Paris Theatre

British Columbia House is a Grade II listed building at 1 and 3, Regent Street, Westminster, London.Designed by architect Alfred Barr, British Columbia House was constructed in 1914 as the premises of the Agent-General of the Province of British Columbia, a position then held by John Herbert Turner. At the time of the building's official opening, in 1915, Turner had been replaced by Richard McBride, but McBride's death, in 1917, saw him return to the Agent-General's role.The building is owned by the Crown Estate and is now a commercial building. It underwent a £8.5 million refurbishment in 2013.

St James's is a central district in the City of Westminster, London, forming part of the West End. In the 17th century the area developed as a residential location for the British aristocracy, and around the 19th century was the focus of the development of gentlemen's clubs. Once part of the parish of St Martin in the Fields, much of it formed the parish of St James from 1685 to 1922. Since the Second World War the area has transitioned from residential to commercial use. St James's is bounded to the north by Piccadilly and Mayfair, to the west by Green Park, to the south by The Mall bounding St. James's Park, and to the east by Haymarket.

Charles II Street is a street in St James's in the City of Westminster, London. It runs roughly west to east, starting from the middle of the east side of St James's Square, crossing Regent Street where it becomes Waterloo Place, and ending at Haymarket. At its eastern end it is joined by St Alban's Street on its north side and the Royal Opera Arcade which runs south to join Pall Mall. The street, originally known as Charles Street, was built by about 1665, and the first recorded mention is in 1672. Until 1818, when it was extended to join the Haymarket, Charles Street terminated at (the former) Market Lane. Access to the Haymarket was only available via the courtyard of the Bell Inn.The Security Service (MI5) was based at 16 Charles Street from 1916 to 1919. The road was renamed Charles II Street in 1939.

The Royal Gallery of Illustration was a 19th-century performance venue located at 14 Regent Street in London. It was in use between 1850 and 1873. The gallery was built in the 1820s by the architect John Nash as part of his own house, to display his considerable collection of paintings. In 1850 the building was named the Gallery of Illustration, and between then and 1855 it housed a diorama created and run by the theatrical scene-painters Thomas Grieve and William Telbin. From 1856 to 1873 the gallery was in the hands of the singer and actress Priscilla Horton and her husband German Reed. Their entertainments developed from songs and comedy with piano accompaniment to programmes of short plays and operettas. In deference to respectable mid-Victorian doubts about the propriety of theatres, the Reeds called their productions "entertainments", and avoided the use of the words "theatre", "play" and other theatrical terms. Under the Reeds the gallery played an important part in the development of a new generation of authors, composers and performers. Among the writers whose works the Reeds staged were W. S. Gilbert and F. C. Burnand, and their composers included Arthur Sullivan, Frederic Clay and Alfred Cellier. The performers Arthur Cecil, Corney Grain and Fanny Holland made their names at the gallery early in their careers. The lease of the building expired in 1873, and it ceased to be used as a performance venue. The Reeds moved to another theatre, and the gallery became a banqueting hall.

The Clarence Club, formerly known as the Literary Union Club, was a gentlemen's club founded in 1826, as a socially exclusive dining society that met in Conduit Street, Mayfair, by the poet Thomas Campbell, with the objective of the facilitation of social connections between those with an interest in the arts, philosophy, finance, trade, business, and science. Most of its members were English, but, originally, it included a significant core of members of Scottish descent. It is notable for its prohibition, then radical, of the extension of membership to any member of the press. In 1829, it occupied premises in Regent Street, renamed itself the Literary Union Club, and revised its membership statutes to make it less exclusive. It had over 700 members by 1831. After membership became too numerous, it subsequently renamed itself again, as the Clarence Club, occupied 12 Waterloo Place, Pall Mall and limited its membership to 600. It was dissolved in April 1834. Campbell's Literary Association of the Friends of Poland, founded in 1831, took most of its membership from the Clarence Club.

This is a list of the 163 resident embassies in London. For other diplomatic missions in the United Kingdom, see List of diplomatic missions in the United Kingdom.

The High Commission of Papua New Guinea in London is the diplomatic mission of Papua New Guinea in the United Kingdom. In line with other Papuan diplomatic missions it is also referred to as Kundu London, after the traditional Papuan kundu drum. The High Commission was established in 1975, the year of Papua New Guinea's independence from Australia.

The Carlton Theatre was a London West End dual-purpose theatre-cum-cinema built in 1927 for Adolph Zukor's Paramount Pictures. It continues in use as a cinema and is now called Empire Haymarket.It was designed by Frank Verity and Sam Beverley in Italian and Spanish Renaissance architectural style with a total seating capacity is 1,150 and a dual theatre or cinema capability. It is located at 63-65 Haymarket, London, SW1 and was built on the site of Anglesea Yard, a former coaching inn.It opened on 27 April 1927 with the successful musical play Lady Luck by Firth Shephard and starring Laddie Cliff. In 1933 it staged another stage success, a run of Bitter Sweet by Noël Coward.The Carlton Theatre was wired for sound in 1929 and increasingly went over to being used as a full-time cinema. It was originally built and owned by Paramount Pictures and was operated by them until 1954 when it was leased to Twentieth Century Fox as their West End showcase for CinemaScope films. Fox continued to operate the Carlton until 1977 when they withdrew from cinema operations in London (they had also run the Rialto, Coventry Street). The cinema was taken over by Classic and the former stage area was sold for demolition and redevelopment. The auditorium was divided into three screens and reopened on 11 January 1979 as the Classic Haymarket. Various changes in ownership resulted in name changes to Cannon, MGM, Virgin, UGC and Cineworld Haymarket. The Cinema is currently operated by Empire cinemas who took over ownership in 2017. It was listed Grade II on the National Heritage List for England in October 2018.

The Guards Crimean War Memorial is a Grade II listed memorial in St James's, London, that commemorates the Allied victory in the Crimean War of 1853–56. It is located on Waterloo Place, at the junction of Regent Street and Pall Mall, approximately one-quarter of the way from the Duke of York Column to Piccadilly Circus.

The Odeon Haymarket was a cinema on Haymarket, London. Three cinemas occupied the site between 1925 and 1996, predecessors being Capitol Cinema (1925–1936) and Gaumont Haymarket (1937–1959). It became the Odeon Haymarket in 1962, before closing in 1996.

Norfolk House, 31 St James's Square, Westminster, was built between 1748 and 1752 as his London townhouse by Edward Howard, 9th Duke of Norfolk (1686–1777) to the design of Matthew Brettingham (1699–1769), "the Elder", and was demolished in 1938. His country house and main seat was Worksop Manor in Nottinghamshire. Norfolk House was built on a site formerly occupied by two houses, namely St Albans House, the residence of the Earl of St Albans (purchased by Thomas Howard, 8th Duke of Norfolk in 1722), and the other the residence of John Belasyse, 1st Baron Belasyse (1614–1689) (purchased by the 9th Duke of Norfolk in 1748). Both these houses were demolished in 1748 by the 9th Duke of Norfolk in preparation for his new house.

The statue of Florence Nightingale is an outdoor Grade II-listed sculpture in London, United Kingdom. It was sculpted in 1915 by Arthur George Walker, and is a subsidiary part of the Guards Crimean War Memorial.