Municipal Archive of Valencia

Jaume I (Spanish: Jaime I) or the Monument to James I is an instance of public art in Valencia, Spain. The monument is topped by a equestrian bronze statue representing James I of Aragon, conqueror of Valencia in 1238 and founder of the Kingdom of Valencia.

La Nau (literally "The Nave") is the former building of the old Universidad Literaria in Valencia, and is today one of the smaller buildings of the modern Universitat de València. The street itself is known as the carrer de la Nau after the building. It was built in 1497 and remodeled in 1830. The courtyard is now used for a café and exhibitions.

The Iglesia de San Esteban (in Valencian: Església de Sant Esteve) is a parish church located in Plaça de Sant Esteve in the city of Valencia, in the Valencian Community, Spain.

The Real Colegio Seminario del Corpus Christi (Royal College and Seminary of Corpus Christi) is a former Roman Catholic school and seminary founded in 1583 in the Spanish city of Valencia. It is located in calle de la Nau in the old city, opposite La Nau, the former Universidad Literaria.

Colón (Valencian: Colom, mostly referred as Colón) is a metro station of the Metrovalencia network in Valencia, Spain. It is situated on Carrer de Colom, in the southeastern part of the city centre. The station is an underground structure.

The Palace of the Marquis of Dos Aguas (Spanish: Palacio del Marqués de Dos Aguas, Valencian: Palau del Marqués de Dosaigües) is a Rococo nobility palace, historically important in the city, is located in one of the most central locations in the city of Valencia (Spain), stately mansion that was of the Marqueses of Dos Aguas, currently owned by the Spanish State, where houses the González Martí National Museum of Ceramics and Decorative Arts. A noble knight, Don Francisco Perellós, a descendant of the counts of Tolosa, married in the early 15th century to Joanna Perellós, only daughter of the wealthy Mosen Gines de Rabassa, the descendants of this marriage took the surname of Rabassa de Perellós. This family acquired by purchase the barony of Dosaigües in 1496, being elevated to marquisate by King Charles II of Spain in 1699. Historians say, that the house of the Marqueses of Dos Aguas was considered in Valencia for centuries, as a paragon of nobility and opulence and that, its fortune came from the year 1500, at which time a family of merchants, the Rabassa, is enriched, first with the commercial treatment and then with the leases of the rights of the Generalitat Valenciana, i.e. the contracts of indirect contributions. The Rabassa de Perellós family continued their business with the Generalitat, while occupying high positions in the political government of Valencia and accumulated skills and important heredities through intermarriage with other important Valencian noble families. The space in which it is located is believed that was probably originally the field intended to a Roman necropolis of the 1st and 3rd centuries, due to the findings in one of its courtyards on September 9, 1743.

The National Museum of Ceramics and Decorative Arts "González Martí" (Spanish: Museo Nacional de Cerámica y de las Artes Suntuarias González Martí), located in Valencia, Spain, is a museum dedicated to ceramics (with special importance to Valencian ceramics), porcelains and other decorative arts such as textile art, traditional costumes and furniture. Housed in the Palace of the Marqués de Dos Aguas, it was founded on 7 February 1947, from the donation of Manuel González Martí's ceramics collection. Seven years later, once the restoration of the palace was completed, the museum opened to the public on 18 June 1954.

The Palacio de Ripalda was a building (now defunct) of Eclectic style designed in 1889 by Spanish architect Joaquín María Arnau Miramón in the Spanish city of Valencia.

The Museu de Belles Arts de València (Valencian pronunciation: [muˈzɛw ðe ˈbeʎez ˈaɾdz de vaˈlensia]; Spanish: Museo de Bellas Artes de Valencia; English: "Museum of Fine Arts of Valencia") is an art gallery in Valencia, Spain, founded in 1913. It houses some 2,000 works, most dating from the 14th–17th centuries, including a Self portrait of Diego Velázquez, a St. John the Baptist by El Greco, Goya's Playing Children, Gonzalo Pérez's Altarpiece of Sts. Ursula, Martin and Antony and a Madonna with Writing Child and Bishop by the Italian Renaissance master Pinturicchio. It houses a large series of engravings by Giovan Battista Piranesi. The museum is in the St. Pius V Palace, built in the 17th–18th centuries. It has also sections dedicated to sculpture, to contemporary art and to archaeological findings.

The Royal Basilica of Our Lady of the Forsaken (Spanish: Real Basílica de la Virgen de los Desamparados) is located in the city of Valencia, Spain. It is the sanctuary of the Lady of the Forsaken, Patron Saint of Valencia and of the entire Old Kingdom of Valencia, current Valencian Community. It holds the dignity of a basilica thanks to the papal brief signed by SS. Pius XII on April 21, 1948.

The Archdiocese of Valencia (Latin, Valentina) is a Catholic ecclesiastical territory located in north-eastern Spain, in the province of Valencia, part of the autonomous community of Valencia. The archdiocese heads the ecclesiastical province of Valencia, with authority over the suffragan dioceses of Ibiza, Majorca, Minorca, Orihuela-Alicante and Segorbe-Castellón. The archbishops are seated in Valencia Cathedral. On 28 August 2014, Pope Francis appointed Cardinal Antonio Cañizares Llovera as the next archbishop of Valencia.

Valencia Cathedral, at greater length the Metropolitan Cathedral–Basilica of the Assumption of Our Lady of Valencia (Spanish: Iglesia Catedral-Basílica Metropolitana de la Asunción de Nuestra Señora de Valencia, Valencian: Església Catedral-Basílica Metropolitana de l'Assumpció de la Mare de Déu de València), also known as St Mary's Cathedral, is a Roman Catholic church in Valencia, Spain. The cathedral was consecrated in 1238 by the first bishop of Valencia after the Reconquista, Pere d'Albalat, Archbishop of Tarragona, and was dedicated to Saint Mary by order of James I the Conqueror. It was built over the site of the former Visigothic cathedral, which under the Moors had been turned into a mosque. Valencian Gothic is the predominant architectural style of the cathedral, although it also contains Romanesque, French Gothic, Renaissance, Baroque and Neoclassical elements. The cathedral contains numerous 15th-century paintings, some by local artists (such as Jacomart), others by artists from Rome engaged by the Valencian Pope Alexander VI who, when still a cardinal, made the request to elevate the Valencian See to the rank of metropolitan see, a category granted by Pope Innocent VIII in 1492. A purported Holy Chalice, believed by many to be the true Holy Grail, is kept in one of the cathedral's chapels.