The Four Columns

The Magic Fountain of Montjuïc (Catalan: Font màgica de Montjuïc, Spanish: Fuente mágica de Montjuic) is a fountain located at the head of Avinguda Maria Cristina in the Montjuïc neighborhood of Barcelona, Catalonia, Spain. The fountain is situated below the Palau Nacional on the Montjuïc mountain and near the Plaça d'Espanya and Poble Espanyol de Barcelona. The fountain, like most of the surrounding developments, was constructed for the 1929 Barcelona International Exposition.The fountain sprays 700 gallons of water a second through 3620 jets to create its effect. The highest water spout is 170 feet.

The Barcelona Pavilion (Catalan: Pavelló alemany; Spanish: Pabellón alemán; "German Pavilion"), designed by Ludwig Mies van der Rohe and Lilly Reich, was the German Pavilion for the 1929 International Exposition in Barcelona, Spain. This building was used for the official opening of the German section of the exhibition. It is an important building in the history of modern architecture, known for its simple form and its spectacular use of extravagant materials, such as marble, red onyx and travertine. The same features of minimalism and spectacular can be applied to the furniture specifically designed for the building, including the Barcelona chair. It has inspired many important modernist buildings.

CaixaForum Barcelona is an art gallery in Barcelona, Catalonia, Spain. It is sponsored by Barcelona bank "la Caixa", and opened in 2002 in a former factory. CaixaForum is located in the Montjuïc area, on Avinguda de Francesc Ferrer i Guàrdia. The museum houses art exhibits.

The Olot Saints Museum opened in 2007 in Olot (Girona), and is devoted to housing items related to the craft of creating religious imagery. With the aim of broadening its appeal, it also includes other crafts, popular and traditional culture, and the life and work of Marian Vayreda, one of the founders of the first workshops to make religious figurines in the city, along with his brother Joaquim and Josep Berga i Boix. The workshop was known as, "Arte Cristiano" (Christian Art). Marià Vayreda, painter and writer, lived on the first floor of the Museum, where he wrote the novel "La punyalada" (The stab), a masterpiece of Catalan literature. The Museum is housed in a 19th century Gothic Revival building known as "Arte Cristiano". Construction began in 1890 following the designs of the modernist architect Joaquim Codina i Matalí, commissioned by Joaquim Vayreda.

The Palau Nacional (Catalan for ‘National Palace’) is a building on the hill of Montjuïc in Barcelona. It was the main site of the 1929 International Exhibition. It was designed by Eugenio Cendoya and Enric Catà under the supervision of Pere Domènech i Roura. Since 1934 it has been home to the National Art Museum of Catalonia. With a ground surface of 32,000 m2, the Spanish Renaissance-inspired building has a rectangular floor plan flanked by two side and one rear square sections, with an elliptical dome in the centre. The fountains by the staircases leading to the palace are the work of Carles Buïgas. Between 1996 and 2004, the palace was extended to accommodate the National Art Museum's entire collection of over 5,000 artworks.

The Museu Nacional d'Art de Catalunya (Catalan pronunciation: [muˈzɛw nəsi.uˈnal ˈdaɾd də kətəˈluɲə], English: "National Art Museum of Catalonia"), abbreviated as MNAC, is a museum of Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme. The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995 (when the Romanesque Art section was reopened) to 2004. The Museu Nacional d'Art de Catalunya (Museu Nacional) was officially inaugurated on 16 December 2004. It is one of the largest museums in Spain.

Avinguda de la Reina Maria Cristina (Catalan pronunciation: [əβiŋˈɡuðə ðə lə ˈrejnə məˈɾi.ə kɾisˈtinə]) is an avenue in the Sants-Montjuïc district of Barcelona linking Plaça d'Espanya with Museu Nacional d'Art de Catalunya on Montjuïc hill. It is named after Maria Christina of the Two Sicilies, queen consort and regent of Spain. Part of the Fira de Barcelona is based here, with a number of yearly trade, technology and fashion fairs and festivals being held in this location. It's also the starting point of the Barcelona Marathon. The twin Venetian Towers are a major landmark at the junction of this avenue with Plaça d'Espanya.

The Palau dels Esports de Barcelona (Barcelona Sports Palace) is a multi-purpose indoor arena in Barcelona, Catalonia, Spain. It is on Lleida Street on the slopes of Montjuïc, a hill to the south east of the city centre. The arena is able to host competitions of any indoor sport. In 2000 it was adapted to better accommodate theatre and musical shows and given a new name: Barcelona Teatre Musical. The seating capacity was reduced from 8,000 to 3,500, but comfort and the acoustic quality were enhanced.

Fira de Barcelona is Barcelona’s trade fair institution. Every year, it organises numerous trade shows and congresses.

The Palau de la Metal·lúrgia (English: Metallurgical place) is a venue located in Barcelona. Constructed for the 1929 International Exposition, it hosted the fencing and the fencing part of the modern pentathlon events for the 1992 Summer Olympics.

The Venetian Towers (in Catalan: Torres Venecianes) is the popular name for a pair of towers on Avinguda de la Reina Maria Cristina at its junction with Plaça d'Espanya in Barcelona, Catalonia, Spain. There is one tower on either side of the street. The towers are 47m high, with a 7.2 metres square cross-section. The bottom section of each is built of artificial stone, the main section of red brick, and the top section is a colonnaded viewing gallery built of artificial stone, and topped by a pyramidal copper roof. They were modelled on the campanile of St. Mark's Basilica in Venice.They were originally envisaged in Léon Jaussely's city expansion plan of 1907, and designed by architect Ramon Reventós and built in the period 1927 to 1929, as part of the redevelopment of the area for the 1929 Barcelona International Exposition. Reventós was also involved in a number of other projects featured in the exhibition, such as the Greek Theatre (Teatre Grec), the Spanish Village (Poble Espanyol), and the buildings of the Montjuïc Funicular on the nearby hill of Montjuïc. They serve an ornamental function, to mark the entrance to the exhibition district, now known as Fira de Barcelona, and the start of the grand avenue leading up to the Palau Nacional on Montjuïc, which houses the National Art Museum of Catalonia. Originally, the towers were open to the public, who could climb the internal stairs to the viewing galleries, but they are now normally closed. In later years, the western tower housed equipment for controlling the illumination of the Magic Fountain of Montjuïc, 350m away at the far end of Avinguda Maria Cristina, and the gallery of the eastern tower housed sirens for signalling possible emergencies; the disused equipment was removed during the 2013/14 restoration work.The towers are registered as protected structures by Barcelona city council, with a protection level of B:B, a structure of local interest.Following restoration work, the towers opened to the public for the first time since 1929, for a two-day period during October 2014.

The Poble Espanyol (literally, Spanish town) is an open-air architectural museum in Barcelona, Catalonia, Spain, approximately 400 metres away from the Fountains of Montjuïc. Built for the 1929 Barcelona International Exposition, the museum consists of 117 full-scale buildings replicated from different places in the Iberian Peninsula, joined together forming a small town recreating urban atmospheres of disparate places in Spain. It also contains a theater, restaurants, artisan workshops and a museum of contemporary art.