Equestrian statue of Louis XIV (Versailles)

The Place d'Armes is a square in Versailles, France.

The Petite Écurie is a monument located in Versailles, on the Place d'Armes, opposite the Palace of Versailles, between the Avenue de Paris and the Avenue de Sceaux. Together with the Grande Écurie, it formed the Écuries royales (an institution employing some 1,000 people under Louis XIV), and was built under the direction of architect Jules Hardouin-Mansart and completed in 1681.Today, it houses the École Nationale Supérieure d'Architecture de Versailles and the workshops of the Centre for Research and Restoration of Museums of France.

La Cour des Senteurs (The Scent Courtyard) is a newly opened area in Versailles, France, dedicated to the culture of perfume, which is one of the important cultures in France. It was opened in 2013 after the renovation of a former historical area nearby the Palace of Versailles. It is composed by several shops and restaurants in a courtyard, and two gardens.

The Galerie des Carrosses - formerly the Musée des Carrosses, until 2006 - is a history and transport museum in Versailles (Yvelines), France, featuring a collection of carriages, mainly from the 19th century. Part of the Public Establishment of the Palace, Museum and National Estate of Versailles, it is housed in the Grande Écurie.

The Equestrian Show Academy (French: Académie Equestre Nationale du Domaine de Versailles) is an equestrian academy located in Versailles, in the Grande Écurie.

The Equestrian Statue of King Louis XIV is a sculpture designed and partially executed by the Italian artist Gian Lorenzo Bernini, who was originally brought to France to design a new facade of the Louvre, a portrait bust, and an equestrian statue. Bernini first discussed the project while in France in the mid-1660s, but it did not start until later in the decade, when back in Rome. It was not completed until 1684 and then shipped to Paris in 1685. Louis XIV of France was extremely unhappy with the end result and had it placed in a corner of the gardens of the royal palace at Versailles. Soon after, the sculpture was modified by François Girardon and altered into an equestrian sculpture of the ancient Roman hero Marcus Curtius.

The Bust of Louis XIV is a marble portrait by the Italian artist Gian Lorenzo Bernini. It was created in the year 1665 during Bernini's visit to Paris. This sculptural portrait of Louis XIV of France has been called the "grandest piece of portraiture of the Baroque age". The bust is on display at the Versailles Palace, in the Salon de Diane in the King's Grand Apartment.

On 20 June 1789, the members of the French Third Estate took the Jeu de Paume Oath (French: Serment du Jeu de Paume) in the tennis court which had been built in 1686 for the use of the Palace of Versailles. Their vow "not to separate and to reassemble wherever necessary until the Constitution of the kingdom is established" became a pivotal event in the French Revolution. The Estates-General had been called to address the country's fiscal and agricultural crisis, but they had become bogged down in issues of representation immediately after convening in May 1789, particularly whether they would vote by order or by head (which would increase the power of the Third Estate, as it outnumbered the other two estates by a large margin). On 17 June, the Third Estate began to call itself the National Assembly, led by Honoré Gabriel Riqueti, Comte de Mirabeau.On the morning of 20 June, the deputies were shocked to discover that the chamber door was locked and guarded by soldiers. They immediately feared the worst and were anxious that a royal attack was imminent from King Louis XVI, so upon the suggestion of one of their members Joseph-Ignace Guillotin, the deputies congregated in a nearby indoor royal tennis court near the Palace of Versailles. The 576 of the 577 members from the Third Estate took the oath – the only person who did not join was Joseph Martin-Dauch from Castelnaudary, who would only execute decisions that were made by the monarch.

The King's Stables are located in Versailles, at 5 Carnot street, a few hundred meters from the Palace. Constituting the Royal Stables (an institution employing hundreds of people at the time of Louis XIV's installation at Versailles), they were built in 1672. Deemed too small, they were quickly replaced in the 1680s by the Petite Écurie and the Grande Écurie of the Place d'Armes. They were then offered to the Queen and became the Queen's Stables. They are now occupied by the Versailles Court of Appeal. They were listed as a historic monument in 1978.

The Recollects Convent was built originally in 1684 at the Palace of Versailles, France by order of Louis XIV as a house for the religious order of Recollects - a reform branch of the Franciscans created in 16th century in France, Germany, and Holland. After the order was suppressed during the French Revolution, the building was converted into a prison, and then later in the 19th century was used by the French army. Currently occupied by the French Ministry of Defense, the convent is only open to visitors during certain public events, such as Le Mois Molière (an annual theater event organized by the city of Versailles).

The Royal Gate of the Palace of Versailles separates the Cour d'Honneur from the Royal Court of the Palace of Versailles. It is also located between the Pavillon Dufour (on the left as you enter), built under Louis XVIII and currently used to welcome visitors to the château, and the Gabriel wing (on the right), whose construction began in 1772, but which was not completed until 1985. The Royal Gate was destroyed in 1794, during the French Revolution. It marked the castle's outskirts at the end of the 17th century for less than a century before reappearing in a new version in 2008. Although considered restitution by its architect Fréderic Didier, art historians have criticized this initiative.

The present chapel of the Palace of Versailles is the fifth in the history of the palace. These chapels evolved with the expansion of the château and formed the focal point of the daily life of the court during the Ancien Régime (Bluche, 1986, 1991; Petitfils, 1995; Solnon, 1987).