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Museo Nazionale Scienza e Tecnologia Leonardo da Vinci

Aerospace museums in ItalyBiographical museums in ItalyMuseo Nazionale Scienza e Tecnologia Leonardo da VinciMuseums in MilanScience museums in Italy
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Panoramica Chiostro MuseoScienzaTecnologiaDaVinci Milano
Panoramica Chiostro MuseoScienzaTecnologiaDaVinci Milano

Museo Nazionale Scienza e Tecnologia Leonardo da Vinci in Milan, dedicated to painter and scientist Leonardo da Vinci, is the largest science and technology museum in Italy. It was opened on 5 February 1953 and inaugurated by Prime Minister Alcide De Gasperi.The museum, in the ancient monastery of San Vittore al Corpo in Milan, is divided into seven main departments: Materials Transport Energy (including Thermal power station Regina Margherita) Communication Leonardo da Vinci, Art & Science New Frontiers Science for young peopleEach of these departments have laboratories, especially for children and young students. The Transport section is made up of four different parts: air, rail, water and Submarine Enrico Toti-S-506.

Excerpt from the Wikipedia article Museo Nazionale Scienza e Tecnologia Leonardo da Vinci (License: CC BY-SA 3.0, Authors, Images).

Museo Nazionale Scienza e Tecnologia Leonardo da Vinci
Via San Vittore, Milan Municipio 1

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N 45.463019444444 ° E 9.1712388888889 °
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Museo Nazionale della Scienza e della Tecnologia

Via San Vittore
20123 Milan, Municipio 1
Lombardy, Italy
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museoscienza.org

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Panoramica Chiostro MuseoScienzaTecnologiaDaVinci Milano
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Gruppo Bertone
Gruppo Bertone

Gruppo Bertone, commonly known as Bertone, was an Italian industrial design company which specialized in car styling, coachbuilding and manufacturing. It formerly was also a car manufacturing company. Bertone styling was distinctive, with most cars having a strong "family resemblance" even if they were badged by different manufacturers. Bertone had styled cars for Abarth, Alfa Romeo, Aston Martin, BMW, Citroën, Ferrari, FIAT, Iso, Lancia, Lamborghini, Mercedes-Benz, Opel, and Volvo, among others. In addition, the Bertone studio was responsible for two of the later designs of the Lambretta motorscooter. The company was based in Grugliasco in northern Italy. Gruppo Bertone was founded as Carrozzeria Bertone in 1912 by Giovanni Bertone. Designer Nuccio Bertone took charge of the company after World War II and the company was divided into two units: Carrozzeria for manufacturing and Stile Bertone for styling. Until its bankruptcy in 2014, the company was headed by the widow of Nuccio Bertone, Lilli Bertone. At the time of bankruptcy, it had some 100 direct employees. In 2014 most employees lost their jobs and were not absorbed by following acquisitions. Cars from the company museum went to other museums, like Automotoclub Storico Italiano and Volandia. After its bankruptcy, the Bertone name was acquired by an architect and retained by some of its former employees, who continued as a Milan-based small external design office, Bertone Design, much more focused on industrial design and architecture. Bertone Design was sold to the group AKKA Technologies in the second quarter of 2016, which already had automotive design activities through Mercedes Benz Technologies, owned by the group AKKA Technologies for several years. The AKKA Technologies group thus took the opportunity to increase its positioning in engineering and services to manufacturers to deliver turnkey vehicle projects. The AKKA Technologies group subsequently sold the Bertone brand to Ideactive, a company owned by Mauro and Jean-Franck Ricci. The two Ricci brothers, who are passionate about cars, are planning to relaunch the brand and revive the legend in the future.

San Vittore al Corpo, Milan
San Vittore al Corpo, Milan

The church and monastery of San Vittore al Corpo were an ancient monastery of the Olivetan order built in the early 16th century. The site was once a fourth century Roman imperial mausoleum of Maximian, that may also have held the burials of the emperors Gratian and Valentinian II, though they were more likely buried in another mausoleum, now the Chapel of Saint Aquilinus in the Basilica of Saint Lawrence. The basilica was enlarged in the 8th century to house the relics of the saints Vittore and Satiro. A Benedictine monastery soon was attached to the church. In 1507, the monastery was transferred to the Olivetans, who began a major reconstruction. Reconstruction of the church was begun in 1533 by Vincenzo Seregni, and completed in 1568 by Pellegrino Tibaldi. The façade remains incomplete. The dome was frescoed in 1617 by Guglielmo Caccia (called "il Moncalvo"). In the chapel of St Anthony is a 1619 canvas by Daniele Crespi (Death of St Paul the hermit). In the transept on the left, is an early 17th-century cycle of canvases of the Stories of San Benedetto, by Ambrogio Figino while the right transept has three altarpieces by Camillo Procaccini. Other chapels have paintings by Pompeo Batoni and Giovanni Battista Discepoli. During the Napoleonic wars, the site became a military hospital, and afterwards became barracks. It suffered damage during the bombardments of 1943. The monastery now houses a museum of science, the Museo Nazionale Scienza e Tecnologia Leonardo da Vinci.

The Last Supper (Leonardo)
The Last Supper (Leonardo)

The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John – specifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso, pitch, and mastic. Due to the methods used, a variety of environmental factors, and intentional damage, little of the original painting remains today despite numerous restoration attempts, the last being completed in 1999. Housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy, The Last Supper is his largest work, aside from the Sala delle Asse.