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The théâtre Gramont was a theatre venue located at 30 rue de Gramont in the 2nd arrondissement of Paris. René Dupuy was the managing director from 1954 to 1973. The place was transformed into a movie theatre (Le Gramont) in April 1974 then changed its name to Opéra Night in 1979 after one of its two scenes became a disco before the whole place definitively closed down in July 1987.

The boulevard des Italiens is a boulevard in Paris. It is one of the 'Grands Boulevards' in Paris, a chain of boulevards built through the former course of the Wall of Charles V and the Louis XIII Wall, which were destroyed by the orders of Louis XIV. The origin of the name is the théâtre des Italiens built on it in 1783, shortly before the French Revolution on the site now occupied by the third Salle Favart.

The Café Anglais (French pronunciation: ​[kafe ɑ̃ɡlɛ], English café) was a famous French restaurant located at the corner of the Boulevard des Italiens (n° 13) and the Rue de Marivaux in Paris, France.

The Maison Dorée (the "Gilded House") was a famous restaurant located at 20 Boulevard des Italiens, Paris.

Quatre-Septembre (French pronunciation: ​[katʁ(ə) sɛptɑ̃bʁ]) is a station on Paris Métro Line 3 located in the 2nd arrondissement of Paris. It is named for the date of 4 September 1870, the date Napoleon III fell and the Third French Republic was proclaimed.

Passage Choiseul is one of the covered passages of Paris, France located in the 2nd arrondissement. It is the continuation of Rue de Choiseul.

The Palais Berlitz is an office building built in Paris in the 1930s on a block formed by the Boulevard des Italiens, the Rue Louis-le-Grand, the Rue de la Michodière and the rue du Hanovre. It was built to replace the Pavillon du Hanovre, which was dismantled and rebuilt in a park in a Paris suburb.

The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens.

The Hôtel de Crozat, later the Hôtel de Choiseul, was a Parisian hôtel particulier, constructed in 1704 to the designs of the French architect Jean-Sylvain Cartaud for the rich banker and art collector Pierre Crozat. It was located on the west side of the rue de Richelieu, south of its intersection with the Grand Boulevard (near today's 91 and 93 rue de Richelieu, between the rue d'Amboise and the rue Saint-Marc in the 2nd arrondissement of Paris). The Duke of Choiseul acquired the hôtel in 1750. It was demolished in 1780, the property subdivided, and a theatre, the Salle Favart, constructed in the former garden.

The Théâtre Robert-Houdin, initially advertised as the Théâtre des Soirées Fantastiques de Robert-Houdin, was a Paris theatre dedicated primarily to the performance of stage illusions. Founded by the famous magician Jean-Eugène Robert-Houdin in 1845 at No. 164 Galerie Valois as part of the Palais-Royal, it moved in 1852 to a permanent home at No. 8, Boulevard des Italiens. The theatre's later directors, before its demolition in 1924, included Robert-Houdin's protégé Hamilton and the illusionist and film innovator Georges Méliès. When he first founded the theatre, Robert-Houdin was known primarily for his guest appearances as a magician and his clever mechanical inventions. Eager to solidify his work as a stage performer, he leased assembly rooms in the Palais-Royal and had them converted into a small but elegant proscenium theatre auditorium. In setting his stage, Robert-Houdin deliberately set himself apart from conventional stage-magic traditions; he eschewed the usual emphasis on dazzling visual confusion, replacing it with a simple drawing-room look with light furniture in the Style Louis XV. After a rocky start, his theatre gained critical respect, and boomed in popularity with the introduction of Robert-Houdin's mind-reading illusion "Second Sight". In early 1852, Robert-Houdin transferred the theatre's directorship to his former pupil Hamilton (born Pierre Etienne Chocat), who continued its success. At the end of that year, when the lease on the Palais-Royal location ran out, Hamilton moved his operation to a boulevard theatre venue on the Boulevard des Italiens. In its new permanent location, the theatre continued to run for the next few decades, under directors including Cleverman (born François Lahire), Pierre Edouard Brunnet, and Émile Voisin. A drastic refreshing of the theatre's repertoire in the mid-1870s gave it a major financial boost, with the added box-office takings allowing it to start hosting guest artists. However, the boom did not last long, and the theatre was physically run-down and in a serious financial slump by the mid-1880s. In 1888, Georges Méliès took over the lease on the venue. He retained its existing staff but began a thorough revamping, aiming to restore both the theatre's architecture and its repertoire to their former quality. His first major innovation was to conclude each evening's entertainment with a spectacularly staged, lavishly advertised illusion, telling a miniature story complete with original scenery and costumed characters. Méliès's restorations and innovations were a marked success. In 1896, when moving pictures were an emerging novelty, he added film projection to the theatre's repertoire, and even began making his own films to show there and sell elsewhere. Over the next fifteen years, filmmaking became a major part of his career, on top of and overlapping with his work at the theatre. A 1901 fire destroyed most of the venue, but the theatre was rebuilt the same year and continued to present performances with success. At the onset of the First World War, the theatre was closed; Méliès, now severely in debt from a series of filmmaking-related troubles, was unable to keep it going, and sublet it as a full-time cinema. He shut down the venue in 1923, when he sold all his property in an attempt to pay his debts. Paris city planners demolished the theatre the following year to allow for an extension of the Boulevard Haussmann.

The Théâtre de la Michodière is a theatre building and performing arts venue, located at 4 bis, rue de La Michodière in the 2nd arrondissement of Paris. Built by Auguste Bluysen in 1925 in Art Deco style, it has a tradition of showing boulevard theatre.

Richelieu–Drouot (French pronunciation: ​[ʁiʃ(ə)ljø dʁu.o]) is a station of the Paris Métro on Line 8 and Line 9. It was opened on 30 June 1928 with the extension of line 8 from Opéra and line 9 from Chaussée d'Antin. It is named after the Boulevard de Richelieu and Rue Drouot. Richelieu (1585–1642) was Secretary of State to Louis XIII. Antoine Drouot (1774–1847) was Aide-de-camp to Napoleon I in 1813 and accompanied him to Elba and during his brief comeback known as the Hundred Days.