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Pudding Lane

Great Fire of LondonHistory of the City of LondonStreets in the City of LondonUse British English from July 2017
Pudding Lane geograph.org.uk 1027462
Pudding Lane geograph.org.uk 1027462

Pudding Lane is a small street in London, widely known as the location of Thomas Farriner's bakery, where the Great Fire of London started in 1666. It runs between Eastcheap and Thames Street in the historic City of London, and intersects Monument Street, the site of Christopher Wren's Monument to the Great Fire. Farriner's bakery stood immediately opposite the Monument, on the eastern side of Pudding Lane. The site was paved over when Monument Street was built in 1886–7, but is marked by a plaque on the wall of nearby Farynors House, placed there by the Bakers' Company in 1986.Pudding Lane was given its name by the butchers of Eastcheap Market, who used it to transport "pudding" or offal down to the river to be taken away by waste barges. There was a wharf at its lower end called Rothersgate (from the "rothers" or cattle that were landed there), and it was also known as Rother Lane. Another name for it was Red Rose Lane, from a shop sign that once hung in it.Pudding Lane was one of the world's first one-way streets. An order restricting cart traffic to one-way travel on Pudding Lane and 16 other lanes around Thames Street was issued in 1617, an idea not copied until Albemarle Street became a one-way street in 1800. The nearest Underground station to Pudding Lane is Monument, a short distance to the west. The closest main-line railway stations are Fenchurch Street and Cannon Street.

Excerpt from the Wikipedia article Pudding Lane (License: CC BY-SA 3.0, Authors, Images).

Pudding Lane
Pudding Lane, City of London

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N 51.5102 ° E -0.0853 °
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NatWest

Pudding Lane
EC3R 8AB City of London
England, United Kingdom
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Monument to the Great Fire of London
Monument to the Great Fire of London

The Monument to the Great Fire of London, more commonly known simply as the Monument, is a fluted Doric column in London, England, situated near the northern end of London Bridge. Commemorating the Great Fire of London, it stands at the junction of Monument Street and Fish Street Hill, 202 feet (62 m) in height and 202 feet west of the spot in Pudding Lane where the Great Fire started on 2 September 1666. Constructed between 1671 and 1677, it was built on the site of St Margaret, New Fish Street, the first church to be destroyed by the Great Fire. It is Grade I-listed and is a scheduled monument. Another monument, the Golden Boy of Pye Corner, marks the point near Smithfield where the fire was stopped. The Monument comprises a Doric column built of Portland stone topped with a gilded urn of fire. It was designed by Christopher Wren and Robert Hooke. Its height marks its distance from the site of the shop of Thomas Farriner (or Farynor), the king's baker, where the blaze began. The viewing platform near the top of the Monument is reached by a narrow winding staircase of 345 steps. A mesh cage was added in the mid-19th century to prevent people jumping to the ground, after six people died by suicide there between 1788 and 1842.Three sides of the base carry inscriptions in Latin. The one on the south side describes actions taken by King Charles II following the fire. The inscription on the east side describes how the Monument was started and brought to perfection, and under which mayors. Inscriptions on the north side describe how the fire started, how much damage it caused, and how it was eventually extinguished. The Latin words "Sed Furor Papisticus Qui Tamdiu Patravit Nondum Restingvitur" (but Popish frenzy, which wrought such horrors, is not yet quenched) were added to the end of the inscription on the orders of the Court of Aldermen in 1681 during the foment of the Popish Plot. Text on the east side originally falsely blamed Roman Catholics for the fire ("burning of this protestant city, begun and carried on by the treachery and malice of the popish faction"), which prompted Alexander Pope (himself a Catholic) to say of the area: The words blaming Catholics were chiselled out with Catholic Emancipation in 1830.The west side of the base displays a sculpture, by Caius Gabriel Cibber, in alto and bas relief, of the destruction of the City; with Charles II and his brother, James, the Duke of York (later King James II), surrounded by liberty, architecture, and science, giving directions for its restoration.It gives its name to the nearby London Underground station, Monument.

St Magnus the Martyr
St Magnus the Martyr

St Magnus the Martyr, London Bridge, is a Church of England church and parish within the City of London. The church, which is located in Lower Thames Street near The Monument to the Great Fire of London, is part of the Diocese of London and under the pastoral care of the Bishop of Fulham. It is a Grade I listed building. The rector uses the title "Cardinal Rector" and, since the abolition of the College of Minor Canons of St Paul's Cathedral in 2016, is the only cleric in the Church of England to use the title Cardinal.St Magnus lies on the original alignment of London Bridge between the City and Southwark. The ancient parish was united with that of St Margaret, New Fish Street, in 1670 and with that of St Michael, Crooked Lane, in 1831. The three united parishes retained separate vestries and churchwardens. Parish clerks continue to be appointed for each of the three parishes.St Magnus is the guild church of the Worshipful Company of Fishmongers and the Worshipful Company of Plumbers, and the ward church of the Ward of Bridge and Bridge Without. It is also twinned with the Church of the Resurrection in New York City.Its prominent location and beauty have prompted many mentions in literature. In Oliver Twist Charles Dickens notes how, as Nancy heads for her secret meeting with Mr Brownlow and Rose Maylie on London Bridge, "the tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom". The church's spiritual and architectural importance is celebrated in the poem The Waste Land by T. S. Eliot, who wrote, "the walls of Magnus Martyr hold/Inexplicable splendour of Ionian white and gold". He added in a footnote that "the interior of St. Magnus Martyr is to my mind one of the finest among Wren's interiors". One biographer of Eliot notes that at first he enjoyed St Magnus aesthetically for its "splendour"; later he appreciated its "utility" when he came there as a sinner.

Boar's Head Inn, Eastcheap
Boar's Head Inn, Eastcheap

The Boar's Head Inn was a tavern in Eastcheap in the City of London which is supposed to be the meeting place of Sir John Falstaff, Prince Hal and other characters in Shakespeare's Henry IV plays. The Boar's Head Tavern is featured in historical plays by Shakespeare, particularly Henry IV, Part 1, as a favourite resort of the fictional character Falstaff and his friends in the early 15th century. The landlady is Mistress Quickly. It was the subject of essays by Oliver Goldsmith and Washington Irving. Though there is no evidence of a Boar's Head inn existing at the time the play is set, Shakespeare was referring to a real inn that existed in his own day. Established before 1537, but destroyed in 1666 in the Great Fire of London, it was soon rebuilt and continued operation until some point in the late 18th century, when the building was used by retail outlets. What remained of the building was demolished in 1831. The boar's head sign was kept, and is now installed in the Shakespeare's Globe theatre.The site of the original inn is now part of the approach to London Bridge in Cannon Street. Near the site, at 33–35 Eastcheap, the architect Robert Lewis Roumieu created a neo-Gothic building in 1868; this makes references to the Boar's Head Inn in its design and exterior decorations, which include a boar's head peeping out from grass, and portrait heads of Henry IV and Henry V. Roumieu's building originally functioned as a vinegar warehouse, though it has since been converted into offices. Nikolaus Pevsner described it as "one of the maddest displays in London of gabled Gothic brick". Ian Nairn called it "the scream you wake on at the end of a nightmare".