Church of San Esteban (Valencia)

Valencia Cathedral, at greater length the Metropolitan Cathedral–Basilica of the Assumption of Our Lady of Valencia (Spanish: Iglesia Catedral-Basílica Metropolitana de la Asunción de Nuestra Señora de Valencia, Valencian: Església Catedral-Basílica Metropolitana de l'Assumpció de la Mare de Déu de València), also known as St Mary's Cathedral, is a Roman Catholic church in Valencia, Spain. The cathedral was consecrated in 1238 by the first bishop of Valencia after the Reconquista, Pere d'Albalat, Archbishop of Tarragona, and was dedicated to Saint Mary by order of James I the Conqueror. It was built over the site of the former Visigothic cathedral, which under the Moors had been turned into a mosque. Valencian Gothic is the predominant architectural style of the cathedral, although it also contains Romanesque, French Gothic, Renaissance, Baroque and Neoclassical elements. The cathedral contains numerous 15th-century paintings, some by local artists (such as Jacomart), others by artists from Rome engaged by the Valencian Pope Alexander VI who, when still a cardinal, made the request to elevate the Valencian See to the rank of metropolitan see, a category granted by Pope Innocent VIII in 1492. A purported Holy Chalice, believed by many to be the true Holy Grail, is kept in one of the cathedral's chapels.

The Archdiocese of Valencia (Latin, Valentina) is a Catholic ecclesiastical territory located in north-eastern Spain, in the province of Valencia, part of the autonomous community of Valencia. The archdiocese heads the ecclesiastical province of Valencia, with authority over the suffragan dioceses of Ibiza, Majorca, Minorca, Orihuela-Alicante and Segorbe-Castellón. The archbishops are seated in Valencia Cathedral. On 28 August 2014, Pope Francis appointed Cardinal Antonio Cañizares Llovera as the next archbishop of Valencia.

The Corts Valencianes (Valencian pronunciation: [ˈkoɾ(d)z valensiˈanes]), commonly known as Les Corts ([les ˈkoɾ(t)s]), are the main legislative body of the Generalitat Valenciana and therefore of the Valencian Community. The main location of the Corts is in the Palace of the Borgias in Valencia; however it can meet at any location in the Valencian lands. The Corts has its origins in bodies established in the thirteenth century by King James I of Aragon. The modern institution was established in 1982 under the Valencian statute of autonomy of 1982. The current Corts were elected in 2019.

The Palace of the Borgias (officially and in Valencian, Palau de les Corts Valencianes, Palau de Benicarló or Palau dels Borja) is an aristocratic palace of Catalan Gothic and Renaissance styles located in the city of Valencia, Spain. It is now the headquarters of the Valencian Parliament. The palace was constructed in the 15th century to be the residence of the Borgia family in the capital of the Kingdom of Valencia.

The Casa de la Ciutat (in Spanish: Casa de la Ciudad) or what it now call the City Hall, was in the place where today the Gardens known as de la Audiencia or more commonly the gardens next to the Palau de la Generalitat. It was therefore the headquarters of the Municipal Council of Valencia.

The Palace of the Marquis of Dos Aguas (Spanish: Palacio del Marqués de Dos Aguas, Valencian: Palau del Marqués de Dosaigües) is a Rococo nobility palace, historically important in the city, is located in one of the most central locations in the city of Valencia (Spain), stately mansion that was of the Marqueses of Dos Aguas, currently owned by the Spanish State, where houses the González Martí National Museum of Ceramics and Decorative Arts. A noble knight, Don Francisco Perellós, a descendant of the counts of Tolosa, married in the early 15th century to Joanna Perellós, only daughter of the wealthy Mosen Gines de Rabassa, the descendants of this marriage took the surname of Rabassa de Perellós. This family acquired by purchase the barony of Dosaigües in 1496, being elevated to marquisate by King Charles II of Spain in 1699. Historians say, that the house of the Marqueses of Dos Aguas was considered in Valencia for centuries, as a paragon of nobility and opulence and that, its fortune came from the year 1500, at which time a family of merchants, the Rabassa, is enriched, first with the commercial treatment and then with the leases of the rights of the Generalitat Valenciana, i.e. the contracts of indirect contributions. The Rabassa de Perellós family continued their business with the Generalitat, while occupying high positions in the political government of Valencia and accumulated skills and important heredities through intermarriage with other important Valencian noble families. The space in which it is located is believed that was probably originally the field intended to a Roman necropolis of the 1st and 3rd centuries, due to the findings in one of its courtyards on September 9, 1743.

