place

Concourse House

Buildings and structures demolished in 2009Buildings and structures in LiverpoolDemolished buildings and structures in LiverpoolFormer skyscrapersUse British English from April 2015
Lime Street from St George's Hall geograph.org.uk 147203
Lime Street from St George's Hall geograph.org.uk 147203

Concourse House was a 1960s high-rise tower block in the city of Liverpool, England, designed by the architect Richard Seifert. The tower was used as a backdrop to the performance art piece La Princesse. The building was built in the 1960s but was demolished in 2009, together with the shops in front of Lime Street Railway Station as part of the Lime Street Gateway development scheme.

Excerpt from the Wikipedia article Concourse House (License: CC BY-SA 3.0, Authors, Images).

Concourse House
Skelhorne Street, Liverpool Ropewalks

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Concourse HouseContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 53.407 ° E -2.979 °
placeShow on map

Address

The Crown

Skelhorne Street
L3 5AH Liverpool, Ropewalks
England, United Kingdom
mapOpen on Google Maps

Lime Street from St George's Hall geograph.org.uk 147203
Lime Street from St George's Hall geograph.org.uk 147203
Share experience

Nearby Places

Liverpool Lime Street railway station
Liverpool Lime Street railway station

Liverpool Lime Street is a terminus railway station and the main station serving the city centre of Liverpool. Opened in August 1836, it is the oldest still-operating grand terminus mainline station in the world. A branch of the West Coast Main Line from London Euston terminates at the station, as does the original Liverpool and Manchester Railway. Journeys from Lime Street cover a wide range of destinations across England, Scotland and Wales.Having realised that their existing Crown Street railway station was too far away from the city centre, the Liverpool and Manchester Railway commenced construction of the more central Lime Street station in October 1833. Designed by John Cunningham, Arthur Holme and John Foster Jr, it was officially opened in August 1836. Proving to be very popular with train commuters, expansion of the station had become necessary within six years of its opening. The first expansion, which was collaboratively produced by Joseph Locke, Richard Turner, William Fairbairn and John Kennedy, was completed in 1849 at a total cost of £15,000 (equivalent to £1,590,000 in 2020). During 1867, work upon a further expansion of Lime Street station commenced, during which time the present northern arched train shed was built. Designed by William Baker and Francis Stevenson, the train shed was the largest such structure in the world upon completion, featuring a span of 200 feet (61 m), as well as the first to make extensive use of iron. During 1879, a second parallel southern train shed was completed. Following the nationalisation of the railways in 1948, Lime Street station was the subject of various upgrades and alterations, including new signalling systems in and around the station, a redeveloped concourse, and new retail and office spaces. In 1962, regular electric services between Lime Street and Crewe were officially started and, in 1966, the station hosted the launch of its first InterCity service, which saw the introduction of a regular 100 mph (160 km/h) service between Liverpool and London. During the 1970s, a new urban rail network known as Merseyrail was developed, while all other long-distance terminal stations in Liverpool were closed, resulting in such services being centralised at Lime Street for the whole city. In October 2003, the Pendolino service operated by Virgin Trains West Coast was ceremonially unveiled at the station, introducing a faster service between Liverpool and London. In May 2015, the electrification of the former Liverpool and Manchester Railway route was completed, as well as the line to Wigan via St Helens Central. Lime Street station is fronted by a large building designed in the Renaissance Revival style, the former North Western Hotel, which has since been converted to apartments. Since the 1970s, the main terminal building has also provided direct access to the underground Lime Street Wirral Line station on the Merseyrail network. Beginning in the 1960s, the Concourse House office tower block and several retailers stood outside the southern train shed, but they were demolished in 2010. Lime Street is the largest and oldest railway station in Liverpool; it is one of 18 stations managed by national infrastructure maintenance company Network Rail. During 2017, work commenced at Lime Street station on a £340 million remodelling programme. In Britain's 100 Best Railway Stations, written by columnist and editor Simon Jenkins, Lime Street Station was one of only ten stations to be awarded 5/5 stars.

Liverpool Resurgent
Liverpool Resurgent

Liverpool Resurgent is an artwork by Jacob Epstein, mounted above the main entrance to the former Lewis's department store building in Ranelagh Street, Liverpool. It comprises a large bronze statue and three relief panels. The current Lewis's Building was constructed for Lewis's in 1947 by Fraser, Sons and Geary to designs by Gerald de Courcy Fraser: he had also designed the previous 1920s Lewis's store that had been destroyed by bombing in the Second World War. The main 18 feet (5.5 m) high bronze statue stands on the portico above the entrance. It depicts a naked man standing on a plinth shaped like the prow of a ship projecting from the façade of the building, with left arm stretched out and right arm raised as if calling or signalling. It symbolises Liverpool's resurgence following the war, but it is nicknamed locally as either "Nobby Lewis" or "Dickie Lewis". Below the statute is a modern Egyptian-style portico in Portland stone with four giant order square columns rising three floors, framing three entrance doors. Above each door is a ciment fondu relief panel also by Epstein, installed in 1955, representing the new generation who will benefit from the rebuilding: one of children fighting, another of a baby in a pram beside a dog, and the third depicting children playing. The children are modelled on Epstein's children and grandchildren. The work was unveiled on 20 November 1956 to celebrate the centenary of Lewis's and the completion of its reconstruction works. The statue became known as a meeting place, and was mentioned in the 1962 song "In My Liverpool Home" by Peter McGovern: The store closed in 2007 and the building is being redeveloped as Central Village, with retail units, a hotel and gymnasium. It is a Grade II listed building.

Central Village, Liverpool
Central Village, Liverpool

Central Village is a shopping, leisure, commercial and residential development that is currently under construction in Liverpool, England, United Kingdom. The complex is being built over Liverpool Central railway station, the UK's busiest underground station outside London. The core of the project is two high rise blocks of 25 and 20 floors linked by a 9-storey residential and commercial podium and two nine and five storey buildings for residential, hotel and commercial use. The development is by Merepark and is predicted to cost roughly £160 million. It is one of a number of ambitious projects to take place in Liverpool city centre in the early 21st century - other developments being Liverpool One, King's Dock, Prince's Dock, Lime Street Gateway, Metquarter and developments in the Commercial District. The proposed development includes the famous Lewis's department store building. Besides the residential, commercial and leisure aspects of the development, there will also be a number of office buildings and a large QPARK multi-storey car park - which will be the first part of Central Village to be completed in 2011. Planning permission was granted for the project by Liverpool City Council in May 2009, and final approval was given for construction of the entire complex to commence in February 2010. The entire Central Village scheme was due for completion in 2015 however is still to be completed due to a series of delays.