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Society for the Encouragement of Fine Arts in Warsaw

Art museums and galleries in PolandBuildings and structures in WarsawCongress PolandEuropean architectureModern art
PolandPolish artWarsaw
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The Society for the Encouragement of Fine Arts in Warsaw (Towarzystwo Zachęty Sztuk Pięknych w Warszawie) was an independent arts organization founded in Warsaw, then Kingdom of Poland, in 1860. Its main goal was to support and popularize Polish art through active acquisitions, providing help for young artists through scholarships, as well as publishing and organizing exhibitions and art competitions, among other activities. The society remained active until the Nazi invasion of Poland in 1939 and was officially shut down in 1942. The former building of the Society for the Encouragement of Fine Arts in Małachowski Square in Warsaw currently houses the Zacheta National Gallery of Art, a major Central and Eastern European museum dedicated to modern and contemporary art.

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Society for the Encouragement of Fine Arts in Warsaw
Plac Stanisława Małachowskiego, Warsaw Śródmieście

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Geographical coordinates (GPS)

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N 52.239 ° E 21.011 °
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Address

XI Liceum Ogólnokształcące im. Mikołaja Reja

Plac Stanisława Małachowskiego
00-056 Warsaw, Śródmieście
Masovian Voivodeship, Poland
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Phone number
Śródmieście

call+48228286315

Website
rej.edu.pl

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Ziemiańska
Ziemiańska

Ziemiańska or Mała Ziemiańska (the name coined after the term ziemianin, meaning member of Polish landed gentry) was a coffeehouse in Warsaw. It was notable as a meeting place of many of Poland's most prominent artists of the inter-war period. The venture was founded in 1918 at 12, Mazowiecka Street in Warsaw's city centre. It was officially opened on April 14 of that year and its original owners were Jan Skępski and Karol Albrecht, two prominent pâtissier masters. Initially the cafe consisted only of a small room with several tables, later a gallery above was added with additional tables. The cafe lay roughly halfways between the Warsaw University, the Filharmony, Zachęta Art Gallery and many notable cultural facilities. Because of that, it started to be frequented by artists of all sorts. Among the most prominent to be frequent guests there were the Skamandrites, including poets Julian Tuwim, Antoni Słonimski, Jan Lechoń, Jarosław Iwaszkiewicz and Kazimierz Wierzyński, as well as their frequent companion Franciszek Fiszer. The table of the poets occupied the gallery, while one of the tables at the ground floor was reserved for painters and sculptors. Among its owners were Zofia Stryjeńska, Tadeusz Gronowski and Henryk Kuna, but also a poet Bolesław Leśmian. Among frequent guests were also Eugeniusz Bodo (dubbed the king of Polish actors), Adolf Dymsza, Jadwiga Smosarska, Leon Schiller, Jerzy Zaruba, Ludwik Solski and Konstanty Ildefons Gałczyński, who met his future wife there. Another group of guests were politicians, including Poland's prime minister Walery Sławek, minister of foreign affairs Józef Beck and General Bolesław Wieniawa-Długoszowski After the initial success, the owners of Ziemiańska opened up several other cafe houses in Warsaw. The most prominent of them (and the largest) was opened nearby, at the corner of Kredytowa and Jasna Street. From then on the original venue at Mazowiecka started to be called "Mała Ziemiańska" (Small Ziemiańska), as opposed to "Duża Ziemiańska", or Big Ziemiańska. The success of the pastries served there allowed the owners to open a similar cafe in Nice, which however was closed in the 1930s, following protests from French pastry makers. The Ziemiańska (and the building) ceased to exist during the Warsaw Uprising. It was not rebuilt.

Saxon Axis
Saxon Axis

The Saxon Axis (Polish: Oś Saska) is a feature of the historical city centre of Warsaw. It is a line running from the Vistula through the Presidential Palace, the Krakowskie Przedmieście, Saxon Square, Saxon Palace, Saxon Garden, Lubomirski Palace to Plac Żelaznej Bramy.The idea was first proposed by August II of Poland, who intended to build a large Royal palace surrounded by a French-style garden. The plan was loosely based on the baroque design of the Palace of Versailles and was to cover a large part of what is now the city of Warsaw. The main concept, which gave the name to the modern part of the city, assumed the construction of the Saxon Palace, with gardens extending to the both sides along a single axis running exactly through its middle. Between 1713 and 1726 the king bought 28 parcels of land in the area and invited Matthäus Daniel Pöppelmann and Johann Christoph Naumann to design the urban plan. However, financial difficulties made the plan never come true in its entirety. The Saxon Garden and the Saxon Palace were constructed, but the planned demolition of the Lubomirski Palace at the Plac Żelaznej Bramy was called off after August's death in 1733. During World War II and the Warsaw Uprising of 1944, all the buildings along the axis were demolished by the Germans. After the war, the Saxon Palace was not rebuilt. However, the garden was refurbished and the demolished Lubomirski Palace was rebuilt, but was rotated to fit into the 18th century scheme. In recent times also the Warsaw University Library at the Vistula below the river escarpment was added to the list of buildings with main entrances along the axis, and a large golden tablet was placed in the pavement in front of it marking the line running through the city centre.