The National Museum of Ceramics and Decorative Arts "González Martí" (Spanish: Museo Nacional de Cerámica y de las Artes Suntuarias González Martí), located in Valencia, Spain, is a museum dedicated to ceramics (with special importance to Valencian ceramics), porcelains and other decorative arts such as textile art, traditional costumes and furniture. Housed in the Palace of the Marqués de Dos Aguas, it was founded on 7 February 1947, from the donation of Manuel González Martí's ceramics collection. Seven years later, once the restoration of the palace was completed, the museum opened to the public on 18 June 1954.

The Museu de Belles Arts de València (Valencian pronunciation: [muˈzɛw ðe ˈbeʎez ˈaɾdz de vaˈlensia]; Spanish: Museo de Bellas Artes de Valencia; English: "Museum of Fine Arts of Valencia") is an art gallery in Valencia, Spain, founded in 1913. It houses some 2,000 works, most dating from the 14th–17th centuries, including a Self portrait of Diego Velázquez, a St. John the Baptist by El Greco, Goya's Playing Children, Gonzalo Pérez's Altarpiece of Sts. Ursula, Martin and Antony and a Madonna with Writing Child and Bishop by the Italian Renaissance master Pinturicchio. It houses a large series of engravings by Giovan Battista Piranesi. The museum is in the St. Pius V Palace, built in the 17th–18th centuries. It has also sections dedicated to sculpture, to contemporary art and to archaeological findings.

The Real Colegio Seminario del Corpus Christi (Royal College and Seminary of Corpus Christi) is a former Roman Catholic school and seminary founded in 1583 in the Spanish city of Valencia. It is located in calle de la Nau in the old city, opposite La Nau, the former Universidad Literaria.

Valencia (Spanish: [baˈlenθja]), natively also València (Valencian: [vaˈlensi.a, -sja]), is a province of Spain, in the central part of the autonomous Valencian Community. Of the province's 2.6 million people (2021), one-third live in the capital, Valencia, which is also the capital of the autonomous community and the 3rd biggest city in Spain, with a metropolitan area of 2,522,383 people it is also one of the most populated cities of Southern Europe. There are 265 municipalities in the province.

La Nau (literally "The Nave") is the former building of the old Universidad Literaria in Valencia, and is today one of the smaller buildings of the modern Universitat de València. The street itself is known as the carrer de la Nau after the building. It was built in 1497 and remodeled in 1830. The courtyard is now used for a café and exhibitions.

The Serrans Gate or Serranos Gate (Valencian: Porta dels Serrans, Valencian: [ˈpɔɾta ðels seˈrans]; Spanish: Puerta de Serranos, [ˈpweɾta ðe seˈranos]), also known as Serrans Towers or Serranos Towers (Valencian: Torres dels Serrans, Valencian: [ˈtorez ðels seˈrans]; Spanish: Torres de Serranos, [ˈtorez ðe seˈranos]) is one of the twelve gates that formed part of the ancient city wall, the Christian Wall (Muralla cristiana), of the city of Valencia, Spain. It was built in Valencian Gothic style at the end of the 14th century (between 1392 and 1398). Its name is probably due to its location in the northeast of the old city centre, making it the entry point for the royal road (camí ral) connecting Valencia with the comarca or district of Els Serrans (along the road going northwest towards the mountains around Teruel and eventually leading to Saragossa) as well as the entry point for the royal road to Barcelona, or because the majority of settlers near there in the time of James I of Aragon were from the area around Teruel, whose inhabitants were often called serrans (mountain people) by the Valencians. Alternatively, the gate may also have been named after an important family, the Serrans, who lived in a street with the same name. It is an important landmark and one of the best preserved monuments of Valencia. Of the ancient city wall, which was pulled down in 1865 on the orders of the provincial governor Cirilio Amorós, only the Serrans Towers, the 15th century Quart Towers, and some other archaeological remains and ruins, such as those of the Jewish Gate (Puerta de los Judíos), have survived. The Torres de Serrans were built in the 14th century, 1392, by Pere Balaguer. It was the main entrance to the city and it was originally built with a defensive function. From 1586 until 1887 the towers were used as a prison for nobles.