Richelieu–Drouot (Paris Métro)

The Théâtre Robert-Houdin, initially advertised as the Théâtre des Soirées Fantastiques de Robert-Houdin, was a Paris theatre dedicated primarily to the performance of stage illusions. Founded by the famous magician Jean-Eugène Robert-Houdin in 1845 at No. 164 Galerie Valois as part of the Palais-Royal, it moved in 1852 to a permanent home at No. 8, Boulevard des Italiens. The theatre's later directors, before its demolition in 1924, included Robert-Houdin's protégé Hamilton and the illusionist and film innovator Georges Méliès. When he first founded the theatre, Robert-Houdin was known primarily for his guest appearances as a magician and his clever mechanical inventions. Eager to solidify his work as a stage performer, he leased assembly rooms in the Palais-Royal and had them converted into a small but elegant proscenium theatre auditorium. In setting his stage, Robert-Houdin deliberately set himself apart from conventional stage-magic traditions; he eschewed the usual emphasis on dazzling visual confusion, replacing it with a simple drawing-room look with light furniture in the Style Louis XV. After a rocky start, his theatre gained critical respect, and boomed in popularity with the introduction of Robert-Houdin's mind-reading illusion "Second Sight". In early 1852, Robert-Houdin transferred the theatre's directorship to his former pupil Hamilton (born Pierre Etienne Chocat), who continued its success. At the end of that year, when the lease on the Palais-Royal location ran out, Hamilton moved his operation to a boulevard theatre venue on the Boulevard des Italiens. In its new permanent location, the theatre continued to run for the next few decades, under directors including Cleverman (born François Lahire), Pierre Edouard Brunnet, and Émile Voisin. A drastic refreshing of the theatre's repertoire in the mid-1870s gave it a major financial boost, with the added box-office takings allowing it to start hosting guest artists. However, the boom did not last long, and the theatre was physically run-down and in a serious financial slump by the mid-1880s. In 1888, Georges Méliès took over the lease on the venue. He retained its existing staff but began a thorough revamping, aiming to restore both the theatre's architecture and its repertoire to their former quality. His first major innovation was to conclude each evening's entertainment with a spectacularly staged, lavishly advertised illusion, telling a miniature story complete with original scenery and costumed characters. Méliès's restorations and innovations were a marked success. In 1896, when moving pictures were an emerging novelty, he added film projection to the theatre's repertoire, and even began making his own films to show there and sell elsewhere. Over the next fifteen years, filmmaking became a major part of his career, on top of and overlapping with his work at the theatre. A 1901 fire destroyed most of the venue, but the theatre was rebuilt the same year and continued to present performances with success. At the onset of the First World War, the theatre was closed; Méliès, now severely in debt from a series of filmmaking-related troubles, was unable to keep it going, and sublet it as a full-time cinema. He shut down the venue in 1923, when he sold all his property in an attempt to pay his debts. Paris city planners demolished the theatre the following year to allow for an extension of the Boulevard Haussmann.

The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens.

The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873).

The Hôtel de Crozat, later the Hôtel de Choiseul, was a Parisian hôtel particulier, constructed in 1704 to the designs of the French architect Jean-Sylvain Cartaud for the rich banker and art collector Pierre Crozat. It was located on the west side of the rue de Richelieu, south of its intersection with the Grand Boulevard (near today's 91 and 93 rue de Richelieu, between the rue d'Amboise and the rue Saint-Marc in the 2nd arrondissement of Paris). The Duke of Choiseul acquired the hôtel in 1750. It was demolished in 1780, the property subdivided, and a theatre, the Salle Favart, constructed in the former garden.

The Café Anglais (French pronunciation: ​[kafe ɑ̃ɡlɛ], English café) was a famous French restaurant located at the corner of the Boulevard des Italiens (n° 13) and the Rue de Marivaux in Paris, France.

The Golf-Drouot was a nightclub located in the 9th arrondissement of Paris. It began its life in 1955 as a tea room with a miniature golf course, hence its name. It wasn't until 1961 that the Golf-Drouot became a nightclub. With increased popularity the club hosted notable artists such as Free, David Bowie and The Who. The club closed in 1981.

