's the opposite. It's real people in a room experimenting with themselves and testing out their own limits." In other interviews, however, Gaffney has denied that Cabaret Red Light has any overtly political agenda. "We think that theater has no business being in politics," he stated in an interview with Emily Orrson of The Daily Pennsylvanian, "and neither does the government."

Excerpt from the Wikipedia article Cabaret Red Light (License: CC BY-SA 3.0, Authors, Images).

Cabaret Red Light
North Bodine Street, Philadelphia Center City

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N 39.95571 ° E -75.14403 °
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The Painted Bride Art Center

North Bodine Street
19106 Philadelphia, Center City
Pennsylvania, United States
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Painted Bride Art Center
Painted Bride Art Center

The Painted Bride Art Center, sometimes referred to informally as The Bride, is a non-profit artist-centered performance space and gallery particularly oriented to presenting the work of local Philadelphia artists, which presents dance, jazz, world, folk and electronic music, visual arts, theatre and performance art, poetry and spoken word performances. It is located at 5212 Market Street in the West Philadelphia neighborhood of Philadelphia, Pennsylvania, The Painted Bride was founded as a gallery space in an old bridal shop on South Street in 1969 by Gerry Givnish, Sylvia and Larry Konigsberg, Frank Vavricka, A. John Kammer, and Deryl Mackie. Its name derives from a mannequin placed in the shop's window, which became an attraction as people came by to see what provocative outfit it was wearing, or what lewd position it was placed in. In 1973, the gallery gave rise to the Painted Bride Quarterly, a poetry and literary journal. In 1977, having received funding from the Comprehensive Employment and Training Act (CETA), the Bride hired its first paid staff. The six employees worked in all aspects of management. In 1982 it moved to its current location. The Bride, which is part of the National Performance Network includes a 225-seat performance space – the Gerry Givnish Theatre – and has several galleries in which to mount visual arts shows. The New York Times referred to the center as a "wonderful, welcoming and often edgy" venue which "set the trend of cultural activity in Old City" when it was founded.The center receives funding from numerous sources. In 1984, it was the only Philadelphia arts institution to be awarded a $100,000 challenge grant by the National Endowment for the Arts, but by 1996, with Federal grants to the arts diminishing, it received only $10,000, which was $20,000 less than had been budgeted for that performance year. The center also receives funding from the City of Philadelphia and the Pew Charitable Trust.The outside of the former industrial building The Bride is located in is completely covered by Skin of the Bride, a mosaic by Philadelphia artist Isaiah Zagar, which he created between 1991 and 2000 and donated to the center.In 2020, the Painted Bride organization sold the building to developer Atrium Design Group. They had to go to court in order to sell the building. They refused a $2.65 million offer by the Lantern Theater Company, which would have kept the building as an arts venue.

St. George's United Methodist Church (Philadelphia)
St. George's United Methodist Church (Philadelphia)

St. George's United Methodist Church, located at the corner of 4th and New Streets, in the Old City neighborhood of Philadelphia, is the oldest Methodist church in continuous use in the United States, beginning in 1769. The congregation was founded in 1767, meeting initially in a sail loft on Dock Street, and in 1769 it purchased the shell of a building which had been erected in 1763 by a German Reformed congregation. At this time, Methodists had not yet broken away from the Anglican Church and the Methodist Episcopal Church was not founded until 1784.Richard Allen and Absalom Jones became the first African Americans licensed by the Methodist Church. They were licensed by St. George's Church in 1784. Three years later, protesting racial segregation in the worship services, Allen led most of the black members out of St. George's. Allen's camp founded the Mother Bethel A.M.E. Church and the African Methodist Episcopal denomination, while Jones became an Episcopal priest, founding the African Episcopal Church of St. Thomas.In the 1920s a court case saved the church from being demolished to make way for the Benjamin Franklin Bridge. The case resulted in the bridge being relocated.St. George's has experienced many changes during its 249-year history. From 100 members in 1769, the church grew to a peak membership of 3,200 congregants in 1835. The Civil War and industrialization changed the neighborhood; the congregation was reduced to 25 by 1900. Today the church is an active and vibrant Methodist congregation, tracing its roots back to its founding in 1769. The current pastor of St. George's is Reverend Mark Ignatius Salvacion, J.D. St. George's is one of the more than 500 churches in the Eastern PA Conference of the United Methodist Church (http://www.epaumc.org/). St. George's is committed to a theology of love and inclusion, to personal transformation by faith, and to putting God's love to work in the community – the same core values as the first Methodists who met there. St. George's is also continuing with the ongoing work of reconciliation with African-American brothers and sisters for the racial injustices of the past.

Betsy Ross House
Betsy Ross House

The Betsy Ross House is a landmark in Philadelphia purported to be the site where the seamstress and flag-maker Betsy Ross (1752-1836) lived when she is said to have sewed the first American Flag. The origins of the Betsy Ross myth trace back to her relatives, particularly her grandsons, William and George Canby, and the celebrations of the Centennial of 1876. Evidence for the precise location of Ross's home came from verification provided by several surviving family members, although the best archival evidence indicates the house would have been adjacent to the one that still stands today as The Betsy Ross House. The 1937 Philadelphia Guide noted that, after the current Betsy Ross House was selected as the Flag House, the adjacent building where Ross may have indeed lived "was torn down to lessen the hazards of fire, perhaps adding a touch of irony to what may well have been an error in research." Although the house is one of the most visited tourist sites in Philadelphia, the claim that Ross once lived there, and that she designed and sewed the first American flag, sometimes called the Betsy Ross flag, are considered false by most historians.The house sits on Arch Street, several blocks from Independence Hall and the Liberty Bell in Philadelphia, Pennsylvania. The front part of the building was built around 1740, in the Pennsylvania colonial style, with the stair hall and the rear section added 10 to 20 years later. Had she lived here, Ross would have resided in the house from 1776, the death of her first husband, John Ross, until about 1779.