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Eyebeam (organization)

1997 establishments in New York CityArts organizations based in New York CityArts organizations established in 1997Computer artHackerspaces
Non-profit organizations based in New York CityUse mdy dates from March 2022

Eyebeam is a not-for-profit art and technology center in New York City, founded by John Seward Johnson III with co-founders David S. Johnson and Roderic R. Richardson. Originally conceived as a digital effects and coding atelier and center for youth education, Eyebeam has become a center for the research, development, and curation of new media works of art and open source technology. Eyebeam annually hosts up to 20 residents and co-produces youth educational programs, exhibitions, performances, symposia, workshops, hackathons and other events with these residents as well as with partner organizations. Projects developed at Eyebeam have received awards and recognition including Webby Awards, Guggenheim Fellowships, and the Prix Ars Electronica.

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Eyebeam (organization)
West 21st Street, New York Manhattan

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N 40.747105555556 ° E -74.007122222222 °
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West 21st Street 542
10011 New York, Manhattan
New York, United States
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Dia Art Foundation
Dia Art Foundation

Dia Art Foundation is a nonprofit organization that initiates, supports, presents, and preserves art projects. It was established in 1974 by Philippa de Menil, the daughter of Houston arts patron Dominique de Menil and an heiress to the Schlumberger oil exploration fortune; art dealer Heiner Friedrich, Philippa's husband; and Helen Winkler, a Houston art historian. Dia provides support to projects "whose nature or scale would preclude other funding sources."Dia holds a major collection of work by artists of the 1960s and 1970s, on view at Dia Beacon that opened in the Hudson Valley in 2003. Dia also presents exhibitions and programs at Dia Chelsea in New York City, located at 535, 541 and 545 West 22nd Street. In addition to its exhibition spaces at Dia Beacon and Dia Chelsea, Dia maintains and operates a constellation of commissions, long-term installations, and site-specific projects, notably focused on land art, nationally and internationally. Dia's permanent collection holdings include artworks by artists who came to prominence during the 1960s and 1970s, including Joseph Beuys, Dan Flavin, Donald Judd, Agnes Martin, and Andy Warhol. The art of this period represented a radical departure in artistic practice and is often large in scale; it is occasionally ephemeral or site-specific. Currently, Dia commissions, supports, and presents site-specific installations and long-term exhibitions of work by these artists, as well as those of younger generations.

Venus (mural)

Venus is a twelve-story-high mural painting by Knox Martin on the south side of Bayview Correctional Facility at 19th Street and Eleventh Avenue in Manhattan, New York City. Venus was commissioned by Doris Freedman of CityWalls (later the Public Art Fund) in 1970. Knox Martin chose this wall for its unique location, next to Eleventh Avenue (West Side Highway), and visible from the Verrazano-Narrows Bridge, the Statue of Liberty, the New Jersey shore of the Hudson River, and the West Side Highway itself.Venus was restored in 1998 with the support of the Public Art Fund. A new weather-resistant acrylic paint developed in collaboration with the artist and donated by Golden Artist Colors was used, which will last at least 75 years.The prison is a facility of the New York State Department of Correctional Services. The Department made this statement in 2001: In 1970, prior to the rejuvenation of the district, Bayview's entire south wall was decorated with a red and pink abstract painting, called "Venus" by artist Knox Martin. The mural, conspicuous for its size and beauty, has often been used on post cards. It is also conspicuous – in a culture that regards large, exposed surface as prime advertising space – for not being a billboard. Not surprisingly, advertisers call from time to time with proposals to lease the wall for commercial messages, but Bayview doesn't want its beautiful Venus covered over with a beer or jeans ad. Besides, it's state property. Marilyn Kushner of the Brooklyn Museum wrote: Traditionally the goddess of love and fertility, Venus represents woman, erotic and supple, but it also conveys Knox Martin's love affair with New York. Venus is his love poem to the city where he has always lived, a place that is part of his being. The feminine, curvilinear shapes of the image are in direct contrast with the straight forms that intersect the composition. The overwhelming size of this enormous mural only intensifies the experience of female shapes, the linear aspects of the painted composition, and of the surrounding architecture. In an era when art was reaching out to the masses with pop culture, this huge mural was Knox Martin's way of touching a public that would never venture into an art gallery. Today, Venus is almost entirely obscured by the neighboring building 100 Eleventh Avenue, completed in 2010.