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Cremona Baptistery

12th-century Roman Catholic church buildings in ItalyBaptisteries in ItalyCatholic baptisteriesChurches completed in 1167Gothic architecture in Lombardy
Roman Catholic churches in CremonaRomanesque architecture in Lombardy
Cremona, battistero 01
Cremona, battistero 01

The Cremona Baptistery (Italian: Battistero di Cremona) is a religious edifice in Cremona, northern Italy. It is annexed to the city's Cathedral. Built in 1167, it is characterized by an octagonal plan, a reference to the cult of St. Ambrose of Milan, symbolizing the Eight Day of Resurrection and, thenceforth, the Baptism. The edifice mixes Romanesque and Lombard-Gothic styles, the latter evident in the preference for bare brickwork walls. To the 16th century restorations belong the marble cover of some walls, the pavement and the baptismal font (1531) and the narthex (1588) of the entrance, in Romanesque style, work by Angelo Nani. The interior has a 14th-century Crucifix, over the St. John altar, and two wooden statues portraying "St. Philip Neri" and "St. John the Baptist" by Giovanni Bertesi. Over the ceiling is a 12th-century statue of the Archangel Gabriel.

Excerpt from the Wikipedia article Cremona Baptistery (License: CC BY-SA 3.0, Authors, Images).

Cremona Baptistery
Piazza del Comune, Cremona Centro Storico

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Latitude Longitude
N 45.133113888889 ° E 10.025072222222 °
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Battistero

Piazza del Comune
26100 Cremona, Centro Storico
Lombardy, Italy
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Cremona, battistero 01
Cremona, battistero 01
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Santi Clemente e Imerio, Cremona

Santi Clemente e Imerio (or sometimes called Sant'Imerio alone) is a 17th-century Roman Catholic church on Via Aporti 16, in Cremona, region of Lombardy, Italy. The church was commissioned in 1606 by the Marchese Cesare de Soresina Vidoni, in part to house his brother Pietro, who had become a monk in the Order of Discalced Carmelites, and established a convent alongside this church. The exterior was left unfinished in part to demonstrate the vows of poverty of the order. In 1805, the order was suppressed and the remaining monks were relocated to Lodi and Crema. This church was joined to the parish church of San Clemente, thus adding the name. The church has three chapels on each side. The semi-Corinthian columns are odd, since they end in laurel, and not acanthus, leaves. The main altarpiece once held a painting depicting the Virgin and child with St Bishop Imerio and St Jerome, by Luigi Miradori. He also painted a canvas with Saints of the Carmelite order. The main altarpiece is now a Virgin and Child by Margherita Caffi. The first chapel altarpiece on the right depicts the Virgin and Child with St. Anthony (1687) by Giovanni Battista Natali. The third chapel has Rest on the Flight to Egypt by Luigi Miradori (known as il Genovesino). In the first chapel on the left is an altarpiece depicting St John preaching in the Desert by Roberto De Longe, while in the third chapel there is a St Teresa in Prayer (1648) by Angelo Massarotti. Additionally, this church has two paintings moved here from the church of Santa Maria Magdalena: a Meeting of St Dominic with St Francis attributed to Gervasio Gatti, and a Beheading of St John the Baptist(1597) by Luca Cattapane.

San Facio, Cremona
San Facio, Cremona

San Facio, also commonly called the Chiesa del Foppone, is a late Baroque architecture, Roman Catholic, now deconsecrated church in Cremona, region of Lombardy, Italy. The church was completed in 1781, to officiate the burials in the surrounding ossuary of those dying in the adjacent hospital (Ospedale Maggiore e Ospedale Vecchio) of Cremona. It was called Foppone because of it operational similarity to the Nuovi Sepolcri (1695) in Milan. The surrounding large cemetery crypts in the portico formed part of an 18th-century urge to provide, systematize, and formalize the burials for the indigent. From the courtyard, the architecture seems dour except for the domes of the church. The interior of the church in Greek Cross layout, is decorated by Giovanni Manfredini with Grotteschi, an ornamentation then utilized in cemetery churches due to their prevalence in Roman catacombs. A guide from 1820 cites the first altar on the right of the entrance has a Caravaggesque canvas depicting Christ healing the blind man, by Pietro Martire Neri or Negri. The main altarpiece is a Deposition from the Cross with the Virgin Mother, the Magdalen, and Joseph d' Arimathea (1569) by Vincenzo Campi. The altar on the left, has a Virgin and Child with San Facio with a Basket of Bread dispensing food to the poor and maimed (1593) by Andrea Mainardi (called il Chiaveghino). The site was closed for burials in the 1970s and administration transferred to the Commune.