Museum of Bath at Work

Christ Church, Bath is a proprietary chapel on Julian Road, Bath, England.

The Museum of East Asian Art or MEAA is in Bennett Street, Bath, Somerset, England. Just a few metres off The Circus in central Bath, the Museum of East Asian Art is situated in a restored Georgian house. Its collection includesceramics, jades, bronzes and bamboo carvings and more, from China, Japan, Korea and Southeast Asia. It is the only museum in the United Kingdom dedicated solely to arts and cultures of East and Southeast Asia.It houses a collection of almost 2,000 objects, ranging in date from c.5000 BCE to the present day. The Museum's collection started from the collection of Brian McElney, a retired solicitor who practised in Hong Kong for over 35 years, and has since been expanded.

The Fashion Museum (known before 2007 as the Museum of Costume) is housed in the Assembly Rooms in Bath, Somerset, England. The collection was started by Doris Langley Moore, who gave her collection of costumes to the city of Bath in 1963. The museum focuses on fashionable dress for men, women and children from the late 16th century to the present day and has more than 100,000 objects. The earliest pieces are embroidered shirts and gloves from about 1600. The Museum receives about 100,000 visitors annually.

Portland Place in Bath, Somerset, England was built around 1786 and many of the houses have been designated as listed buildings. Numbers 1 to 10 including numbers 4 and 5 which were used as Hermitage House School are Grade I listed, as is the high pavement in front of them. In the centre of the steps is a double ramp which was built to enable easier access for sedan chairs.Numbers 13 to 16 are Grade II listed. Numbers 17 to 20 follow a similar style and are also Grade II listed. Numbers 17 and 20 have Roman Doric doorcases with pediments.

The Bath Assembly Rooms, designed by John Wood the Younger in 1769, are a set of assembly rooms located in the heart of the World Heritage City of Bath in England which are now open to the public as a visitor attraction. They are designated as a Grade I listed building.During the Georgian era Bath became fashionable, and the architects John Wood, the Elder, and his son laid out new areas of housing for residents and visitors. Assembly rooms had been built early in the 18th century, but a new venue for balls, concerts and gambling was envisaged in the area between Queen Square, The Circus and the Royal Crescent. Robert Adam submitted a proposal that was rejected as too expensive. John Wood, the Younger raised funding through a tontine, and construction started in 1769. The new or upper assembly rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by Jane Austen and Charles Dickens, along with the nobility of the time. The building, made of Bath stone, is arranged in a U shape. There are four main function rooms in the complex: the 100-foot-long (30 m) ballroom—the largest Georgian interior in Bath; the tea room; the card room; and the octagon. The rooms have Whitefriars crystal chandeliers and are decorated with fine art. In the 20th century they were used as a cinema and in 1931 were taken over by the Society for the Protection of Ancient Buildings and restored. They were bombed and burnt out during the Second World War, with restoration undertaken by Sir Albert Richardson before reopening in 1963. They are now owned by the National Trust and operated by Bath and North East Somerset Council for public functions. The basement of the building provides a home to the Fashion Museum.

Camden Crescent in Bath, Somerset, England, was built by John Eveleigh in 1788; it was originally known as Upper Camden Place. Numbers 6 to 21 have been designated as a Grade I listed buildings. The other houses are Grade II listed.The houses are of three storeys, with attics and basements. At the southern end of the crescent the basements are at ground level because of the contours of the land. In 1889 a landslide demolished 9 houses at the east end of the crescent. The remains of the houses were demolished and removed to allow Hedgemead Park to be built. This means that the two paired doors of numbers 16 and 17, which stand beneath a pediment supported by five Corinthian columns at what would have been the centre of the crescent, no longer form its middle. The arms of Charles Pratt, 1st Earl Camden, after whom the crescent was named, are on the doorway keystones along with an elephant's head which was his symbol.In July 1951 Number 1 Camden Crescent was the scene of an abduction when John Straffen took five-year-old Brenda Goddard and later killed her.In Jane Austen's Persuasion the Elliot family rent lodgings on Camden Place as the Crescent was then known.

The Circus is a historic ring of large townhouses in the city of Bath, Somerset, England, forming a circle with three entrances. Designed by architect John Wood, the Elder, it was built between 1754 and 1769, and is regarded as a pre-eminent example of Georgian architecture. The name comes from the Latin circus, meaning a ring, oval or circle. It has been designated as a Grade I listed building.The Circus is divided into three segments of equal length, with a lawn in the centre. Each segment faces one of the three entrances, ensuring a classical façade is always presented straight ahead.

