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Japantown, Vancouver

Asian-Canadian culture in VancouverEthnic enclaves in British ColumbiaJapanese-Canadian cultureJapantownsNeighbourhoods in Vancouver
1927 Japanese Canadian area of Vancouver, British Columbia
1927 Japanese Canadian area of Vancouver, British Columbia

Japantown, Little Tokyo or Paueru-gai (パウエル街, lit. "Powell Street") is an old neighbourhood in Vancouver, British Columbia, Canada, located east of Gastown and north of Chinatown, that once had a concentration of Japanese immigrants. Japantown ceased to be a distinct Japanese ethnic area during World War II when Japanese Canadians had their property confiscated and were interned. Although some Japanese returned after the war, the community never revived to its original state as the properties of Japanese Canadians were permanently forfeited by the Canadian government. As Japantown ceased to exist, the area is often referred to and marketed as Railtown by real estate developers.

Excerpt from the Wikipedia article Japantown, Vancouver (License: CC BY-SA 3.0, Authors, Images).

Japantown, Vancouver
Powell Street, Vancouver Strathcona

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Wikipedia: Japantown, VancouverContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 49.28312 ° E -123.0953 °
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Powell Street

Powell Street
V6A Vancouver, Strathcona
British Columbia, Canada
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1927 Japanese Canadian area of Vancouver, British Columbia
1927 Japanese Canadian area of Vancouver, British Columbia
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St. James Anglican Church (Vancouver)
St. James Anglican Church (Vancouver)

St. James' Anglican Church (Saint James Parish of Vancouver, BC) is a unique church building in the Diocese of New Westminster of the Anglican Church of Canada located at the north-east corner of East Cordova Street (formerly Offenheimer Street) and Gore Avenue in the City of Vancouver, British Columbia, Canada in what is now its east Downtown and Strathcona neighbourhoods containing the Downtown Eastside district (originally Japantown).The original building was completed in the spring of 1881 on Alexander Street (west of Main Street) in the Town of Granville (aka Gastown), Burrard Inlet to the north west of the present site and was sponsored by Captain James Raymur, the manager of Hastings Mill. Granville was renamed Vancouver and the town was incorporated as a city on April 6, 1886. This building burned down in the Great Vancouver Fire of June 13, 1886. The heat of the fire melted the church bell into a puddle that was eventually put on display at the Museum of Vancouver.The present (and third) church building was designed by Adrian Gilbert Scott who later designed the Church of St. Mary and St. Joseph, Poplar, London, England which has architectural similarities. The building is the second to be built at this location on land (east of Main Street) donated by the Canadian Pacific Railway after the fire. Its design is a combination of Art Deco, Romanesque Revival, Byzantine Revival, and Gothic Revival architecture. The walls are made of reinforced concrete, while the roof is made of slate. The building was constructed between 1935 and 1937 and consecrated in 1938. St. James was the first Anglican parish in Vancouver, formerly Granville (aka Gastown), until the establishment of Christ Church (local church), a daughter church, in 1888 that in 1929 became Christ Church Cathedral - the Diocese's second cathedral. Another daughter church, St. Paul's Anglican Church, was established in 1889, and later became a separate parish and is located in the city's West End. The worship tradition is Anglo-Catholic. Offices of Morning and Evening Prayer are said daily. Said (Low) Mass is celebrated daily except Saturdays. A Solemn (High) or Sung Mass is sung every Sunday at 10:30 a.m. The Rector of St James Parish of Vancouver is The Venerable (Father) Kevin Hunt, Archdeacon of Burrard. Andrew Campbell is the Rector's Warden. The other Wardens are Peggy Smyth and Leah Postman. In addition to the Rector and Wardens, the other voting members of the Parish's Board of Trustees are its Lay Delegates to Synod: Jenny Johnson, Pamela McDonald, Ross Hornby, and, its Non-Voting Trustees, the Secretary, Linda Adams, and the Treasurer, Reece Wrightman. The Parish Council usually meets quarterly and is chaired by Louisa Farrell and its secretary is Reece Wrightman. The Parish Vestry meets annually or more often as needed. The Vestry Clerk is Linda Adams.

