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Arsenal des galères

GalleysMonuments historiques of MarseilleNaval ships
Cours d'Estienne d'Orves 004
Cours d'Estienne d'Orves 004

The Arsenal des Galères (lit. French for Galleys Arsenal) is a former military arsenal located in Marseille, France. It was built by Colbert in the second half of the 17th century to house and arm King Louis XIV's galleys, but was only fully operational for less than a hundred years, galleys rapidly losing their role in naval warfare to ships. Until 1748, the Arsenal housed convicts sentenced to forced labor. It was located on the eastern and southern shores of the Old Port, and although almost nothing remains of it today, its location still marks the city's urban planning.

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Arsenal des galères
Cours Honoré d'Estienne d'Orves, Marseille 1st Arrondissement

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N 43.2925 ° E 5.3733333333333 °
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Cours Honoré d'Estienne d'Orves 25
13001 Marseille, 1st Arrondissement
Provence-Alpes-Côte d'Azur, France
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Cours d'Estienne d'Orves 004
Cours d'Estienne d'Orves 004
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Opéra de Marseille
Opéra de Marseille

The Opéra de Marseille, known today as the Opéra Municipal, is an opera company located in Marseille, France. In 1685, the city was the second in France after Bordeaux to have an opera house which was erected on a tennis court. However, the first real theatre, the Grand-Théâtre or Salle Bauveau was constructed in 1787. During its period of great opulence following the Revolution, it was the site of many major opera presentations, including Verdi’s Rigoletto and Il Trovatore in 1860 and performances in 1866 of Lucia di Lammermoor and Il Barbiere di Siviglia by the famous soprano, Adelina Patti. Also, French premieres of major operatic works were given in the theatre: these include Aida (1877), La Fanciulla del West (1912), and an historic performance by Dame Nellie Melba in Ambroise Thomas’ Hamlet in 1890. Some years following the installation of electricity, in November 1919 a fire destroyed the 18th century theatre, leaving only its shell and an exterior stone colonnade. The present day opera house, the Opéra Municipal de Marseille, dates from its opening on 4 December 1924. It seats 1,800. It features a classic urn-shaped auditorium, three rings of boxes, two balconies and a gallery. A large sculpted frieze by sculptor Antoine Bourdelle frames the stage. Designed by the three architects Ebrard, Castel, and Raymond, the theatre preserved the stone colonnade and, located the surviving original box office in the centre of the entrance hall, up from which led two staircases to the elegant main foyer. Beauvert describes it as "an Art Deco temple", the "soul mate" of the Théâtre des Champs-Elysées in Paris. Many well-known contemporary singers made their French debuts in this opera house. Among them are Alfredo Kraus, Plácido Domingo, and Renata Scotto. The house has a reputation for its very critical audience, especially those members seated in the top gallery, "the gods". Past music directors of the company have included János Fürst.After World War II the Marseille opera house staged Sigurd by Ernest Reyer in 1963 and 1995.

Siege of Massilia
Siege of Massilia

The siege of Massilia, including two naval engagements, was an episode of Caesar's Civil War, fought in 49 BC between forces loyal to the Optimates and a detachment of Caesar's army. The siege was conducted by Gaius Trebonius, one of Caesar's senior legates, while the naval operations were in the capable hands of Decimus Brutus, Caesar's naval expert. Lucius Domitius Ahenobarbus had become proconsul of Gaul and was sent to gain control of Massilia (modern Marseille) in order to oppose Caesar. As Caesar marched to Hispania (en route to confront Pompey's legions), the Massiliots closed their gates to him, having allied with Ahenobarbus and the Optimates. Roused by their hostile actions, he commenced a siege against Massilia, leaving the newly raised XVII, XVIII, and XIX legions to conduct the siege under the command of Gaius Trebonius. He also placed Decimus Brutus in charge of his fleet there. Caesar himself marched with his veteran legions to Hispania to fight the Pompeian generals Lucius Afranius and Marcus Petreius. He would return to the siege of Massilia after defeating his opponents at the battle of Ilerda. After the siege had begun, Ahenobarbus arrived in Massilia to defend it against the Caesarian forces. In late June, Caesar's ships, although they were less skilfully built than those of the Massiliots and outnumbered, were victorious in the ensuing naval battle. Gaius Trebonius conducted the siege using a variety of siege machines including siege towers, a siege-ramp, and a "testudo-ram". Gaius Scribonius Curio, careless in adequately guarding the Sicilian Straits, allowed Lucius Nasidius to bring more ships to the aid of Ahenobarbus. He fought a second naval battle with Decimus Brutus in early September, but withdrew defeated and sailed for Hispania. Trebonius built a stationary tower, 30 feet (9.1 m) square and six stories in height, under the very walls of the city and in the face of a rain of missiles from its engines. The walls of the tower were of brickwork 5 feet (1.5 m) thick. When the lowest storey was built it was covered with a solid fireproof roof which was not secured to the walls but rested upon them like a lid. The eaves projected considerably, and from them screens were hung on all sides, covering all the walls. By means of screws the whole canopy, roof, and screens was now raised to the height of one storey and the workmen proceeded to build the walls of that storey under its protection. This process was repeated in the same manner until the full height of the tower was attained.The Massiliots valiantly defended against the siege machines and works. They threw down burning pitch and pine-shavings and the Caesarians undermined the foundations of their city walls. At one point they seemed likely to surrender and declare a truce, but at night they cunningly destroyed the siege works in a gross violation of the treaty, according to Caesar's own account (Bellum Civile 2.14; alternatively, Dio 41.25.2 records that the Massiliots destroyed these works in response to a surprise attack by the Caesarian forces). The city's inhabitants were then near surrender. At the final surrender of Massilia, Caesar showed his usual leniency and Lucius Ahenobarbus fled to Thessaly in the only vessel that was able to escape from the Populares. Afterwards, Massilia was allowed to keep nominal autonomy, due to ancient ties of friendship and support of Rome, along with some territories while most of its empire was confiscated by Julius Caesar.