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Marseille Courthouse

6th arrondissement of MarseilleBuildings and structures in MarseilleCourthouses in FranceNeoclassical architecture in France
Palais de justice de Marseille
Palais de justice de Marseille

The Marseille Courthouse (French:Palais de justice de Marseille) is a neoclassical building located on Place Montyon, in the 6th arrondissement of Marseille, France.

Excerpt from the Wikipedia article Marseille Courthouse (License: CC BY-SA 3.0, Authors, Images).

Marseille Courthouse
Rue Breteuil, Marseille 6th Arrondissement

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N 43.2913 ° E 5.3749 °
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Palais de justice

Rue Breteuil
13006 Marseille, 6th Arrondissement
Provence-Alpes-Côte d'Azur, France
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Palais de justice de Marseille
Palais de justice de Marseille
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Opéra de Marseille
Opéra de Marseille

The Opéra de Marseille, known today as the Opéra Municipal, is an opera company located in Marseille, France. In 1685, the city was the second in France after Bordeaux to have an opera house which was erected on a tennis court. However, the first real theatre, the Grand-Théâtre or Salle Bauveau was constructed in 1787. During its period of great opulence following the Revolution, it was the site of many major opera presentations, including Verdi’s Rigoletto and Il Trovatore in 1860 and performances in 1866 of Lucia di Lammermoor and Il Barbiere di Siviglia by the famous soprano, Adelina Patti. Also, French premieres of major operatic works were given in the theatre: these include Aida (1877), La Fanciulla del West (1912), and an historic performance by Dame Nellie Melba in Ambroise Thomas’ Hamlet in 1890. Some years following the installation of electricity, in November 1919 a fire destroyed the 18th century theatre, leaving only its shell and an exterior stone colonnade. The present day opera house, the Opéra Municipal de Marseille, dates from its opening on 4 December 1924. It seats 1,800. It features a classic urn-shaped auditorium, three rings of boxes, two balconies and a gallery. A large sculpted frieze by sculptor Antoine Bourdelle frames the stage. Designed by the three architects Ebrard, Castel, and Raymond, the theatre preserved the stone colonnade and, located the surviving original box office in the centre of the entrance hall, up from which led two staircases to the elegant main foyer. Beauvert describes it as "an Art Deco temple", the "soul mate" of the Théâtre des Champs-Elysées in Paris. Many well-known contemporary singers made their French debuts in this opera house. Among them are Alfredo Kraus, Plácido Domingo, and Renata Scotto. The house has a reputation for its very critical audience, especially those members seated in the top gallery, "the gods". Past music directors of the company have included János Fürst.After World War II the Marseille opera house staged Sigurd by Ernest Reyer in 1963 and 1995.

Siege of Massilia
Siege of Massilia

The siege of Massilia, including two naval engagements, was an episode of Caesar's Civil War, fought in 49 BC between forces loyal to the Optimates and a detachment of Caesar's army. The siege was conducted by Gaius Trebonius, one of Caesar's senior legates, while the naval operations were in the capable hands of Decimus Brutus, Caesar's naval expert. Lucius Domitius Ahenobarbus had become proconsul of Gaul and was sent to gain control of Massilia (modern Marseille) in order to oppose Caesar. As Caesar marched to Hispania (en route to confront Pompey's legions), the Massiliots closed their gates to him, having allied with Ahenobarbus and the Optimates. Roused by their hostile actions, he commenced a siege against Massilia, leaving the newly raised XVII, XVIII, and XIX legions to conduct the siege under the command of Gaius Trebonius. He also placed Decimus Brutus in charge of his fleet there. Caesar himself marched with his veteran legions to Hispania to fight the Pompeian generals Lucius Afranius and Marcus Petreius. He would return to the siege of Massilia after defeating his opponents at the battle of Ilerda. After the siege had begun, Ahenobarbus arrived in Massilia to defend it against the Caesarian forces. In late June, Caesar's ships, although they were less skilfully built than those of the Massiliots and outnumbered, were victorious in the ensuing naval battle. Gaius Trebonius conducted the siege using a variety of siege machines including siege towers, a siege-ramp, and a "testudo-ram". Gaius Scribonius Curio, careless in adequately guarding the Sicilian Straits, allowed Lucius Nasidius to bring more ships to the aid of Ahenobarbus. He fought a second naval battle with Decimus Brutus in early September, but withdrew defeated and sailed for Hispania. Trebonius built a stationary tower, 30 feet (9.1 m) square and six stories in height, under the very walls of the city and in the face of a rain of missiles from its engines. The walls of the tower were of brickwork 5 feet (1.5 m) thick. When the lowest storey was built it was covered with a solid fireproof roof which was not secured to the walls but rested upon them like a lid. The eaves projected considerably, and from them screens were hung on all sides, covering all the walls. By means of screws the whole canopy, roof, and screens was now raised to the height of one storey and the workmen proceeded to build the walls of that storey under its protection. This process was repeated in the same manner until the full height of the tower was attained.The Massiliots valiantly defended against the siege machines and works. They threw down burning pitch and pine-shavings and the Caesarians undermined the foundations of their city walls. At one point they seemed likely to surrender and declare a truce, but at night they cunningly destroyed the siege works in a gross violation of the treaty, according to Caesar's own account (Bellum Civile 2.14; alternatively, Dio 41.25.2 records that the Massiliots destroyed these works in response to a surprise attack by the Caesarian forces). The city's inhabitants were then near surrender. At the final surrender of Massilia, Caesar showed his usual leniency and Lucius Ahenobarbus fled to Thessaly in the only vessel that was able to escape from the Populares. Afterwards, Massilia was allowed to keep nominal autonomy, due to ancient ties of friendship and support of Rome, along with some territories while most of its empire was confiscated by Julius Caesar.

Cours Saint-Louis

The cours Saint-Louis is a street in Marseille, named after Louis of Toulouse (elder brother of Robert of Naples) rather than Saint Louis. It is the location of small pavilions to designs by Pascal Coste from which flowers are sold. Located just off a cross roads, with the route to Place Castellane (via Rue de Rome) leading off from one side, the route to Porte d'Aix and its triumphal arch, completed in 1839 (the route also passes near the library Bibliothèque de L’Alcazar) leading off from the opposite side, two routes leading towards the Old Port (one of which being the famous La Canebière built in 1666 by Louis XIV of France), a route towards Palais Longchamp (with a simple right turn onto the Canebèire), its close proximity to the famous daily vegetable market place of Noailles and an also with an opening at the back, which meets up with the beginning of the Rue d'Aubagne (which leads up to Notre Dame du Mont), Cours Saint-Louis forms a kind of unofficial central point both geographically and culturally of Marseille town centre itself. Apart from being in itself a historic place, it also features a few notable institutions such as the famous hat shop (La Chapellerie de Marseille), Toinou Coquillages, (A Sea Food and Shellfish restaurant established in 1956, highly respected by the people of Marseille), as well as the herbal Chemist shop La Pharmacie du Père Blaize, (established in 1815), being just a few steps away in nearby rue Méolan. Cours Saint-Louis is now easily accessible by a new section Tramway which runs directly through it.