Stadio Romeo Menti

The Arco delle Scalette ("arch of the little stairs") is an arch in Vicenza, built in 1596, whose design is attributed to the architect Andrea Palladio (about 1575). Since 1994 the arch has been part of a World Heritage Site, designated to protect the Palladian buildings of Vicenza it as "City of Vicenza and the Palladian Villas of the Veneto". Located in the south-eastern border of the historic center of the city, the arch marks the beginning of one of the routes climbing to the sanctuary of St. Mary of Monte Berico (built in the early 15th century). The path, called the "Scalette", is a series of stairs with 192 steps. That was the only point of access from the city to the sanctuary before the building of the arcades by Francesco Muttoni in the mid-18th century. The origins and authenticity of the arch are unclear. The date of construction, set to 1595 (15 years after Palladio's death), is certain, like the identity of the patron, the Venetian captain Giacomo Bragadin. There are documented demands of the monks of the sanctuary, dating from 1574-1576, asking the community for financial support for the restoration of the entire path of stairs, but there is no evidence that the arch was included in the general renewal process, which involved the sanctuary itself. At the same way, the original configuration of the arch is uncertain. 17th century images shows the niches in the front of the arch, then moved in the intrados to host the statues of the Annunciation by Orazio Marinali.

The Conservatory "Arrigo Pedrollo" of Vicenza, Italy, is a tertiary music institution. It is located in Vicenza, within the grounds of the San Domenico convent.

The Oratory of San Nicola da Tolentino (in Italian, Oratorio di San Nicola da Tolentino) is a small chapel-like structure located in Vicenza, Veneto, Italy. It is renowned for its superb collection of 16th and 17th-century paintings.

The Teatro Berga was a Roman theatre in Vicetia, modern Vicenza, Italy. It stood in an area beyond the Retrone river, in what is now part of the historic centre of the city. Its site corresponded to buildings currently standing between Contrà Santi Apostoli, Piazzetta San Giuseppe, Contrà Porton del Luzzo, Piazzetta Gualdi, Contrà del Pozzetto and contrà Lioy. Contrà Porton del Luzzo follows the semi-circular route of the external perimeter of the south-facing cavea of the former theatre. The theatre was built in the 1st century BC and it remained in use until at least the 3rd century AD. It remained intact throughout the medieval period, being used as a prison in the 13th century before falling into ruin. Its remains were documented by Andrea Palladio in the 16th century, and the building was mostly destroyed in the 17th century when it was built up as residential buildings. A few scant remains incorporated into these houses, and the general outline of the theatre are all that remain today.

City of Vicenza and the Palladian Villas of the Veneto is a World Heritage Site in Italy, which protects buildings by the architect Andrea Palladio. UNESCO inscribed the site on the World Heritage List in 1994. At first the site was called "Vicenza, City of Palladio" and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented in the original site, which included the Basilica Palladiana, Teatro Olimpico and palazzi in the city itself, along with a few villas in the vicinity. However, most of Palladio's surviving villas lay outside the site. In 1996 the site was expanded. Its present name reflects the fact that it includes all the Palladian Villas of the Veneto. City of Vicenza and the Palladian Villas of the Veneto also has some examples of ecclesiastical architecture, including the relatively small church at Maser. In total there are 47 Palladian buildings registered in the UNESCO list in the Veneto region.There is another important group of urban buildings by Palladio in Venice, a city which also has World Heritage Site status. Venice has notable examples of ecclesiastical architecture by Palladio, including the San Giorgio Maggiore (church), Venice.

Vicenza ( vih-CHENT-sə, Italian: [viˈtʃɛntsa] ; Venetian: Vicensa [viˈtʃeŋ(t)sa]) is a city in northeastern Italy. It is in the Veneto region, at the northern base of the Monte Berico, where it straddles the River Bacchiglione. Vicenza is approximately 60 kilometres (37 mi) west of Venice and 200 kilometres (120 mi) east of Milan. Vicenza is a thriving and cosmopolitan city, with a rich history and culture, and many museums, art galleries, piazzas, villas, churches and elegant Renaissance palazzi. With the Palladian villas of the Veneto in the surrounding area, and his renowned Teatro Olimpico ("Olympic Theater"), the "city of Palladio" has been listed as a UNESCO World Heritage Site since 1994.In December 2008, Vicenza had an estimated population of 115,927 and a metropolitan area of 270,000. Vicenza is the third-largest Italian industrial centre as measured by the value of its exports, and is one of the country's wealthiest cities, in large part due to its textile and steel industries, which employ tens of thousands. Additionally, about one fifth of the country's gold and jewelry is made in Vicenza, greatly contributing to the city's economy. Another important sector is the engineering/computer components industry (Federico Faggin, the microprocessor's co-inventor, was born in Vicenza).

