Central Baptist Church, Southampton

The Polygon (or simply Polygon) is an area in the city of Southampton, England. The area is located north of the Western Esplanade, Commercial Road and Cumberland Place; east of Hill Lane and Rollesbrook Greenway; south of Archers Road; and west of Dorset street and The Avenue (A33). The area notably encompass Watts Park, Southampton Central railway station, Southampton Courts of Justice and the Maritime & Coastguard Agency. The residential area consists of largely Edwardian red brick houses.

Mayflower Theatre (formerly the Gaumont Theatre and originally The Empire Theatre) is a Grade II listed theatre in the city centre of Southampton, England, with a capacity of 2,300. It features West End theatre shows when they tour the United Kingdom. In addition to this, one-off comedy shows and music events often take place at the theatre too.

Watts Park, also known as West Park, is an urban park in the city of Southampton. It is named in honour of Isaac Watts, the Congregationalist minister and hymn writer who was born in the city. It was built between 1854 and 1866, and in 1995 was designated Grade II* on Historic England's register of historic parks and gardens.

The Carlton Place drill hall is a military installation in Southampton, Hampshire.

Wyndham Court is a block of social housing in Southampton, England. It was designed by Lyons Israel Ellis for Southampton City Council in 1966, and is located near Southampton Central station and the Mayflower Theatre. Wyndham Court includes 184 flats, three cafes or restaurants and 13 shops, and was completed in 1969.

The Titanic Musicians' Memorial is a memorial in Southampton, United Kingdom, to the musicians who died in the RMS Titanic disaster on 15 April 1912. The original Titanic Musicians' Memorial was unveiled by the Mayor of Southampton, H Bowyer on 19 April 1913, and was located in the old Southampton library. This library along with the memorial were destroyed during World War II. A replica was erected in 1990. The plaque features a musical inscription, the opening bars of the 19th century hymn, 'Nearer, My God, to Thee' by Sarah Flower Adams, carvings showing a grieving woman and an iceberg, and an inscription with the names of the musicians on the Titanic, including bandleader Wallace Hartley, all of whom died.

The SeaCity Museum is a museum in Southampton, England, which opened on 10 April 2012 to mark the centenary of RMS Titanic's departure from the city. It is housed within a part of the Grade II* listed civic centre building which previously housed the magistrates' court and police station. The museum contains two permanent exhibitions, one dedicated to Southampton's connection with RMS Titanic, and the other to the city's role as gateway to the world. A third space for temporary exhibitions is housed in a purpose-built pavilion extension to the civic centre. Further phases of development may yet add to the exhibition space.The museum was designed by Wilkinson Eyre with Kier Southern serving as the main contractor. The budget for the museum was £15M, approximately £5M of which came from the Heritage Lottery Fund, with Southampton City Council and Southampton Cultural Development Trust providing the remainder. The council had planned on selling works from their municipal art collection to fund the museum, but backed down after encountering significant opposition from both within and outside the city.

St Anne's Catholic School is an 11-18 secondary school in Southampton, England, for girls. The school's sixth form is coeducational. The school is situated close to the city centre, and attracts pupils from all round the city and beyond. The school converted to academy status in August 2012. In January 2016, there were 1080 students enrolled, with 48 students at the end of Year 13. Until 2006, it was known as St Anne's Convent School.

The Dell in Milton Road, Southampton, Hampshire, England was the home ground of Southampton F.C. between 1898 and 2001.

The Southampton City Art Gallery is an art gallery in Southampton, southern England. It is located in the Civic Centre on Commercial Road. The gallery opened in 1939 with much of the initial funding from the gallery coming from two bequests, one from Robert Chipperfield and another from Frederick William Smith. The gallery was damaged during World War II and repairing this damaged delayed its reopening until 1946.The gallery's art collection covers six centuries of European art history, with over 5,300 works in its fine art collection. It is housed in an example of 1930s municipal architecture. The gallery holds a Designated Collection, considered of national importance.Highlights of the permanent collection include a 14th-century altarpiece by Allegretto Nuzi, of the Italian Giambattista Pittoni; the Perseus series by Burne-Jones; paintings by the Camden Town Group and The London Group; sculpture by Jacob Epstein, Auguste Rodin, Edgar Degas, Henri Gaudier Brzeska, Richard Deacon and Tony Cragg; and Richard Long photographs.

Southampton Cenotaph is a First World War memorial designed by Sir Edwin Lutyens and located in Watts Park in the southern English city of Southampton. The memorial was the first of dozens by Lutyens to be built in permanent form and it influenced his later designs, including the Cenotaph in London. It is a tapering, multi-tiered pylon which culminates in a series of diminishing layers before terminating in a sarcophagus (or cenotaph, 'empty tomb') which features a recumbent figure of a soldier. In front is an altar-like Stone of Remembrance. The cenotaph contains multiple sculptural details including a prominent cross, the town's coat of arms, and two lions. The names of the dead are inscribed on three sides. Although similar in outline, later cenotaphs by Lutyens were much more austere and featured almost no sculpture. The design uses abstract, ecumenical features and lifts the recumbent soldier high above eye level, anonymising him. The memorial was unveiled at a public ceremony on 6 November 1920. Shortly afterwards, concerns emerged that the list of names on the cenotaph was incomplete. After a newspaper campaign, more than 200 further names were identified and these were eventually added to the cenotaph. The names of most Jewish casualties were omitted, the Jewish community being unhappy that the memorial featured a Christian cross. By the beginning of the 21st century, the engravings on the memorial had deteriorated noticeably. Rather than re-cut them and damage the stonework, they were supplemented by a series of glass panels that bear all the names from the cenotaph, as well as names from the Second World War and later conflicts. The panels were unveiled in 2011. The memorial is a Grade I listed building, having been upgraded in 2015 when Lutyens's war memorials were declared a national collection.

The Simon Flavell Leukaemia Research Laboratory is based at Southampton General Hospital and named after ten-year-old Simon Flavell who died in 1990 from an aggressive form of T-cell acute lymphoblastic leukemia (ALL). The laboratory specialises in researching and developing antibody type treatments for adults and children with currently incurable types of leukaemia. The laboratory was opened officially on 21 February 1993 by Gary Lineker and his former wife Michelle and in 2008 underwent a complete refurbishment. Originally part of the University of Southampton Medical School, The Simon Flavell Laboratory became independent in 2005 though still affiliated to the School of Medicine but now funded by the children’s leukaemia research charity Leukaemia Busters and other charitable sources. The Simon Flavell laboratory focuses on translational research designed to bring benefits to patients directly. In the early years the laboratory was involved in the development and manufacture of two different immunotoxins for treating patients with lymphoma, acute lymphoblastic leukaemia (ALL) and multiple myeloma in phase I clinical trials. This continues and now the laboratory is involved in developing the next generation of genetically engineered immunotoxins that should prove safer to use and cheaper to manufacture. A main theme of the laboratory’s current research work is to devise ways of improving the therapeutic window for immunotoxins to make them safer and more effective to use clinically. The laboratory is currently headed by Simon’s parents David Flavell and Sopsamorn (Bee) Flavell . The purpose of this Laboratory is to ensure that patients do not have to experience as much chemotherapy. The reason why this laboratory even opened was to support Simon Flavell and other people who have high potential for Leukemia, to make sure they would not have to experience as much pain.