St. Lawrence (restaurant)
St. Lawrence (restaurant)

St. Lawrence is a French-Canadian restaurant in the Japantown neighbourhood of Vancouver, British Columbia. It opened in June 2017. Located on the ground floor of a heritage building at 269 Powell St, originally a Japanese general store, St. Lawrence serves a blend of traditional Québécois dishes and French haute cuisine. Executive chef and owner J.C. Poirier began developing the concept for St. Lawrence in 2013, and sought with both the menu and the décor to replicate the feeling of being inside a rural French home and eating a country-style meal. The interior, which features a blue and green colour scheme and numerous keepsakes and photographs, was developed by Vancouver-based studio Ste. Marie. The menu at St. Lawrence is primarily concentrated on rich, hearty fare served in large portions, running counter to the predominant stereotype of Vancouver cuisine as light and health-focused. Lesser-known dishes and uncommon cuts of meat like sweetbreads are featured in order to showcase Quebecois cuisine beyond its most famous dish, poutine. The plating style is deliberately basic, and presentation of many dishes incorporates playful touches inspired by the culture of Quebec, such as the tourtière, served with a miniature flag of the Montreal Canadiens hockey team, a Quebecois cultural icon. St. Lawrence has been a critical success since it opened. It has been highly-ranked on several Canadian "best restaurant" lists, and was awarded one Michelin star in 2022. It has ranked on the Canada's 100 Best list since its first eligible year, and in 2020 it was ranked the second-best restaurant in Canada. Critics have highlighted the richness of the dishes, which many noted felt like "comfort food", as well as the rustic interior design. Some critics noted that the high menu prices came at an apparent contrast to the rustic aesthetic.

Kissa Tanto
Kissa Tanto

Kissa Tanto is an Italian-Japanese fusion restaurant in the Chinatown neighborhood of Vancouver, British Columbia, Canada. The 80-seat restaurant, which opened in June 2016, is on the second floor of 263 E Pender St. Its name comes from the Japanese word kissa, referring to the jazz cafes of 1960s Tokyo, and the Italian word tanto, meaning "a lot" or "so much". Kissa Tanto is co-owned by restaurateur Tannis Ling, executive chef Joël Watanabe, and sous chef Alain Chow, who collectively envisioned it as an escapist, anachronistic concept. The restaurant's visual design was as central to its development as the menu. The unobtrusive exterior was left in a state of slight disrepair, and is marked only by a small awning and neon sign. The restaurant's interior is inspired by the mid-century modern design movement, with curved banquettes, banker's lamps, extensive use of maple and walnut, and polished brass fixtures. It references the jazz cafes which inspired its name with a glossy coved ceiling and stacks of vinyl records behind the bar in place of the traditional bar mirror. Kissa Tanto serves a modern fusion of Italian and Japanese cuisine, a pairing that appears unusual, but has some historical and culinary basis. Both cuisines focus on simplicity, umami flavors, and local ingredients. The fusion style is flexible and intuitive; traditional ingredients from each cuisine are added to dishes from the other as required rather than attempting to follow a strict formula. The whole fried fish has been singled out by reviewers as the restaurant's signature dish. Since its launch, Kissa Tanto has garnered positive reviews for its romantic, retro-style design philosophy and innovative menu. It has been highly ranked on several Canadian "best restaurant" lists, including the Canada's 100 Best list. In its first year, several critics named it "best new restaurant".

Vancouver Police Museum
Vancouver Police Museum

The Vancouver Police Museum & Archives (formerly Vancouver Police Centennial Museum) opened to commemorate the centennial of the Vancouver Police Department and the City of Vancouver, British Columbia in 1986. Located at 240 E. Cordova Street adjacent to Vancouver's Gastown, the museum is housed in a building that was purpose-built in 1932 for use by the City Coroner’s Services and includes the Coroner's Court, morgue and autopsy facilities (until 1980) and the City Analyst’s Laboratory (until 1996). In 1935, the Coroner's Court was used as a makeshift hospital by police during the Battle of Ballantyne Pier. It was designed by architect Arthur J. Bird, and today it is a municipally designated class "A" heritage building. The museum is run by the Vancouver Police Historical Society, a non-profit organization established in 1983 with the mandate to foster interest in the history of the Vancouver Police Department and to open a museum for this purpose. The catalyst for the project was the museum's first curator, Joe Swan, a former police sergeant and amateur historian. Swan wrote the department's official history book, which was published by the Vancouver Historical Society in 1986, entitled, A Century of Service: The Vancouver Police, 1886-1986. The museum is located on the top floor of the city-owned Coroner's Court building and permanent exhibits include the original morgue and autopsy suite. The museum maintains a collection of approximately 30,000 objects. This includes archival documents, photographs, publications, confiscated firearms and other weapons, counterfeit currency, and various other artifacts and memorabilia, of which an estimated 40% is on display. The museum offers educational programs for children and youth that are focused on forensic investigation. The museum has a small book shop featuring a curated collection of books written by local authors and publishes a quarterly newsletter. The museum is self-funded through admission and program fees, membership fees, donations, book shop sales, and project grants; the museum receives no direct funding from the Vancouver Police Department or the City of Vancouver but gratefully receives their in-kind support.