Bath Aqua Theatre of Glass

The Paragon in the Walcot area of Bath, Somerset, England is a street of Georgian houses which have been designated as listed buildings. It was designed by Thomas Warr Attwood. It now forms part of the A4. Numbers 1 to 21 are 3 storey houses with mansard roofs. Each building has matching doors and windows with central pediments and flat entablatures either side of the 1st floor windows and Tuscan pilasters and pediments to the doorways.Numbers 22 to 37 continue the theme from numbers 1 to 21 and were completed in 1775 by Joseph Axford, a local mason. Numbers 28 to 32 were damaged by bombing during World War II but have since been restored.

The Anglican Church of St Swithin on The Paragon in the Walcot area of Bath, England, was built between 1777 and 1790. It is a Grade II* listed building.The church stands on the site of a previous place of worship dating back to the 10th century, the remains of which are beneath the crypt. The dedication is to Swithun, an Anglo-Saxon Bishop of Winchester and subsequently patron saint of Winchester Cathedral. Jane Austen's parents were married at St Swithin's on 26 April 1764 and her father George Austen is buried there.The current building was erected by John Palmer between 1777 and 1790. His new church opened in 1777 but was soon too small for its growing congregation, as the city became increasingly popular and expanded well beyond its traditional boundaries. On 30 May 1797 the abolitionist William Wilberforce and Barbara Spooner Wilberforce were married in the church. In 1805 it was the burial place of the writer and poet Christopher Anstey and, in 1831, of Rear Admiral Sir Edward Berry. In 1840 it was the burial place of the writer Frances Burney; her husband, General Alexandre D'Arblay was buried there in 1818. The church house, number 38, The Paragon, was built in the early 18th century. A depiction of the Ascension of Jesus in stained glass was added to the east wall in the 1840s. The adjoining cemetery has gates with a rusticated base and panels with inverted torches between pilasters. There is an entablature with metopes and triglyphs.

Christ Church, Bath is a proprietary chapel on Julian Road, Bath, England.

The Bath Assembly Rooms, designed by John Wood the Younger in 1769, are a set of assembly rooms located in the heart of the World Heritage City of Bath in England which are now open to the public as a visitor attraction. They are designated as a Grade I listed building.During the Georgian era Bath became fashionable, and the architects John Wood, the Elder, and his son laid out new areas of housing for residents and visitors. Assembly rooms had been built early in the 18th century, but a new venue for balls, concerts and gambling was envisaged in the area between Queen Square, The Circus and the Royal Crescent. Robert Adam submitted a proposal that was rejected as too expensive. John Wood, the Younger raised funding through a tontine, and construction started in 1769. The new or upper assembly rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by Jane Austen and Charles Dickens, along with the nobility of the time. The building, made of Bath stone, is arranged in a U shape. There are four main function rooms in the complex: the 100-foot-long (30 m) ballroom—the largest Georgian interior in Bath; the tea room; the card room; and the octagon. The rooms have Whitefriars crystal chandeliers and are decorated with fine art. In the 20th century they were used as a cinema and in 1931 were taken over by the Society for the Protection of Ancient Buildings and restored. They were bombed and burnt out during the Second World War, with restoration undertaken by Sir Albert Richardson before reopening in 1963. They are now owned by the National Trust and operated by Bath and North East Somerset Council for public functions. The basement of the building provides a home to the Fashion Museum.

The Museum of Bath at Work is a local history museum in Bath, Somerset, England. The museum was established in 1978 as the Bath Industrial Heritage Trust. Its original collection consisted of a reconstruction of the nineteenth century engineering and mineral water business of Jonathan Burdett Bowler, founded in 1872. When the Bowler firm closed in 1969 its contents were bought by a local businessman with the express intention of founding a museum. Photographs taken of the original business were used to carefully reconstruct the shop, workshops, offices and bottling plant. Over 10,000 bottles and many thousands of documents were also saved. Today, the museum seeks to present the commercial development of Bath over a 2000-year period. In addition to the Bowler collection, other reconstructions include a cabinet maker's workshop and a Bath stone quarry face complete with crane and tools. In 1999 a rare 1914 Horstmann car was acquired, and, in 2003, a comprehensive exhibition on Bath's development, 'Bath at Work: 2000 Years of Earning a Living' opened. A local history display in the Hudson Gallery opened in 2007 and features an ever-changing display of photographs. In 2007 the museum acquired a rare Griffin six-stroke gas engine, that had been in storage in Yeovil, Somerset, after having been moved from London in 2001. It was built in 1885 and for some years was in the Birmingham Museum of Science and Technology. It is one of only two known examples, the other being in the Anson Engine Museum. The museum is housed in the Camden Works building, constructed in 1777 as a court for the indoor game of real tennis.

The Fashion Museum (known before 2007 as the Museum of Costume) is housed in the Assembly Rooms in Bath, Somerset, England. The collection was started by Doris Langley Moore, who gave her collection of costumes to the city of Bath in 1963. The museum focuses on fashionable dress for men, women and children from the late 16th century to the present day and has more than 100,000 objects. The earliest pieces are embroidered shirts and gloves from about 1600. The Museum receives about 100,000 visitors annually.

Camden Crescent in Bath, Somerset, England, was built by John Eveleigh in 1788; it was originally known as Upper Camden Place. Numbers 6 to 21 have been designated as a Grade I listed buildings. The other houses are Grade II listed.The houses are of three storeys, with attics and basements. At the southern end of the crescent the basements are at ground level because of the contours of the land. In 1889 a landslide demolished 9 houses at the east end of the crescent. The remains of the houses were demolished and removed to allow Hedgemead Park to be built. This means that the two paired doors of numbers 16 and 17, which stand beneath a pediment supported by five Corinthian columns at what would have been the centre of the crescent, no longer form its middle. The arms of Charles Pratt, 1st Earl Camden, after whom the crescent was named, are on the doorway keystones along with an elephant's head which was his symbol.In July 1951 Number 1 Camden Crescent was the scene of an abduction when John Straffen took five-year-old Brenda Goddard and later killed her.In Jane Austen's Persuasion the Elliot family rent lodgings on Camden Place as the Crescent was then known.

Henrietta Street in the Bathwick area of Bath, Somerset, England was built around 1785 by Thomas Baldwin. Numbers 1 to 35 were built together in a terrace with a consistent style of 3 storey houses. They complement the surrounding Georgian buildings and layout of Laura Place, Great Pulteney Street and Johnstone Street.

St Michael's Church is a Church of England parish church in Bath, Somerset.

The Museum of East Asian Art or MEAA is in Bennett Street, Bath, Somerset, England. Just a few metres off The Circus in central Bath, the Museum of East Asian Art is situated in a restored Georgian house. Its collection includesceramics, jades, bronzes and bamboo carvings and more, from China, Japan, Korea and Southeast Asia. It is the only museum in the United Kingdom dedicated solely to arts and cultures of East and Southeast Asia.It houses a collection of almost 2,000 objects, ranging in date from c.5000 BCE to the present day. The Museum's collection started from the collection of Brian McElney, a retired solicitor who practised in Hong Kong for over 35 years, and has since been expanded.

Cleveland Bridge over the River Avon is a grade II* listed building located in the World Heritage Site of Bath, England. It is notable for the unusual lodges that adorn each corner in a style that could be likened to miniature Greek temples.