Palau dels Esports de Barcelona

The Theatre Institute of Barcelona (Catalan: Institut del Teatre de Barcelona) is a public institution dedicated to training in the performing arts, classical dance, contemporary and Spanish as well as in theater, film, choreography, etc. It was created in 1913 in Barcelona by Adrià Gual. It belongs to the Province of Barcelona and aims to teaching the performing arts, the organization of congresses, conferences, exhibitions, and research of any form of performing arts. It is currently led by Jordi Font.

The Teatre Lliure ([teˈa.tɾə ˈʎiw.ɾə], "Free Theatre") is a theatre in Barcelona, Spain, considered one of the most prestigious in Catalonia.

The Four Columns ("Les Quatre Columnes" in Catalan) are four Ionic columns originally created by Josep Puig i Cadafalch in Barcelona, Spain. They were erected in 1919, where the Magic Fountain of Montjuïc now stands. They symbolized the four stripes of the Catalan senyera, and they were intended to become one of the main icons of Catalanism. Because of this, they were demolished in 1928 during Primo de Rivera's dictatorship, when all public Catalanist symbols were systematically removed in order to avoid their being noticed during the 1929 Universal Exposition, which was to take place on Montjuïc. Moreover, for these same political motives, Poble Espanyol (Spanish Village in Catalan), on the same hill, was the name given to the open-air museum formerly to be named Iberona – in homage to the Iberians, the first inhabitants of what is now Catalonia, Spain. Analogously for the nearby Plaça d'Espanya. In 1999, the Universitat Autònoma de Barcelona (UAB) commissioned the renowned Valencian sculptor Andreu Alfaro to create four similar columns for its Bellaterra Campus. In contrast to the original columns which were 20m high, these spiral up, 25 to 40 metres (82 to 131 ft) in height, in red granite.

The Magic Fountain of Montjuïc (Catalan: Font màgica de Montjuïc, Spanish: Fuente mágica de Montjuic) is a fountain located at the head of Avinguda Maria Cristina in the Montjuïc neighborhood of Barcelona, Catalonia, Spain. The fountain is situated below the Palau Nacional on the Montjuïc mountain and near the Plaça d'Espanya and Poble Espanyol de Barcelona. The fountain, like most of the surrounding developments, was constructed for the 1929 Barcelona International Exposition.The fountain sprays 700 gallons of water a second through 3620 jets to create its effect. The highest water spout is 170 feet.

The Olot Saints Museum opened in 2007 in Olot (Girona), and is devoted to housing items related to the craft of creating religious imagery. With the aim of broadening its appeal, it also includes other crafts, popular and traditional culture, and the life and work of Marian Vayreda, one of the founders of the first workshops to make religious figurines in the city, along with his brother Joaquim and Josep Berga i Boix. The workshop was known as, "Arte Cristiano" (Christian Art). Marià Vayreda, painter and writer, lived on the first floor of the Museum, where he wrote the novel "La punyalada" (The stab), a masterpiece of Catalan literature. The Museum is housed in a 19th century Gothic Revival building known as "Arte Cristiano". Construction began in 1890 following the designs of the modernist architect Joaquim Codina i Matalí, commissioned by Joaquim Vayreda.

The Palau Nacional (Catalan for ‘National Palace’) is a building on the hill of Montjuïc in Barcelona. It was the main site of the 1929 International Exhibition. It was designed by Eugenio Cendoya and Enric Catà under the supervision of Pere Domènech i Roura. Since 1934 it has been home to the National Art Museum of Catalonia. With a ground surface of 32,000 m2, the Spanish Renaissance-inspired building has a rectangular floor plan flanked by two side and one rear square sections, with an elliptical dome in the centre. The fountains by the staircases leading to the palace are the work of Carles Buïgas. Between 1996 and 2004, the palace was extended to accommodate the National Art Museum's entire collection of over 5,000 artworks.

The Museu Nacional d'Art de Catalunya (Catalan pronunciation: [muˈzɛw nəsi.uˈnal ˈdaɾd də kətəˈluɲə], English: "National Art Museum of Catalonia"), abbreviated as MNAC, is a museum of Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme. The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995 (when the Romanesque Art section was reopened) to 2004. The Museu Nacional d'Art de Catalunya (Museu Nacional) was officially inaugurated on 16 December 2004. It is one of the largest museums in Spain.

The Palace of Albéniz (Spanish: Palacete Albéniz, Catalan: Palauet Albéniz), formerly known as the Royal Pavilion of Montjuic, is a palace located on the Montjuïc mountain, in Barcelona, Spain, that currently serves as the official residence of the Spanish royal family in the region. Since its construction it has been adapted to its different functions: first, as a place of representation of The Crown during the 1929 Barcelona International Exposition and, after it, as accommodation for illustrious personalities. It has currently become the official residence of the Spanish royal family during their official stays in Catalonia.

Avinguda de la Reina Maria Cristina (Catalan pronunciation: [əβiŋˈɡuðə ðə lə ˈrejnə məˈɾi.ə kɾisˈtinə]) is an avenue in the Sants-Montjuïc district of Barcelona linking Plaça d'Espanya with Museu Nacional d'Art de Catalunya on Montjuïc hill. It is named after Maria Christina of the Two Sicilies, queen consort and regent of Spain. Part of the Fira de Barcelona is based here, with a number of yearly trade, technology and fashion fairs and festivals being held in this location. It's also the starting point of the Barcelona Marathon. The twin Venetian Towers are a major landmark at the junction of this avenue with Plaça d'Espanya.

Fira de Barcelona is Barcelona’s trade fair institution. Every year, it organises numerous trade shows and congresses.

The Caress of a Bird (correctly La Caresse d'un oiseau) is a 1967 sculpture by Joan Miró made at his studio in Palma de Mallorca. It is part of the permanent collection of the Miró Foundation in Barcelona.

The Barcelona Pavilion (Catalan: Pavelló alemany; Spanish: Pabellón alemán; "German Pavilion"), designed by Ludwig Mies van der Rohe and Lilly Reich, was the German Pavilion for the 1929 International Exposition in Barcelona, Spain. This building was used for the official opening of the German section of the exhibition. It is an important building in the history of modern architecture, known for its simple form and its spectacular use of extravagant materials, such as marble, red onyx and travertine. The same features of minimalism and spectacular can be applied to the furniture specifically designed for the building, including the Barcelona chair. It has inspired many important modernist buildings.