The Diocese of Vicenza (Latin: Dioecesis Vicentina) is a Latin diocese of the Catholic Church in Italy. It is located in the region of the Veneto, and is the capital of the Province of Vicenza, approximately 60 km (37 mi) west of Venice, and around 45 km (28 mi) east of Verona. The diocese was in existence before 590. Vicenza was a suffragan of the Patriarchate of Aquileia until 1751. In 1751 it was transferred to the ecclesiastical province of Udine. In 1818, upon the dissolution of the ecclesiastical province of Udine, Vicenza was made it a suffragan of the Patriarchate of Venice.

The Palladian villas of the Veneto are villas designed by Renaissance architect Andrea Palladio, all of whose buildings were erected in the Veneto, the mainland region of north-eastern Italy then under the political control of the Venetian Republic. Most villas are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto. The term villa was used to describe a country house. Often rich families in the Veneto also had a house in town called palazzo. In most cases the owners named their palazzi and ville with the family surname, hence there is both a Palazzo Chiericati in Vicenza and a Villa Chiericati in the countryside, similarly there is a Ca' Foscari in Venice and a Villa Foscari in the countryside. Somewhat confusingly, there are multiple Villa Pisani, including two by Palladio. UNESCO inscribed the site on the World Heritage List in 1994. At first the site was called "Vicenza, City of Palladio" and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented in the original site, which included the Teatro Olimpico, some palazzi and a few villas. Because most of Palladio's surviving villas lay outside the site, in 1996 the site was expanded, hence the newer name "City of Vicenza and the Palladian Villas of the Veneto". This name reflects the fact that it includes villas designed by Palladio throughout the Veneto.

The province of Vicenza (Venetian: provincia de Vicensa; Italian: provincia di Vicenza) is a province in the Veneto region of Italy. Its capital city is Vicenza. The province has an area of 2,722.53 km2, and a total population of 865,082 (as of 2017). There are 199 comuni (municipalities) in the province. Towns in the province include Bassano del Grappa, Schio, Arzignano, Montecchio Maggiore, Thiene, Torri di Quartesolo, Noventa Vicentina, Marostica, Lonigo and Valdagno. Population is unevenly spread throughout the province. More than 60% of the populace resides in densely industrialised areas in the eastern, western, and northern (known as Alto Vicentino) conurbations, as well as the area surrounding Bassano del Grappa. The remaining 40% reside in predominantly rural areas in the southern part of the province (the Colli Berici and Basso Vicentino) or the Asiago plateau. Economic development in some areas is hindered by industrial and agricultural depression. Towns in the western section such as Valdagno and Montecchio Maggiore suffer from high unemployment, following a decline in steel and textile industries. The Colli Berici and Basso Vicentino remain overwhelmingly agricultural and present high levels of unemployment. The heavily industrial Alto Vicentino area alone accounts for half of the province's GDP. Federico Faggin, an Italian physicist/electrical engineer principally responsible for the design of the first microprocessor, was born in Vicenza.

The Palazzo Chiericati is a Renaissance palace in Vicenza (northern Italy), designed by Andrea Palladio.

Casa Cogollo is a small palazzo in Vicenza built in 1559 and attributed to architect Andrea Palladio. Since 1994 it has formed part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". Though known as the “House of Palladio”, in reality this building has no connection with the residence of the Vicentine master. Rather it is its dimensions—quite contained in comparison to the monumental emphasis of other Palladian palazzi—which has led astray those seeking a trace of the architect’s residence in the city. In fact, the Maggior Consiglio (town council) forced the notary Pietro Cogollo to remodel the façade of his 15th century (Quattrocento) house as a contribution to the “decorum of the city”, making this provision (and a monetary investment in the work of not less than 250 ducats) a condition of their positive response to his request for Vicentine citizenship. In the absence of documents and autograph designs, the attribution to Palladio of this most elegant façade still divides scholars. Yet, because of the intelligence of the architectural solution proposed, as well as the design of all the details, it is difficult to refer the project to any other designer. The constraints posed by a narrow space and the impossibility of opening windows at the centre of the piano nobile (because of an existing fireplace and its flue) induced Palladio to emphasise the façade’s central axis, by realising a structure with a ground floor arch flanked by engaged columns, and on the upper storey a tabernacle frame for a fresco by Giovanni Antonio Fasolo. The ground level arch is flanked by two rectangular spaces which illuminate and provide access to the portico. Altogether they form a type of serliana, as already done at the Basilica Palladiana. The result is a composition of great monumental and expressive force, despite the simplicity of the means available.

The Dedalo Minosse International Prize for commissioning a building is promoted by ALA-Assoarchitetti, Italian association for professional architects. The prize was created in 1997 to emphasize the client's role as a fundamental partner of both the architect and the builder in generating high-quality work. The name Dedalo Minosse derives from Daedalus and Minos. Daedalus is considered the first architect of Greek mythology, while Minos was the first client. The Prize is awarded biennially by a jury that includes internationally renowned architects, writers, art historians, journalists, industry executives, and planning officials. Additional prizes are awarded by ALA-Assoarchitetti and by Dedalo-Minosse patrons. The presentation ceremony takes place in Teatro Olimpico in Vicenza, northern Italy, the city of architect Andrea Palladio. Eligibility is open to architects, engineers and clients from around the world, with separate recognition for established architects and those under 40 years of age.