The Paragon in the Walcot area of Bath, Somerset, England is a street of Georgian houses which have been designated as listed buildings. It was designed by Thomas Warr Attwood. It now forms part of the A4. Numbers 1 to 21 are 3 storey houses with mansard roofs. Each building has matching doors and windows with central pediments and flat entablatures either side of the 1st floor windows and Tuscan pilasters and pediments to the doorways.Numbers 22 to 37 continue the theme from numbers 1 to 21 and were completed in 1775 by Joseph Axford, a local mason. Numbers 28 to 32 were damaged by bombing during World War II but have since been restored.

The Anglican Church of St Swithin on The Paragon in the Walcot area of Bath, England, was built between 1777 and 1790. It is a Grade II* listed building.The church stands on the site of a previous place of worship dating back to the 10th century, the remains of which are beneath the crypt. The dedication is to Swithun, an Anglo-Saxon Bishop of Winchester and subsequently patron saint of Winchester Cathedral. Jane Austen's parents were married at St Swithin's on 26 April 1764 and her father George Austen is buried there.The current building was erected by John Palmer between 1777 and 1790. His new church opened in 1777 but was soon too small for its growing congregation, as the city became increasingly popular and expanded well beyond its traditional boundaries. On 30 May 1797 the abolitionist William Wilberforce and Barbara Spooner Wilberforce were married in the church. In 1805 it was the burial place of the writer and poet Christopher Anstey and, in 1831, of Rear Admiral Sir Edward Berry. In 1840 it was the burial place of the writer Frances Burney; her husband, General Alexandre D'Arblay was buried there in 1818. The church house, number 38, The Paragon, was built in the early 18th century. A depiction of the Ascension of Jesus in stained glass was added to the east wall in the 1840s. The adjoining cemetery has gates with a rusticated base and panels with inverted torches between pilasters. There is an entablature with metopes and triglyphs.

Bath Aqua Theatre of Glass is an arts centre and museum in Walcot Street (The Bath artisan centre) Bath, Somerset, England. It showcases the skills of glassblowers and stained glass artists in demonstrations and also contains historic stained glass exhibits, which appeared on the BBC's Antiques Roadshow. Bath Aqua Glass was founded by Annette Dolan in 1999. The company preserves the art of glassblowing, stained glass, fused glass and glass appliqué. Its mission statement is 'Colouring the world with ancient arts'. It is now run by Annette Dolan, Adrian Dolan and Themis Mikellides.Amongst its pieces is a William Burges stained glass window discovered deep in the vaults of Bath Abbey in 2009, valued at £10-15,000. In addition to making glass ornaments and gifts they also produce stained glass, they give demonstrations of the techniques and opportunities to try out glass blowing.

Gay Street in Bath, Somerset, England, links Queen Square to The Circus. It was designed by John Wood, the Elder in 1735 and completed by his son John Wood, the Younger. The land was leased to the elder Wood by Robert Gay, MP for Bath, and the street is named after him. Much of the road has been designated as Grade I listed buildings. The houses are of 3 storeys with Mansard roofs, with many also having Ionic columns. There are slight variations in window design but they work together to provide a consistent streetscape. Many of the houses are now used as offices. Numbers 2 to 17 are on the west side. Hester Thrale, who was also known as Mrs Piozzi, lived at number 8, with its 4 Corinthian pilasters on the ground and 1st floors in 1781. Number 18 to 30 are on the east side of the road. It was built before the west side.Number 41 is on the corner between Gay Street and Queen Square. It was the home of John Wood, the Younger.Numbers 31 to 40 have been designated as Grade II. The Jane Austen Centre is at number 40, although Jane Austen actually lived at number 25.

The Jane Austen Centre at 40 Gay Street in Bath, Somerset, England, is a permanent exhibition which tells the story of Jane Austen's Bath experience, and the effect that visiting and living in the city had on her and her writing. The building is part of a block (31–40 Gay Street) which has been designated by English Heritage as a Grade II listed building.Since 2001 it has hosted the annual Jane Austen Festival, the largest and longest running Jane Austen Festival in the world. Events include a Summer Ball and a costumed promenade through the centre of Bath. The Centre also has Regency Tea Rooms.