Established in 2014 in Paris as a subsidiary of ISG Business School, Moda Domani Institute is one of the few business schools in France specialized in luxury, fashion and design. The business school is a member of the IONIS Education Group, the largest private group in France in terms of student population and endowment.In UK, the university has a double-degree partnership with the Liverpool John Moores University.

The théâtre Gramont was a theatre venue located at 30 rue de Gramont in the 2nd arrondissement of Paris. René Dupuy was the managing director from 1954 to 1973. The place was transformed into a movie theatre (Le Gramont) in April 1974 then changed its name to Opéra Night in 1979 after one of its two scenes became a disco before the whole place definitively closed down in July 1987.

The boulevard des Italiens is a boulevard in Paris. It is one of the 'Grands Boulevards' in Paris, a chain of boulevards built through the former course of the Wall of Charles V and the Louis XIII Wall, which were destroyed by the orders of Louis XIV. The origin of the name is the théâtre des Italiens built on it in 1783, shortly before the French Revolution on the site now occupied by the third Salle Favart.

The Maison Dorée (the "Gilded House") was a famous restaurant located at 20 Boulevard des Italiens, Paris.

Hôtel Drouot is a large auction house in Paris, known for fine art, antiques, and antiquities. It consists of 16 halls hosting 70 independent auction firms, which operate under the umbrella grouping of Drouot. The firm's main location, called Drouot-Richelieu, is situated on the Rue Drouot in the 9th arrondissement of Paris, on a site once occupied by the Paris Opera's Salle Le Peletier. The nearest Métro station is Richelieu - Drouot. Other locations are Drouot-Montaigne, Drouot-Montmartre, and Drouot-Véhicules.Details of forthcoming auctions are published in the weekly Gazette de l'Hôtel Drouot, sold at newsstands and by subscription.In 2008 Hôtel Drouot was ranked fifth by sales amongst Paris auction houses, after Sotheby's, Christie's, Artcurial, and Ader-Picard-Tajan.

Rue Laffitte is a street in the 9th arrondissement of Paris, located near the Metro stations Richelieu - Drouot and Notre-Dame-de-Lorette. This street was created in 1771 between the Boulevard des Italiens and the Rue de Provence. Its original name was Rue d'Artois, in honour of the Comte d'Artois, brother of the king Louis XVI, later king of France with the name of Charles X. But in 1792, during the French Revolution, the prince had emigrated outside France and the street was renamed Rue Cerutti. Giuseppe Cerutti was an Italian writer living in a mansion in the street at the junction with the Boulevard des Italiens. He was a former Jesuit, became Republican and was elected to the French National Assembly. He wrote the eulogy of Mirabeau. He died the same year (1791) and the street was renamed in his honour.Louis Napoleon, the future Napoleon III, was born at number 15 on 20 April 1808.After the Bourbon Restoration, the street's name was changed back to Rue d'Artois. In 1826, the street was lengthened to the street of Rue Notre-Dame-de-Lorette, in the field of Hôtel Thellusson, which was destroyed. The French financier and politician Jacques Laffitte (1767–1844) had his mansion at number 27. On 30 July 1830, with Adolphe Thiers and La Fayette, he took part in the Revolution of 1830: they offered the crown to the future king Louis-Philippe of France, because King Charles X had allowed soldiers to shoot civilians and because they feared that a republic would lead to disorder and foreign wars. In December 1830, Laffitte was President of the French Council of Ministers and the street was renamed after him. Laffitte shares with Victor Hugo the honour of having lived in a street bearing his name. Dowager queen Kishwar Sultana of erstwhile princely state of Oudh, in Northern India, stayed at Hotel Papy in 1858 on this street after she returned from London, when Queen Victoria refused her plea to restore her son Wajid Ali Shah to the throne of Oudh. Oudh had been annexed earlier by British East India Company. In fact she died at the hotel and is buried at Pere LaChaise cemetery in Paris.At the beginning of the street at the junction with the Boulevard des Italiens or the Boulevard Haussmann, there is an interesting view of the Sacré-Coeur de Montmartre, which seems to be on top of the church of Notre-Dame de Lorette. In fact, it is much more distant.