Equestrian statue of Victor Emmanuel II, Milan

Noli me tangere is a fragment of a fresco of c. 1498–1500 by the Italian Renaissance painter and architect Bramantino depicting Jesus and Mary Magdalene soon after the resurrection. It was originally in the church of Santa Maria del Giardino in Milan and since 1867 in the Pinacoteca del Castello Sforzesco in the same city, to which it was given by Prospero Moisè Loria. One of the painter's earliest surviving works, it shows the strong influence of Bramante, particularly his 1497 fresco paintings of armed men for the Casa Visconti-Panigarola. Around the same time as Bramantino's fresco, Santa Maria del Giardino underwent a major redecoration, headed by Vincenzo Foppa. The swelling and wrinkled draperies, the simplification of the figures' volumes and the cold and metallic light support a dating in the 1490s, close to the same artist's Philemon and Baucis (Wallraf–Richartz Museum, Cologne), The Adoration of the Kings (National Gallery, London) and Pietà (Pinacoteca Ambrosiana).

The Coperto dei Figini was a Renaissance porticated building located in what is now Piazza del Duomo, the central square in Milan, Italy. The construction began in 1467 on a design by architect Guiniforte Solari (from the Veneranda Fabbrica del Duomo di Milano), ordered by Pietro Figino. The building, located on the north-western side of the piazza, was a popular meeting place for the Milanese people for over 400 years; it housed several shops that sold such drinks as the turbolin (boiled and filtered coffee), chocolate, barbajada, orgeat syrup, and more. Many of these shops evolved into cafes when the first such establishments appeared in Milan; for example, one of the historic Caffé Campari in Milan was located there.The Coperto was ordered for demolition in the early 19th century (and actually demolished in the 1860s), as a consequence of the major redesign of the piazza. Painter Angelo Inganni has left a few drawings depicting the Coperto a few years before being demolished, and some photographs have also been preserved.

The Rebecchino was a historic neighborhood of Milan, Italy, located in the immediate surroundings of Milan's Cathedral, in what is now Piazza del Duomo. The neighborhood was demolished in the second half of the 19th century to allow for the thorough redesign of the piazza that led to its modern, monumental layout. Reportedly, the Rebecchino was named after an eponymous inn, dating back to the 16th century, which in turn took its name from the fact that its sign had a rebec on it. This inn was so well known that the word "rebecchino" (also spelled "rebechino") eventually came to mean "cheap hotel" per antonomasia.The first plans to demolish the Rebecchino date back to the Napoleonic rule of Milan, in the 18th century, when the modern Piazza del Duomo began to take shape. While the Cathedral and the surrounding piazza were supposed to become a symbol of the wealth of Milan, the Rebecchino clashed with this vision, as it was a chaotic agglomerate of old, decayed buildings; its narrow streets were populated by thieves and other evil-doers that would prey on the pilgrims visiting the Cathedral. The order for the demolition of the Rebecchino, along with that of the Coperto dei Figini (a portico dating back to the Renaissance, also in the area of the Cathedral) was formalized in 1810, but quarrels followed, and the neighborhood survived for several decades, somewhat like "an island" in the middle of the developing plaza. The area was eventually cleared on the occasion of German Emperor William I visiting Milan in 1875.

Piazza del Duomo ("Cathedral Square") is the main piazza (city square) of Milan, Italy. It is named after, and dominated by, Milan Cathedral (the Duomo). The piazza marks the center of the city, both in a geographic sense and because of its importance from an artistic, cultural, and social point of view. Rectangular in shape, with an overall area of 17,000 m2 (about 183,000 sq ft), the piazza includes some of the most important buildings of Milan (and Italy in general), as well some of the most prestigious commercial activities, and it is by far the foremost tourist attraction of the city. While the piazza was originally created in the 14th century and has been gradually developing ever since (along with the Duomo, which took about six centuries to complete), its overall plan, in its current form, is largely due to architect Giuseppe Mengoni, and dates to the second half of the 19th century. The monumental buildings that mark its sides, with the main exception of the Duomo itself and the Royal Palace, were introduced by Mengoni's design; the most notable of Mengoni's addition to the piazza is the Galleria Vittorio Emanuele II arcade.

The Biblioteca Europea di Informazione e Cultura (BEIC, "European library of information and culture") is an ongoing project based in Milan, Italy for the realization of a new modern library. It began in the late 1990s, when Antonio Padoa-Schioppa submitted the idea for the first time to the City of Milan and the Italian Ministry of Cultural Heritage and Activities and Tourism. The library is split in two main units: physical and virtual.

