Palazzo Cavalli-Franchetti

The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis. It is one of the least altered of the Gothic palaces of Venice.

The Palazzo Loredan Cini is a Gothic-style palace located between the Palazzo Balbi Valier and the Rio San Vio on the Grand Canal, in the sestiere of Dorsoduro, Venice, Italy. The palace was formed from the amalgamation of the former Palazzo Foscari-Loredan with the adjacent Palazzo Grimani. The narrow facade on the Canal has no entrance, but the facade to the north on the Rio, has a single water door, and is connected to the adjacent campo by a bridge. The facade is decorated with two poliforas.

The Ponte dell'Accademia is one of only four bridges to span the Grand Canal in Venice, Italy. It crosses near the southern end of the canal, and is named for the Accademia di Belle Arti di Venezia, which from 1807 to 2004 was housed in the Scuola della Carità together with the Gallerie dell'Accademia, which is still there. The bridge links the sestieri of Dorsoduro and San Marco.A bridge on the site was first suggested as early as 1488. The provveditore Luca Trum proposed in the council to build two bridges across the Grand Canal, one here and the other at Santa Sofia. The members of the council, however, laughed at him, and the motion was not even put to the vote. The original steel structure, designed by Alfred Neville, opened on 20 November 1854, but was demolished and replaced by a wooden bridge designed by Eugenio Miozzi and opened in 1933, despite widespread hopes for a stone bridge.Lovers have attempted to attach padlocks ("love locks") to the metal hand rails of the bridge, but Venetian authorities have successfully cracked down on this.

San Vidal (San Vitale) is a former church, and now an event and concert hall located at one end of the Campo Santo Stefano in the Sestiere of San Marco, where it leads into the campiello San Vidal, and from there to the Ponte dell'Accademia that spans the Grand Canal and connects to the Sestiere of Dorsoduro, Venice, Italy.

Photographic archive Gerola is preserved by the Istituto Veneto di Scienze, Lettere ed Arti at Palazzo Loredan in Venice.

The Istituto Veneto di Scienze, Lettere ed Arti (IVSLA) is an academy of sciences in Venice.

The Conservatorio di Musica Benedetto Marcello di Venezia, also known as the Venice Conservatory, is a conservatory in Venice, Italy, named after composer Benedetto Marcello and established in 1876.

Palazzo Barbarigo is a palace situated facing the Grand Canal of Venice, Italy. It is not to be confused with the Palazzo Barbarigo Minotto and Palazzo Barbarigo della Terrazza, both also on the Grand Canal, and other palazzi, and several villas, once owned by the Barbarigo family. According to an investigation by the Anti-Corruption Foundation (Russia), the property, together with a part of adjacent palazzo, belongs to Russian conductor Valery Gergiev. It is a small part of the vast inheritance of the philanthropist Yoko Nagae Ceschina, who died in 2015.

St George's Church, Venice is an Anglican parish church in Venice, Italy in the Diocese in Europe.

The Palazzo Giustinian Lolin is a Baroque style palace located on the Grand Canal of Venice, Italy. The present facade was designed circa 1630 by Baldassare Longhena. It is used as an exhibition venue for the Venice Biennale.

The Palazzo Morosini Gatterburg, also referred to as the Palazzo Morosini at Santo Stefano, is a 17th-century palace facing the Campo Santo Stefano in the sestiere of San Marco, Venice, Italy. The palace, bought by the Morosini family in 1628, was originally refurbished by Francesco Morosini, known as Peloponnesiaco for his victories against the Ottomans in Morea (as the Peloponnese peninsula in Greece was referred to at the time), and doge from 1688-1694. The Palace was still held in the 19th century by a descendant, Lauredana Morosini Gatterburg, but in 1884, many of the possessions were sold, and others came into the possession of the Museo Correr. The paneling and furniture of one of the rooms is now on display in the Gardner Museum of Boston. The palace still contains some of the original stucco decoration and frescoes of a mythologic theme in what was once a hall displaying some of the loot from Morea. Also there are frescoes completed for the 1688 wedding of Francesco Morosini and Paulina Mocenigo. The palace is now owned by Assicurazioni Generali, a bank, and serves for display of their collections. Bull-fights took place in the campo in front of the palace as late as 1802 At one time, the palace also had portraits of eight Doges of the Morosini family, as well as of Tomasina Morosini, queen of Hungary, and Costanza Morosini, queen of Croatia.

Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894.