The Metropolitan City of Milan (Italian: città metropolitana di Milano; Milanese: cittaa metropolitana de Milan [tʃiˈtɑː metrupuliˈtana de miˈlãː]) is a metropolitan city in the Lombardy region, Italy. It's the second most populous Metropolitan City in the nation after the Metropolitan City of Rome. Its capital is the city of Milan. It replaced the Province of Milan and includes the city of Milan and other 133 municipalities or communes (comuni). It was first created by the reform of local authorities (Law 142/1990) and then established by the Law 56/2014. It has been operative since 1 January 2015. The Metropolitan City of Milan is headed by the Metropolitan Mayor (Sindaco metropolitano) and by the Metropolitan Council (Consiglio metropolitano). Since June 2016 Giuseppe Sala, as mayor of the capital city, has been the mayor of the Metropolitan City.

The Province of Milan (Italian: Provincia di Milano) was a province in the Lombardy region, Italy. Its capital was the city of Milan. The area of the former province is highly urbanized, with more than 2,000 inhabitants/km2, the third highest population density among Italian provinces, just below the densities of the provinces of Naples and of Monza e Brianza, the latter of which was created in 2004 from the north-eastern part of the province of Milan. On January 1, 2015 the province was replaced by the Metropolitan City of Milan.

Duomo is an interchange station serving Lines 1 and 3 of the Milan Metro. The station is underground and located at Piazza Duomo, the central area of Milan. The Line 1 station was opened on 1 November 1964 as part of the inaugural section of the Metro, between Sesto Marelli and Lotto. In 1990, it became an interchange with Line 3. The Line 3 platform serving trains to San Donato has several problems with moisture as it is at a depth of about 25 meters. Line 1, being older, runs above Line 3. The Line 3 section is divided into two orthogonal tubes, the northern one being above the southern one. Near the station are the Duomo, the Teatro alla Scala, the Royal Palace and the Galleria Vittorio Emanuele II. A corridor of the station is in communication (but the passage is closed) with the archaeological excavations of the pre-Christian basilica located under the Duomo. The mezzanine of the station is connected by tunnels that reach the exits of Piazza Cordusio ("Craft Gallery"), Palazzo Reale ("Galleria del Parvis"), Corso Vittorio Emanuele II and the Rinascente in Piazza Duomo.

The Palazzo dell'Arengario is a Fascist-era complex of two symmetrical buildings in Piazza del Duomo, the central piazza of Milan, Italy. It was completed in the 1950s and currently houses the Museo del Novecento, a museum dedicated to 20th-century art. The word "arengario" refers to its original function as a local government seat in the Fascist period.

Palazzo Carminati ("Carminati Palace") is the palace facing the Milan Cathedral (i.e., the "Duomo") on the West side of Piazza del Duomo, the central plaza of Milan, Italy. The palace is named after a famous Cafè, the Carminati. It was built in the late 1860s as private home of a well known Milanese silver manufacturer, Giacomo Cesati. In the twentieth century, the palace became a landmark of Milan (and a symbol of the city's economic growth) because of the large neon advertising signs that were affixed to its façade, with an overall visual effect that has been compared to that of New York City's Broadway and Times Square or London's Piccadilly Circus. Advertising signs first appeared on the façade of the palace in the 1920s, but they were especially rich and colorful in the 1960s and 1970s. Besides being known to the Milanese, the façade of the palace became familiar to everyone in Italy through a number of appearances in films and television, including a spot for the Cynar liquor.The signs were eventually removed by Milan's major Gabriele Albertini in 1999, as a consequence of a campaign aimed at promoting the plaza's "dignity", although this decision has since been frequently criticized.

The Museo del Novecento ("museum of the twentieth century") is a museum of twentieth-century art in Milan, in Lombardy in northern Italy. It is housed in the Palazzo dell'Arengario, near Piazza del Duomo in the centre of the city. The museum opened in December 2010. It displays about 400 works, most of them Italian, from the twentieth century.

The Galleria Vittorio Emanuele II (Italian: [ɡalleˈriːa vitˈtɔːrjo emanuˈɛːle seˈkondo]) is Italy's oldest active shopping gallery and a major landmark of Milan in Italy. Housed within a four-story double arcade in the centre of town, the Galleria is named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 and built by architect Giuseppe Mengoni between 1865 and 1877.